High-Accuracy Digital Camera Color Transforms for Wide-Gamut Workflows

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Publisher: SMPTE
Doc Type: Journal Article
Article Type: orig-research
Abstract: For digital camera systems, transforming from the native camera RGB signals into an intermediate working space is often required, with common examples involving transformations into the Academy Encoding Specification (ACES) or XYZ. For scene-linear camera signals, by far the most common approach utilizes 3 x 3 matrices (formed using regression methods), which are low-complexity approximations to the exact transformation that would be obtained using a full spectral analysis. For workflows designed for Rec. 709 displays, matrix-based input transforms are capable of producing reasonable accuracy in this domain. However, the 3 x 3 matrix colorimetric errors can become significant for saturated colors in workflows involving wide-gamut primary systems such as UHDTV or ACES. To address this shortfall, a novel input color transformation method has been developed that involves separate one-dimensional and two-dimensional operations. From the native camera RGB signals, chromaticity-like coordinates are computed, and these are used to index into a two-dimensional lookup table (LUT); the output of the two-dimensional LUT is then scaled according to the input signal. Because the surfaces associated with the two-dimensional LUTs possess many degrees of freedom, highly accurate colorimetric transformations can be achieved. For several cinematic and broadcast cameras tested, this new transformation method consistently shows a modest reduction of mean ΔE errors for colors within the Rec. 709 primaries. The improvement in accuracy becomes much more significant for saturated colors, for which the mean ΔE errors are reduced by more than a factor of three for colors that lie between Rec. 709 and Rec. 2020.
Publication Date: 2014-11-01
DOI: 10.5594/j18485
Link: https://doi.org/10.5594/j18485
Author(s): Jon S. McElvain, Walter Gish

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Jon S. McElvain and Walter Gish; High-Accuracy Digital Camera Color Transforms for Wide-Gamut Workflows, SMPTE Motion Imaging Journal ( Volume: 123, Issue: 8, November 2014); SMPTE, 2014. Available at https://doi.org/10.5594/j18485

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Jon S. McElvain and Walter Gish; High-Accuracy Digital Camera Color Transforms for Wide-Gamut Workflows, SMPTE Motion Imaging Journal ( Volume: 123, Issue: 8, November 2014); SMPTE, 2014. Available at https://doi.org/10.5594/j18485

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<span class="citation">Jon S. McElvain and Walter Gish; <cite>High-Accuracy Digital Camera Color Transforms for Wide-Gamut Workflows</cite>, SMPTE Motion Imaging Journal ( Volume: 123, Issue: 8, November 2014); SMPTE, 2014. Available at <a href="https://doi.org/10.5594/j18485" target="_blank" rel="noopener">https://doi.org/10.5594/j18485</a></span>

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Jon S. McElvain and Walter Gish; <cite id="bib-10-5594-j18485">High-Accuracy Digital Camera Color Transforms for Wide-Gamut Workflows</cite>, SMPTE Motion Imaging Journal ( Volume: 123, Issue: 8, November 2014); SMPTE, 2014
<span class="doi">10.5594/j18485</span>
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