A Datacentric Approach to Cinema Mastering
Metadata
- Publisher
- SMPTE — White Plains, NY, USA
- Doc Type
- Journal Article
- Content Type
- Original Research
- Abbreviated Title
- SMPTE Mot. Imag. J
- Volume
- 112, No. 10-11, pp. 347–358
- Abstract
- Advances in high-resolution realtime digital technology have revolutionized feature film production. The cinema mastering workflow has become one based on the storage and manipulation of high-resolution digital images. And, because these digital images represent the intellectual property and value of a production, it is of utmost importance to protect the integrity and quality of this data at every step in the production pipeline.
- Publication Date
- 2003-10-01
- DOI
10.5594/J16305- ISSN
- Print:
1545-0279| Electronic:2160-2492 - Link
- https://doi.org/10.5594/J16305
- Author(s)
- Thomas J. True
bio
Thomas True is an application engineer at SGI, focusing on the deployment of computer and network technology within the media industry. In this role, he works with partners to develop solutions for the efficient processing and management of computer graphics and film assets within production facilities. His primary areas of interest include computer graphics and video technology, digital media integration, network storage technologies, and user interaction. He received B.S. and M.S. degrees in computer science from Rochester Institute of Technology and Brown University in 1988 and 1992, respectively. Prior to joining SGI, True developed graphics system software at Digital Equipment Corp. - Copyright
- © 2003 Society of Motion Picture and Television Engineers, Inc.
Bibliographic Reference(s)
- Digital Film Mastering [Active]
- Moving and Utilizing Film Images as Data in a Real-World Video Facility [Active]
- 3. http://www.aafassociation.org/ . EXTERNAL
- 4. SGI White Paper, “SGI CXFS: A High-Performance, Multi-OS SAN Filesystem from SGI.” Copyright © 2002 Silicon Graphics, Inc. All rights reserved. Silicon Graphics, SGI, and the SGI logo are registered trademarks and CXFS and XFS are trademarks of Silicon Graphics, Inc., in the U.S. and/or other countries worldwide. All other trademarks mentioned herein are the property of their respective owners. EXTERNAL
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Thomas J. True; A Datacentric Approach to Cinema Mastering, SMPTE Motion Imaging Journal ( Volume: 112, Issue: 10-11, 2003); SMPTE, 2003. Available at https://doi.org/10.5594/J16305
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Thomas J. True; A Datacentric Approach to Cinema Mastering, SMPTE Motion Imaging Journal ( Volume: 112, Issue: 10-11, 2003); SMPTE, 2003. Available at https://doi.org/10.5594/J16305
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Thomas J. True; A Datacentric Approach to Cinema Mastering, SMPTE Motion Imaging Journal ( Volume: 112, Issue: 10-11, 2003); SMPTE, 2003. Available at https://doi.org/10.5594/J16305
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<span class="citation">Thomas J. True; <cite>A Datacentric Approach to Cinema Mastering</cite>, SMPTE Motion Imaging Journal ( Volume: 112, Issue: 10-11, 2003); SMPTE, 2003. Available at <a href="https://doi.org/10.5594/J16305" target="_blank" rel="noopener">https://doi.org/10.5594/J16305</a></span>
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Thomas J. True; A Datacentric Approach to Cinema Mastering, SMPTE Motion Imaging Journal ( Volume: 112, Issue: 10-11, 2003); SMPTE, 2003
doi: 10.5594/J16305
url: https://doi.org/10.5594/J16305
doi: 10.5594/J16305
url: https://doi.org/10.5594/J16305
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<li> Thomas J. True; <cite id="bib-10-5594-j16305">A Datacentric Approach to Cinema Mastering</cite>, SMPTE Motion Imaging Journal ( Volume: 112, Issue: 10-11, 2003); SMPTE, 2003 <span class="doi">10.5594/J16305</span> </li>