The Depth of Field of Camera Lenses with Special Reference to Wide Film
Metadata
- Publisher
- SMPTE — White Plains, NY, USA
- Doc Type
- Journal Article
- Content Type
- Original Research
- Abbreviated Title
- J SMPE
- Volume
- 16, No. 3, pp. 286–292
- Abstract
- An analysis is made of the factors governing the apparent depth of field in a picture as judged by a person seated in the audience. The greatest depth of field results, for the same final magnification on the screen, when the focal length of both the camera and projector lenses are kept as short as possible. This procedure results in a greater magnification in projection, and the graininess of the film begins to be apparent if the process is carried too far. Actually the limit of magnification with 35 mm. film has been nearly reached with existing materials. It is shown in this paper that the use of a wider film for both negative and positive does not alter the depth of field, provided the same over-all magnification is used. Similarly, making a large negative and a smaller print has no effect on the depth of field under comparable conditions.
- Publication Date
- 1931-03-01
- DOI
10.5594/J13010- ISSN
- Print:
0097-5834 - Link
- https://doi.org/10.5594/J13010
- Author(s)
- Arthur C. HardyMassachusetts Institute of Technology.
- Copyright
- © 1931 Society of Motion Picture and Television Engineers, Inc.
Bibliographic Reference(s)
- 1 See, for example, “The Distribution of Light in Optical Systems,” Hardy A. C. , Journal of the Franklin Institute , Vol. 208 , No. 6 , December, 1929 . It may be remarked in passing that the f/number is a measure of the illumination on the film only when the lens is focused on an object at infinity. EXTERNAL
Source Data (JSON)
Full registry record with provenance metadata. Open directly: /api/doc/10.5594-J13010.json
Reference Tree
Explore all references and references to this document, as a navigable tree.
Open Reference TreeReference this Doc
Plain text (ISO 690 compliant)
Preview:
Arthur C. Hardy; The Depth of Field of Camera Lenses with Special Reference to Wide Film, Journal of the Society of Motion Picture Engineers ( Volume: 16, Issue: 3, March 1931); SMPTE, 1931. Available at https://doi.org/10.5594/J13010
Snippet:
Arthur C. Hardy; The Depth of Field of Camera Lenses with Special Reference to Wide Film, Journal of the Society of Motion Picture Engineers ( Volume: 16, Issue: 3, March 1931); SMPTE, 1931. Available at https://doi.org/10.5594/J13010
HTML (ISO 690 compliant)
Preview:
Arthur C. Hardy; The Depth of Field of Camera Lenses with Special Reference to Wide Film, Journal of the Society of Motion Picture Engineers ( Volume: 16, Issue: 3, March 1931); SMPTE, 1931. Available at https://doi.org/10.5594/J13010
Snippet:
<span class="citation">Arthur C. Hardy; <cite>The Depth of Field of Camera Lenses with Special Reference to Wide Film</cite>, Journal of the Society of Motion Picture Engineers ( Volume: 16, Issue: 3, March 1931); SMPTE, 1931. Available at <a href="https://doi.org/10.5594/J13010" target="_blank" rel="noopener">https://doi.org/10.5594/J13010</a></span>
SMPTE's HTML Pub
Preview:
Arthur C. Hardy; The Depth of Field of Camera Lenses with Special Reference to Wide Film, Journal of the Society of Motion Picture Engineers ( Volume: 16, Issue: 3, March 1931); SMPTE, 1931
doi: 10.5594/J13010
url: https://doi.org/10.5594/J13010
doi: 10.5594/J13010
url: https://doi.org/10.5594/J13010
Snippet:
<li> Arthur C. Hardy; <cite id="bib-10-5594-j13010">The Depth of Field of Camera Lenses with Special Reference to Wide Film</cite>, Journal of the Society of Motion Picture Engineers ( Volume: 16, Issue: 3, March 1931); SMPTE, 1931 <span class="doi">10.5594/J13010</span> </li>
Referenced By
- The Stereoscopic Art — A Reprint [Active]
- Progress in the Motion Picture Industry [Active]