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SMPTE Motion Imaging Journal ( Volume: 124, Issue: 5, July 2015)
SMPTE • Journal Article • [Active]
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- Cinematic Sound Scene Description and Rendering Control[Active]
- Scalable Format and Tools to Extend the Possibilities of Cinema Audio[Active]
- EBU.Tech3364European Broadcasting Union (EBU), EBU Tech 3364, “Audio Definition Model ver. 2.0,” Jun. 2018.EXTERNAL
- ETSI TS 101 154 V1.9.1[Superseded]
- ETSI.TS-102-366NOT IN REGISTRY
- ETSI.TS-103-190ETSI TS 103 190 V1.1.1, “Digital Audio Compression (AC-4) Standard.” First presented at IBC 2014, Amsterdam, The Netherlands, 11-15 September 2014. This paper is published here by kind permission of the IBC. Copyright © IBC. ThE AUThORS Sripal Mehta is principal architect, broadcast at Dolby Laboratories. His focus is the innovation, development and deployment of next-generation audio. Mehta has spent 15 years at Dolby working in the areas of professional audio, digital cinema security, and playback, and most recently, object-based immersive and personalized audio for the cinema and home. As a member of SMPTE, he has authored two digital cinema standards and has chaired the digital cinema security subcommittee. Mehta holds bachelor’s and master’s degrees in electrical and computer engineering from Carnegie Mellon University.EXTERNAL
- ITU-R BR.1352-3:2007[Withdrawn]
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- ITU-R BS.2051-3:2022-05[Active]
- SMPTE ST 2020-1:2008[Superseded]
- SMPTE ST 337:2008[Superseded]
- BBC, “Object-Based Audio Applied to Football Broadcasts: The 5 Live Football Experiment” Research and Development White Paper WHP272, 2013.EXTERNAL
- EBU Recommendation R 128, “Loudness Normalisation and Permitted Maximum Level of Audio Signals,” European Broadcasting Union, Geneva, June 2014, https://tech.ebu.ch/docs/r/r128.pdf.EXTERNAL
- R. K. Furness, “Ambisonics—An Overview,” Proc. AES 8th International Conference, Washington, D.C., 1990.EXTERNAL
- F. Rumsey, Spatial Audio, Taylor & Francis: New York, NY, 2001.EXTERNAL
- N. Tsingos, C. Q. Robinson, D. P. Darcy, and P. A. Crum, “Evaluation of Panning Algorithms for Theatrical Applications,” Proc. 2nd International Conference on Spatial Audio, Erlangen, Germany, Feb. 2014.EXTERNAL
- T. Lossius, P. Baltazar, and T. de la Hogue, “DBAP-Distance-Based Amplitude Panning,” Proc. International Conference on Computer Music, Montreal, Quebec, 2009.EXTERNAL
- ATSC Recommended Practice A/85, “Techniques for Establishing and Maintaining Audio Loudness for Digital Television,” Advanced Television Systems Committee, Washington, DC, Mar. 2013, http://atsc.org/recom-mended-practice/a85-techniques-for-establishing-and-maintaining-audio-loudness-for-digital-television/.EXTERNAL
- V. Pulkki, “Virtual Sound Source Positioning Using Vector Base Amplitude Panning,” J. Audio Eng. Soc., 45(6):456-466, June 1997.EXTERNAL
- Dolby, “Dolby Atmos Specifications,” http://www.dolby.com/us/en/tech-nologies/dolby-atmos/dolby-atmos-specifications.pdf.EXTERNAL
- D. de Vries, “Wave Field Synthesis,” AES Monograph, 2009.EXTERNAL
- Dolby Laboratories, “Dolby E and PCM Solutions for Broadcast,” http://www.dolby.com/us/en/professional/technology/broadcast/dolby-e.html.EXTERNAL
- Nicolas Tsingos, Emmanuel Gallo, and George Drettakis, “Perceptual Audio Rendering of Complex Virtual Environments,” Proc. SIGGRAPH, Aug. 2004.EXTERNAL
- G. Dickins, M. Flax, A. McKeag, and D. McGrath, “Optimal 3D-Speaker Panning,” Proc. AES 16th International Conference: Spatial Sound Reproduction, Rovaniemi, Finland, pp. 421-426, Apr. 1999.EXTERNAL
- Barco, “Auro 11.1,” http://www.barco.com/en/auro11-1.EXTERNAL
- D. Begault and F. Rumsey, An Anthology of Articles On Spatial Sound Techniques: Part 2—Multichannel Audio Technologies, Audio Engineering Society: New York, 2004.EXTERNAL
- D. Kostadinov, J. D. Reiss, and V. Mladenov, “Evaluation of Distance Based Amplitude Panning for Spatial Audio,” Proc. ICASSP, pp. 285-288, 2010,EXTERNAL
- Iosono, http://www.iosono-sound.com/home/.EXTERNAL
- Thomas Moeck, Nicolas Bonneel, Nicolas Tsingos, George Drettakis, Isabelle Viaud-Delmond, and David Alloza, “Progressive Perceptual Audio Rendering of Complex Scenes,” Proc. Symposium on Interactive 3D Graphics and Games, 2007.EXTERNAL