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SMPTE Motion Imaging Journal ( Volume: 125, Issue: 4, 2016)
[ACTIVE]

How Independent are HDR, WCG, and HFR in Human Visual Perception and the Creative Process

Metadata

Publisher
SMPTE — White Plains, NY, USA
Doc Type
Journal Article
Content Type
Original Research
Abbreviated Title
SMPTE Mot. Imag. J
Volume
125, No. 4, pp. 24–33
Abstract
Ultra-high-definition, high dynamic range, wide color gamut, and high frame rate are bound to be powerful creative tools with which to engage the viewer. Such acronyms (and would-be logos) could also prove to be influential marketing aids. But how justified would standards bodies, content creators, and distributors be in thinking of each feature as independent? This paper provides principles of applied vision science to quantify the extent of interdependence of luminance, field-of-view, color perception, and temporal sensitivity. This paper also identifies situations in which luminance, color, and frame rate should perhaps be considered in concert rather than as independent creative dials.
Publication Date
2016-05-01
DOI
10.5594/JMI.2016.2547796
ISSN
Print: 1545-0279 | Electronic: 2160-2492
Link
https://doi.org/10.5594/JMI.2016.2547796
Author(s)
Sean T. McCarthyArris Group
Keyword(s)
Creative Intent Preservation, HDR, HFR, Ultra High Definition, Vision Science, Visual Adaptation, Wide Color Gamut
Copyright
© 2016 IEEE

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Sean T. McCarthy; How Independent are HDR, WCG, and HFR in Human Visual Perception and the Creative Process, SMPTE Motion Imaging Journal ( Volume: 125, Issue: 4, 2016); SMPTE, 2016. Available at https://doi.org/10.5594/JMI.2016.2547796
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Sean T. McCarthy; How Independent are HDR, WCG, and HFR in Human Visual Perception and the Creative Process, SMPTE Motion Imaging Journal ( Volume: 125, Issue: 4, 2016); SMPTE, 2016. Available at https://doi.org/10.5594/JMI.2016.2547796

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Sean T. McCarthy; How Independent are HDR, WCG, and HFR in Human Visual Perception and the Creative Process, SMPTE Motion Imaging Journal ( Volume: 125, Issue: 4, 2016); SMPTE, 2016. Available at https://doi.org/10.5594/JMI.2016.2547796
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<span class="citation">Sean T. McCarthy; <cite>How Independent are HDR, WCG, and HFR in Human Visual Perception and the Creative Process</cite>, SMPTE Motion Imaging Journal ( Volume: 125, Issue: 4, 2016); SMPTE, 2016. Available at <a href="https://doi.org/10.5594/JMI.2016.2547796" target="_blank" rel="noopener">https://doi.org/10.5594/JMI.2016.2547796</a></span>

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Sean T. McCarthy; How Independent are HDR, WCG, and HFR in Human Visual Perception and the Creative Process, SMPTE Motion Imaging Journal ( Volume: 125, Issue: 4, 2016); SMPTE, 2016
doi: 10.5594/JMI.2016.2547796
url: https://doi.org/10.5594/JMI.2016.2547796
Snippet:
<li>
Sean T. McCarthy; <cite id="bib-10-5594-jmi-2016-2547796">How Independent are HDR, WCG, and HFR in Human Visual Perception and the Creative Process</cite>, SMPTE Motion Imaging Journal ( Volume: 125, Issue: 4, 2016); SMPTE, 2016
<span class="doi">10.5594/JMI.2016.2547796</span>
</li>