Relationships between Pixel Count, Aliasing, and Limiting Resolution in Digital Motion Picture Systems
Metadata
- Publisher
- SMPTE — White Plains, NY, USA
- Doc Type
- Journal Article
- Content Type
- Original Research
- Abbreviated Title
- SMPTE Mot. Imag. J
- Volume
- 112, No. 7-8, pp. 217–224
- Abstract
- This paper analyzes how pixel count affects one type of aliasing artifact and image rendition near limiting resolution. A previous paper1 showed that aliasing artifacts take many forms. This paper focuses on the aliasing artifact identified in the ISO 12233 standard and identified as Type A aliasing in the prior paper. A relationship termed “Type A aliasing equation” is presented, which predicts aliasing as measured by the ISO 12233 standard. It is then demonstrated that this equation predicts the best unreconstructed aliasing performance for digital motion picture systems and subsystems, thereby defining one characteristic of an ideal system. The predicted result is then compared by the Type A aliasing equation and the measured aliasing performance of 20 different digital motion picture systems and subsystems. It is also shown that the Type A aliasing equation is superior to the classical Nyquist theory as a predictor of aliasing performance of digital motion picture systems. Finally, the equation is used to compute the minimum number of pixels required for a given aliasing level and limiting resolution, and data is presented to determine the pixel count required to render a given limiting resolution.
- Publication Date
- 2003-07-01
- DOI
10.5594/J12361- ISSN
- Print:
1545-0279| Electronic:2160-2492 - Link
- https://doi.org/10.5594/J12361
- Author(s)
- Roger R. A. Morton
bio
Roger R. A. Morton is a research fellow at Eastman Kodak Co. His Ph.D. in electrical engineering is based on research in digital imaging. During his career, Morton has developed new digital concepts and brought them to market. He is a pioneer in algorithms for image analysis, analysis of optical and x-ray images, digital three-dimensional printing and display, and automatic audio equalization. In recognition of this pioneering and innovative work, Morton has 60 U.S. patents and numerous foreign patents.Christopher L. DuMontbio
Christopher L. DuMont is a senior technical associate with Eastman Kodak Co. He has a B.S. in imaging science and an M.S. in analytical chemistry from RIT. DuMont has worked in motion picture systems studies for the last 12 years, developing new negative, intermediate, hybrid, and digital products for use in the motion picture industry. His most recent projects were developing the Kodak Preview System, and novel technologies for use in the exhibition industry. DuMont, a SMPTE Fellow, has been the author and presenter at numerous SMPTE conferences and holds six patents in the imaging science field for Kodak.Michelle A. Maurerbio
Michelle A. Maurer is an applied research scientist at Eastman Kodak Co. She has a B.S. in chemistry, with a minor in computer science from the University of Buffalo. During her ten years at Kodak she has been involved in the design of new films using computer modeling and simulation. Maurer has contributed to the creation of Kodak's SFX200T film and the Vision and Vision Premier print films. Among her many investigations she has assessed color reproduction and the impact and interrelationship of contrast and film sharpness for motion picture films. She has also been extensively involved in assessments by customers of Kodak products. - Copyright
- © 2003 Society of Motion Picture and Television Engineers, Inc.
Bibliographic Reference(s)
- An Introduction to Aliasing and Sharpening in Digital Motion Picture Systems [Active]
- Assessing the Quality of Motion Picture Systems from Scene-to-Digital Data [Active]
- 10. If higher harmonics are taken into account, and a symmetrical system point-spread function centered on each pixel is assumed—a realistic assumption for most practical systems—then the initial effect of increasing the higher harmonics is to flatten the initial part of the aliasing ratio curve. The theoretical curve then gets steeper and still passes through 100% of the Nyquist frequency at a 100% aliasing ratio. EXTERNAL
- 11. For example, in other imaging systems such as computer-aided tomography, the limitations on achieving closer to theoretical reconstruction are not as severe as for motion picture systems. For these systems, it is economically feasible to use and maintain displays with more pixels than the number of pixels used for the image capture. EXTERNAL
- 2. To achieve accurate measurements it is important to preserve the white end of the tone scale so it is not “crushed” by low gamma or white saturation. There are many possible spaces for aliasing ratio measurement; we prefer unclipped screen luminance. EXTERNAL
- 3. Oppenheim Alan V. Willsky Alan S. , Signals and Systems, Prentice Hall Signal Processing Series, pp. 513 – 531 , Englewood Cliffs, NJ: Prentice Hall, 1983 . This book includes a classic undergraduate treatment of aliasing. EXTERNAL
- 4. Holst Gerald C. , “Sampling, Aliasing, and Data Fidelity for Electronic Imaging Systems, Communications, and Data Acquisition,” SPIE Press Series , 55 : 81 – 97 , 158 – 227 , Jan. 1998 . This book addresses practical engineering issues related to sampling and reconstruction. EXTERNAL
- 5. Anderson S. J. Burr D. C. , “Spatial Summation Properties of Directionally Selective Mechanisms in Human Vision,” J. Opt. Soc. Am. A. 8 : 1330 – 1339 , Aug. 1991 . This measures visual contrast sensitivities to motion of 400:1 or a contrast of 0.25%. However, the test images in this reference and alias artifacts differ in appearance. Clearly more work is needed. EXTERNAL
- 6. Barten Peter G. J. , “Contrast Sensitivity of the Human Eye and Its Effects on Image Quality,” SPIE Optical Engineering Press , 1999 . EXTERNAL
- 8. Morton Roger R. A. Maurer Michelle A. Fielding Gabriel DuMont Christopher L. , “Using 35mm Digital Intermediate to Provide 70mm Quality in Theaters—A Progress Report,” SMPTE Conference Proceedings—Pixels, Packets, Processing, and Infrastructure , pp. 213 – 217 , Nov. 2001 . EXTERNAL
- 9. One reason why higher image harmonics have little practical effect is that the image that appears on the sensor of the electronic camera or scanner is often optically filtered to reduce the amplitude of frequencies above the Nyquist frequency to minimize a form of aliasing that can occur due to frequency components above Nyquist. This form of aliasing is not discussed in this paper. Another reason is that the physical extent of each photosite on the electronic sensor will attenuate higher image frequencies. EXTERNAL
Source Data (JSON)
Full registry record with provenance metadata. Open directly: /api/doc/10.5594-J12361.json
Reference Tree
Explore all references and references to this document, as a navigable tree.
Open Reference TreeReference this Doc
Plain text (ISO 690 compliant)
Preview:
Roger R. A. Morton, Christopher L. DuMont, and Michelle A. Maurer; Relationships between Pixel Count, Aliasing, and Limiting Resolution in Digital Motion Picture Systems, SMPTE Motion Imaging Journal ( Volume: 112, Issue: 7-8, 2003); SMPTE, 2003. Available at https://doi.org/10.5594/J12361
Snippet:
Roger R. A. Morton, Christopher L. DuMont, and Michelle A. Maurer; Relationships between Pixel Count, Aliasing, and Limiting Resolution in Digital Motion Picture Systems, SMPTE Motion Imaging Journal ( Volume: 112, Issue: 7-8, 2003); SMPTE, 2003. Available at https://doi.org/10.5594/J12361
HTML (ISO 690 compliant)
Preview:
Roger R. A. Morton, Christopher L. DuMont, and Michelle A. Maurer; Relationships between Pixel Count, Aliasing, and Limiting Resolution in Digital Motion Picture Systems, SMPTE Motion Imaging Journal ( Volume: 112, Issue: 7-8, 2003); SMPTE, 2003. Available at https://doi.org/10.5594/J12361
Snippet:
<span class="citation">Roger R. A. Morton, Christopher L. DuMont, and Michelle A. Maurer; <cite>Relationships between Pixel Count, Aliasing, and Limiting Resolution in Digital Motion Picture Systems</cite>, SMPTE Motion Imaging Journal ( Volume: 112, Issue: 7-8, 2003); SMPTE, 2003. Available at <a href="https://doi.org/10.5594/J12361" target="_blank" rel="noopener">https://doi.org/10.5594/J12361</a></span>
SMPTE's HTML Pub
Preview:
Roger R. A. Morton, Christopher L. DuMont, and Michelle A. Maurer; Relationships between Pixel Count, Aliasing, and Limiting Resolution in Digital Motion Picture Systems, SMPTE Motion Imaging Journal ( Volume: 112, Issue: 7-8, 2003); SMPTE, 2003
doi: 10.5594/J12361
url: https://doi.org/10.5594/J12361
doi: 10.5594/J12361
url: https://doi.org/10.5594/J12361
Snippet:
<li> Roger R. A. Morton, Christopher L. DuMont, and Michelle A. Maurer; <cite id="bib-10-5594-j12361">Relationships between Pixel Count, Aliasing, and Limiting Resolution in Digital Motion Picture Systems</cite>, SMPTE Motion Imaging Journal ( Volume: 112, Issue: 7-8, 2003); SMPTE, 2003 <span class="doi">10.5594/J12361</span> </li>