Relative and Absolute Sound Pressure Levels for Motion-Picture Multichannel Sound Systems - Applicable for Analog Photographic Film Audio, Digital Photographic Film Audio and D-Cinema
Metadata
- Publisher
- SMPTE
- Suite/Collection
- Doc Type
- Recommended Practice (RP)
- Publication Date
- 1999-01-01
- Superseded Date
- 2002-11-07
- Status Note
- No digital copy available. This edition is confirmed by the "Revision of" line in SMPTE RP 200:2002.
Placeholder record. This edition is known from evidence (a later edition's "Revision of" line, citations, or earlier research) but hasn't been confirmed against the document itself.
Newer version available! SMPTE RP 200:2012 [Active]
Document Versions — SMPTE RP 200
-
▶ SMPTE RP 200:1999 (1999-01-01)THIS DOC [SUPERSEDED]
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SMPTE RP 200:2002 (2002-11-07)[SUPERSEDED]
-
SMPTE RP 200:2012 (2012-04-18)[ACTIVE] [LATEST VERSION]
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SMPTE RP 200:1999, Relative and Absolute Sound Pressure Levels for Motion-Picture Multichannel Sound Systems - Applicable for Analog Photographic Film Audio, Digital Photographic Film Audio and D-Cinema
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SMPTE RP 200:1999, Relative and Absolute Sound Pressure Levels for Motion-Picture Multichannel Sound Systems - Applicable for Analog Photographic Film Audio, Digital Photographic Film Audio and D-Cinema
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SMPTE RP 200, Relative and Absolute Sound Pressure Levels for Motion-Picture Multichannel Sound Systems - Applicable for Analog Photographic Film Audio, Digital Photographic Film Audio and D-Cinema
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SMPTE RP 200, Relative and Absolute Sound Pressure Levels for Motion-Picture Multichannel Sound Systems - Applicable for Analog Photographic Film Audio, Digital Photographic Film Audio and D-Cinema
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SMPTE RP 200:1999, Relative and Absolute Sound Pressure Levels for Motion-Picture Multichannel Sound Systems - Applicable for Analog Photographic Film Audio, Digital Photographic Film Audio and D-Cinema
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<span class="citation"><cite>SMPTE RP 200:1999</cite>, Relative and Absolute Sound Pressure Levels for Motion-Picture Multichannel Sound Systems - Applicable for Analog Photographic Film Audio, Digital Photographic Film Audio and D-Cinema</span>
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SMPTE RP 200, Relative and Absolute Sound Pressure Levels for Motion-Picture Multichannel Sound Systems - Applicable for Analog Photographic Film Audio, Digital Photographic Film Audio and D-Cinema
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<span class="citation"><cite>SMPTE RP 200</cite>, Relative and Absolute Sound Pressure Levels for Motion-Picture Multichannel Sound Systems - Applicable for Analog Photographic Film Audio, Digital Photographic Film Audio and D-Cinema</span>
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SMPTE RP 200:1999, Relative and Absolute Sound Pressure Levels for Motion-Picture Multichannel Sound Systems - Applicable for Analog Photographic Film Audio, Digital Photographic Film Audio and D-Cinema
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<li> <cite id="bib-smpte-rp200-1999">SMPTE RP 200:1999</cite>, Relative and Absolute Sound Pressure Levels for Motion-Picture Multichannel Sound Systems - Applicable for Analog Photographic Film Audio, Digital Photographic Film Audio and D-Cinema </li>
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Preview:
SMPTE RP 200, Relative and Absolute Sound Pressure Levels for Motion-Picture Multichannel Sound Systems - Applicable for Analog Photographic Film Audio, Digital Photographic Film Audio and D-Cinema
Snippet:
<li> <cite id="bib-smpte-rp200">SMPTE RP 200</cite>, Relative and Absolute Sound Pressure Levels for Motion-Picture Multichannel Sound Systems - Applicable for Analog Photographic Film Audio, Digital Photographic Film Audio and D-Cinema </li>