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SMPTE Motion Imaging Journal ( Volume: 112, Issue: 5-6, 2003)
[ACTIVE]

An Introduction to Aliasing and Sharpening in Digital Motion Picture Systems

Metadata

Publisher
SMPTE — White Plains, NY, USA
Doc Type
Journal Article
Content Type
Original Research
Volume
112, No. 5-6, pp. 161–171
Abstract
Many interacting factors affect image quality. This paper discusses the measurement of some crucial factors and reviews their interactions. Specifically, how pixel count can interact with the image-quality factors of limiting resolution, aliasing ratio, and shape of frequency response. A new tool designed for onscreen image-quality measurements for both film and electronic projectors is described, and actual examples of aliasing artifacts are shown in still images from digital motion picture systems. It is then illustrated how aliasing artifacts can arise, although Nyquist sampling requirements are satisfied. Finally, some of the interactions between limiting resolution and frequency response shape for still and moving images are explained.
Publication Date
2003-05-01
DOI
10.5594/J12379
ISSN
Print: 1545-0279 | Electronic: 2160-2492
Link
https://doi.org/10.5594/J12379
Author(s)
Roger R. A. Morton
bio
Roger R. A. Morton is a Research Fellow at Eastman Kodak Co. His Ph.D. in electrical engineering is based on research in digital imaging. During his career, Morton has developed new digital concepts and brought them to market. He is a pioneer in algorithms for image analysis, analysis of optical and x-ray images, digital three-dimensional printing and display, and automatic audio equalization. In recognition of this pioneering and innovative work, Morton has 60 U.S. patents and numerous foreign patents.
Michelle A. Maurer
bio
Michelle A. Maurer is an Applied Research Scientist at Eastman Kodak Co. She has a B.S. in chemistry, with a minor in computer science from the University of Buffalo. During her 10 years at Kodak she has been involved in the design of new films using computer modeling and simulation. Maurer has contributed to the creation of Kodak's SFX200T film and the Vision and Vision Premier print films. Among her many investigations she has assessed color reproduction and the impact and interrelationship of contrast and film sharpness for motion picture films. She has also been extensively involved in assessments by customers of Kodak products.
Christopher L. DuMont
bio
Christopher L. DuMont is a senior technical associate with Eastman Kodak Co. He has a B.S. in imaging science and an M.S. in analytical chemistry from RIT. DuMont has worked in motion picture systems studies for the last 12 years, developing new negative, intermediate, hybrid, and digital products for use in the motion picture industry. His most recent projects were developing the Kodak Preview System, and novel technologies for use in the exhibition industry. DuMont, a SMPTE Fellow, has been the author and presenter at numerous SMPTE conferences and holds six patents in the imaging science field for Kodak.
Copyright
© 2003 Society of Motion Picture and Television Engineers, Inc.

Bibliographic Reference(s)

  • Assessing the Quality of Motion Picture Systems from Scene-to-Digital Data [Active]
  • Evolution of Resolution in Film Scanners [Active]
  • ISO.12233 — 4. “ISO 12233: 2000 Photography-Electronic Still Picture Cameras—Resolution Measurements,” published Sept. 1, 2000 . EXTERNAL
  • 10. “Average modulation level” is interpreted here as the average white level minus the average black level (for color channels read light for white and dark for black). The average white level is maximum white response (the maximum level across the white tilted bar) plus minimum white response (the minimum level across the white tilted bar) divided by two. Similarly, average black level is maximum black response (that is the maximum level across the black tilted bar) plus minimum black response (the minimum level across the black tilted bar) divided by two. In all these measurements, the effect of random noise must be removed. In our measurements, we use frame-to-frame averaging and spatial averaging across the test pattern and alias patterns. Note that average modulation level is also used in measuring the contrast transfer function (CTF) of a system. Thus, aliasing amplitude is the product of alias ratio, CTF, and image contrast. EXTERNAL
  • 11. Barten Peter G. J. , Contrast Sensitivity of the Human Eye and Its Effects on Image Quality , SPIE Optical Engineering Press , 1999 . EXTERNAL
  • 12. Granger E. M. Cupery K. N. , “An Optical Merit Function (SQF) which Correlates with Subjective Image Judgments,” Photogr. Sci. Eng. , 16 : 221 – 230 , 1972 . EXTERNAL
  • 2. ANSI/SMPTE 268M-1994— “File Format for Digital Moving-Picture Exchange (DPX),” SMPTE , 595 W. Hartsdale Ave., White Plains, NY 10607 , Approved Feb. 18, 1994 . EXTERNAL
  • 3. “Reference Output Medium Metric RGB Color Space (ROMM RGB) White Paper,” http://www.kodak.com/go/romm_rgb . EXTERNAL
  • 6. To achieve accurate measurements, preserve the white end of the tone scale so it is not “crushed” by low gamma or white saturation. EXTERNAL
  • 7. Oppenheim Alan V. Willsky Alan S. , Signals and Systems , Prentice Hall Signal Processing Series , 1983 , pp. 513 – 531 . This book includes a classic undergraduate treatment of aliasing. EXTERNAL
  • 8. Holst Gerald C. , Sampling, Aliasing and Data Fidelity: For Electronic Imaging Systems, Communications, and Data Acquisition , (SPIE Press Series, No. 55), Jan. 1998 , pp. 81 – 97 , 158 – 227 . This book addresses practical engineering issues related to sampling and reconstruction. EXTERNAL
  • 9. One possible view is that the yellow sine wave is not stationary and that implicitly the Nyquist theorem requires stationary signals. One difficulty with this view is that real world scenes are virtually always non-stationary. Thus, this is a simplified but real-world example. For a good discussion of stationarity, see Bendat Julius Piersol Allan , Measurement and Analysis of Random Data , John Wiley , 1966 . EXTERNAL
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Roger R. A. Morton, Michelle A. Maurer, and Christopher L. DuMont; An Introduction to Aliasing and Sharpening in Digital Motion Picture Systems, SMPTE Motion Imaging Journal ( Volume: 112, Issue: 5-6, 2003); SMPTE, 2003. Available at https://doi.org/10.5594/J12379
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Roger R. A. Morton, Michelle A. Maurer, and Christopher L. DuMont; An Introduction to Aliasing and Sharpening in Digital Motion Picture Systems, SMPTE Motion Imaging Journal ( Volume: 112, Issue: 5-6, 2003); SMPTE, 2003. Available at https://doi.org/10.5594/J12379

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Roger R. A. Morton, Michelle A. Maurer, and Christopher L. DuMont; An Introduction to Aliasing and Sharpening in Digital Motion Picture Systems, SMPTE Motion Imaging Journal ( Volume: 112, Issue: 5-6, 2003); SMPTE, 2003. Available at https://doi.org/10.5594/J12379
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<span class="citation">Roger R. A. Morton, Michelle A. Maurer, and Christopher L. DuMont; <cite>An Introduction to Aliasing and Sharpening in Digital Motion Picture Systems</cite>, SMPTE Motion Imaging Journal ( Volume: 112, Issue: 5-6, 2003); SMPTE, 2003. Available at <a href="https://doi.org/10.5594/J12379" target="_blank" rel="noopener">https://doi.org/10.5594/J12379</a></span>

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Roger R. A. Morton, Michelle A. Maurer, and Christopher L. DuMont; An Introduction to Aliasing and Sharpening in Digital Motion Picture Systems, SMPTE Motion Imaging Journal ( Volume: 112, Issue: 5-6, 2003); SMPTE, 2003
doi: 10.5594/J12379
url: https://doi.org/10.5594/J12379
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Roger R. A. Morton, Michelle A. Maurer, and Christopher L. DuMont; <cite id="bib-10-5594-j12379">An Introduction to Aliasing and Sharpening in Digital Motion Picture Systems</cite>, SMPTE Motion Imaging Journal ( Volume: 112, Issue: 5-6, 2003); SMPTE, 2003
<span class="doi">10.5594/J12379</span>
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