Digital Cinema Image Representation Signal Flow
Metadata
- Publisher
- SMPTE — White Plains, NY, USA
- Doc Type
- Journal Article
- Content Type
- Original Research
- Abbreviated Title
- SMPTE Mot. Imag. J
- Volume
- 115, No. 4, pp. 137–152
- Abstract
- The purpose of this paper is to initiate the reader to digital cinema as a technology, to discuss image signal flow down the system pipeline in feature post-production, as well as through the distribution network and associated theater system; to provide short tutorials on related technologies, and to enumerate important technical considerations and related aspects that need to be understood in making the system perform as intended.
- Publication Date
- 2006-04-01
- DOI
10.5594/J12253- ISSN
- Print:
1545-0279| Electronic:2160-2492 - Link
- https://doi.org/10.5594/J12253
- Author(s)
- John Silva
bio
John Silva is known as the “father of airborne news gathering.” In 1958, as chief engineer of television station KTLA in Los Angeles, he conceived, designed, and developed the world's first airborne news helicopter which was named the “KTLA Telecopter.” In 1970 he received an Emmy for “outstanding achievement in newsgathering.” In 1974 he received a second Emmy for “concept, design, and expertise of the KTLA Telecopter. Silva also designed and developed the world's first frame-by-frame videotape editor called the TVola in 1961. In 1977 he received the ”NAB Engineer of the Year“ award. Silva is an active participant and contributor on all four SMPTE Digital Cinema Standards Committees. - Copyright
- © 2006 Society of Motion Picture and Television Engineers, Inc.
Bibliographic Reference(s)
- A Datacentric Approach to Cinema Mastering [Active]
- 2. CIE , 1931 , www.cie.org . EXTERNAL
- 3. Giorgianni Edward J. Madden Thomas E. , Digital Color Management Encoding Solutions , Addison Westley : Reading, MA , 1997 . EXTERNAL
- 4. Taubman David S. Marcellin Michael W. , JPEG2000 Image Compression Fundamentals, Standards and Practice , Kluwer Academic Publishers : Boston, Dordrecht, London , 2002 . EXTERNAL
Source Data (JSON)
Full registry record with provenance metadata. Open directly: /api/doc/10.5594-J12253.json
Reference Tree
Explore all references and references to this document, as a navigable tree.
Open Reference TreeReference this Doc
Plain text (ISO 690 compliant)
Preview:
John Silva; Digital Cinema Image Representation Signal Flow, SMPTE Motion Imaging Journal ( Volume: 115, Issue: 4, April 2006); SMPTE, 2006. Available at https://doi.org/10.5594/J12253
Snippet:
John Silva; Digital Cinema Image Representation Signal Flow, SMPTE Motion Imaging Journal ( Volume: 115, Issue: 4, April 2006); SMPTE, 2006. Available at https://doi.org/10.5594/J12253
HTML (ISO 690 compliant)
Preview:
John Silva; Digital Cinema Image Representation Signal Flow, SMPTE Motion Imaging Journal ( Volume: 115, Issue: 4, April 2006); SMPTE, 2006. Available at https://doi.org/10.5594/J12253
Snippet:
<span class="citation">John Silva; <cite>Digital Cinema Image Representation Signal Flow</cite>, SMPTE Motion Imaging Journal ( Volume: 115, Issue: 4, April 2006); SMPTE, 2006. Available at <a href="https://doi.org/10.5594/J12253" target="_blank" rel="noopener">https://doi.org/10.5594/J12253</a></span>
SMPTE's HTML Pub
Preview:
John Silva; Digital Cinema Image Representation Signal Flow, SMPTE Motion Imaging Journal ( Volume: 115, Issue: 4, April 2006); SMPTE, 2006
doi: 10.5594/J12253
url: https://doi.org/10.5594/J12253
doi: 10.5594/J12253
url: https://doi.org/10.5594/J12253
Snippet:
<li> John Silva; <cite id="bib-10-5594-j12253">Digital Cinema Image Representation Signal Flow</cite>, SMPTE Motion Imaging Journal ( Volume: 115, Issue: 4, April 2006); SMPTE, 2006 <span class="doi">10.5594/J12253</span> </li>
Referenced By
- Color Processing for Digital Cinema 6: An Example of Color Processing through the Entire System [Active]
- Color Processing for Digital Cinema 5: Calculation of the Matrices Needed for Processing Digital Cinema Images [Active]
- Color Processing for Digital Cinema 3: Minimum Linear Bit Depth, Encoding of near Blacks, Gamut Mapping, and Colorimetry for the Tolerances in the Standards [Active]
- Color Processing for Digital Cinema 4: Measurements and Tolerances [Active]
- Color Processing for Digital Cinema 1: Background, Encoding and Decoding Equations, Encoding Primaries, and the Exponent (1/2.6) [Active]