Current document root:
SMPTE Motion Imaging Journal ( Volume: 124, Issue: 5, July 2015)
SMPTE • Journal Article • [Active]
Click a document below to open its own reference tree.
Referenced By
Docs that depend on Object-Based Audio: Opportunities for Improved Listening Experience and Increased Listener Involvement
View:
·
Tree:
·
Level 1 — direct dependents (docs that cite this doc)
References Of
Docs that Object-Based Audio: Opportunities for Improved Listening Experience and Increased Listener Involvement depend on
View:
·
Tree:
·
Level 1 — direct references (docs this doc cites)
- A 22.2 Multichannel Sound System for Ultrahigh-Definition TV (UHDTV)[Active]
- Advanced Clean Audio Solution: Dialogue Enhancement[Active]
- ITU-R BS.1770-4:2015-10[Active]
- Tech 3364, “Audio Definition Model—Metadata Definition,” European Broadcasting Union, 2014.EXTERNAL
- J. Herre, J. Hilpert, A. Kuntz, and J. Plogsties, “MPEG-H Audio—The New Standard for Universal Spatial/3D Audio Coding,” presented at the AES 137th Convention, Los Angeles, California, Oct. 9-12, 2014; ISO/IEC 23008-3, Information Technology—High-Efficiency Coding and Media Delivery in Heterogeneous Environments—Part 3: 3D Audio.EXTERNAL
- M. Neuendorf, J. Plogsties, and S. Meltzer, “Immersive Audio with MPEG 3D Audio—Status and Outlook,” presented at the NAB Convention, Las Vegas, Nevada, April 2014.EXTERNAL
- K. Matsui and A. Ando, “Binaural Reproduction of 22.2 Multichannel Sound with Loudspeaker Array Frame,” Convention Paper 8954, presented at the AES 135th Convention, New York, NY, Oct. 17–20, 2013.EXTERNAL
- H. Stenzel and U. Scuda, “Producing Interactive Immersive Sound for MPEG-H: A Field Test for Sports Broadcasting,” presented at the AES 137th Convention, Los Angeles, CA, Oct. 9–12, 2014.EXTERNAL
- S. Füg et al., “Design, Coding and Processing of Metadata for Object-Based Interactive Audio,” presented at the AES 137th Convention, Los Angeles, California, Oct. 9–12, 2014.EXTERNAL
- J. Blauert, Spatial Hearing: The Psychophysics of Human Sound Localization, Cambridge, MA: MIT Press, 1997, table 2.1 and figures 2.1, 2.2, and 2.5.EXTERNAL
- M. A. Poletti, “Three-Dimensional Surround Sound Systems Based on Spherical Harmonics,” J. Audio Eng. Soc. 53(11):1004–1025, Nov. 2005.EXTERNAL
- Taking the average directivity of a loudspeaker and the head into account, plus the average reverberation time of a listening room, the home listener sits for lower frequencies (<~3 kHz) outside and for higher frequencies inside the critical distance, the border between the direct field and reverberant field. Personal communication, A. Silzle, 2014.EXTERNAL
- F. Zotter (Dr Franz Zotter, zotter@iem.at) [CC-BY-SA-3.0 (http://creative-commons.org/licenses/by-sa/3.0) or GFDL (http://www.gnu.org/co-pyleft/fdl.html)] via Wikimedia Commons.EXTERNAL
- A. Travaglini, A. Alemanno, and F. Lantini, “Defining the Listening Comfort Zone in Broadcasting through the Analysis of the Maximum Loudness Levels,” presented at the AES 132nd Convention, Budapest, Hungary, April 26–29, 2012.EXTERNAL
- A. Silzle, S. George, E. A. P. Habets, and T. Bachmann, “Investigation on the Quality of 3D Sound Reproduction,” presented at the International Conference on Spatial Audio, Detmold, Germany, 2011.EXTERNAL
- S. Meltzer, M. Neuendorf, and D. Sen, “MPEG-H 3D Audio—The Next Generation Audio System,” presented at the International Broadcasting Convention, 2014.EXTERNAL
- A. Silzle et al., “Acoustic Measurement System for 3D Loudspeaker Setups,” presented at the AES 40th International Conference, Tokyo, Japan, Oct. 8–10, 2010.EXTERNAL