Scalable Format and Tools to Extend the Possibilities of Cinema Audio

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Publisher: SMPTE — White Plains, NY, USA
Doc Type: Journal Article
Content Type: Original Research
Abbreviated Title: SMPTE Mot. Imag. J
Volume: 121, No. 8, pp. 63–69
Abstract: Surround sound has been making cinematic storytelling more compelling and immersive for more than 30 years. The first widely deployed surround systems used magnetic recording. Later, optical recording became standard, enabling up to 7.1 channels of audio. With the transition from film to digital distribution, there is an opportunity for the next generational step forward. This paper describes a new surround sound format that dramatically advances the capabilities of cinema sound. The format was developed in close cooperation with industry stakeholders and was specifically designed to provide the most desired new capabilities and provide a path for future enhancements, while respecting and leveraging the strengths and know-how of the current sound format and pipeline. In particular, the new system maintains and advances the ability to deliver impeccable audio quality and flexibly extends the creative possibilities to meet the needs and aspirations of both content creators and exhibitors.
Publication Date: 2012-11-01
DOI: 10.5594/j18248XY
ISSN: Print: 1545-0279
Link: https://doi.org/10.5594/j18248XY
Author(s): Charles Q. Robinson
Sripal Mehta
Nicolas Tsingos
Copyright: © 2012 Society of Motion Picture and Television Engineers, Inc.

Bibliographic Reference(s)

1. Dolby Laboratories , “Dolby Atmos Cinema Technical Guidelines,” http://www.dolby.com/uploadedFiles/Assets/US/Doc/Professional/Dolby-Atmos-Cinema-Technical-Guidelines.pdf . EXTERNAL
2. Gerzon M. A. , “With-Height Sound Reproduction,” J. Audio Eng. Soc. , 21 ( 1 ): 2 – 10 , Feb. 1973 . EXTERNAL
3. SMPTE 428-3 , “D-Cinema Distribution Master Audio Channel Mapping and Channel Labeling,” SMPTE ST 428–3, Sept. 2006 . EXTERNAL
4. Digital Cinema Initiatives, LLC , “DCI Digital Cinema System Specification v. 1.2 with Errata as of 30 August 2012 Incorporated.” EXTERNAL

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Charles Q. Robinson, Sripal Mehta, and Nicolas Tsingos; Scalable Format and Tools to Extend the Possibilities of Cinema Audio, SMPTE Motion Imaging Journal ( Volume: 121, Issue: 8, 2012); SMPTE, 2012. Available at https://doi.org/10.5594/j18248XY

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Charles Q. Robinson, Sripal Mehta, and Nicolas Tsingos; Scalable Format and Tools to Extend the Possibilities of Cinema Audio, SMPTE Motion Imaging Journal ( Volume: 121, Issue: 8, 2012); SMPTE, 2012. Available at https://doi.org/10.5594/j18248XY

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<span class="citation">Charles Q. Robinson, Sripal Mehta, and Nicolas Tsingos; <cite>Scalable Format and Tools to Extend the Possibilities of Cinema Audio</cite>, SMPTE Motion Imaging Journal ( Volume: 121, Issue: 8, 2012); SMPTE, 2012. Available at <a href="https://doi.org/10.5594/j18248XY" target="_blank" rel="noopener">https://doi.org/10.5594/j18248XY</a></span>

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<li>
Charles Q. Robinson, Sripal Mehta, and Nicolas Tsingos; <cite id="bib-10-5594-j18248xy">Scalable Format and Tools to Extend the Possibilities of Cinema Audio</cite>, SMPTE Motion Imaging Journal ( Volume: 121, Issue: 8, 2012); SMPTE, 2012
<span class="doi">10.5594/j18248XY</span>
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