How Independent are HDR, WCG, and HFR in Human Visual Perception and the Creative Process
Metadata
- Publisher
- SMPTE — White Plains, NY, USA
- Doc Type
- Journal Article
- Content Type
- Original Research
- Abbreviated Title
- SMPTE Mot. Imag. J
- Volume
- 125, No. 4, pp. 24–33
- Abstract
- Ultra-high-definition, high dynamic range, wide color gamut, and high frame rate are bound to be powerful creative tools with which to engage the viewer. Such acronyms (and would-be logos) could also prove to be influential marketing aids. But how justified would standards bodies, content creators, and distributors be in thinking of each feature as independent? This paper provides principles of applied vision science to quantify the extent of interdependence of luminance, field-of-view, color perception, and temporal sensitivity. This paper also identifies situations in which luminance, color, and frame rate should perhaps be considered in concert rather than as independent creative dials.
- Publication Date
- 2016-05-01
- DOI
10.5594/JMI.2016.2547796- ISSN
- Print:
1545-0279| Electronic:2160-2492 - Link
- https://doi.org/10.5594/JMI.2016.2547796
- Author(s)
- Sean T. McCarthyArris Group
- Keyword(s)
- Creative Intent Preservation, HDR, HFR, Ultra High Definition, Vision Science, Visual Adaptation, Wide Color Gamut
- Copyright
- © 2016 IEEE
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Sean T. McCarthy; How Independent are HDR, WCG, and HFR in Human Visual Perception and the Creative Process, SMPTE Motion Imaging Journal ( Volume: 125, Issue: 4, 2016); SMPTE, 2016. Available at https://doi.org/10.5594/JMI.2016.2547796
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Sean T. McCarthy; How Independent are HDR, WCG, and HFR in Human Visual Perception and the Creative Process, SMPTE Motion Imaging Journal ( Volume: 125, Issue: 4, 2016); SMPTE, 2016. Available at https://doi.org/10.5594/JMI.2016.2547796
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Sean T. McCarthy; How Independent are HDR, WCG, and HFR in Human Visual Perception and the Creative Process, SMPTE Motion Imaging Journal ( Volume: 125, Issue: 4, 2016); SMPTE, 2016. Available at https://doi.org/10.5594/JMI.2016.2547796
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<span class="citation">Sean T. McCarthy; <cite>How Independent are HDR, WCG, and HFR in Human Visual Perception and the Creative Process</cite>, SMPTE Motion Imaging Journal ( Volume: 125, Issue: 4, 2016); SMPTE, 2016. Available at <a href="https://doi.org/10.5594/JMI.2016.2547796" target="_blank" rel="noopener">https://doi.org/10.5594/JMI.2016.2547796</a></span>
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Sean T. McCarthy; How Independent are HDR, WCG, and HFR in Human Visual Perception and the Creative Process, SMPTE Motion Imaging Journal ( Volume: 125, Issue: 4, 2016); SMPTE, 2016
doi: 10.5594/JMI.2016.2547796
url: https://doi.org/10.5594/JMI.2016.2547796
doi: 10.5594/JMI.2016.2547796
url: https://doi.org/10.5594/JMI.2016.2547796
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<li> Sean T. McCarthy; <cite id="bib-10-5594-jmi-2016-2547796">How Independent are HDR, WCG, and HFR in Human Visual Perception and the Creative Process</cite>, SMPTE Motion Imaging Journal ( Volume: 125, Issue: 4, 2016); SMPTE, 2016 <span class="doi">10.5594/JMI.2016.2547796</span> </li>