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Current document root: SMPTE Motion Imaging Journal ( Volume: 124, Issue: 5, July 2015)

Personalized and Immersive Broadcast Audio

SMPTE • Journal Article • [Active]

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Level 1 — direct references (docs this doc cites)
  • Scalable Format and Tools to Extend the Possibilities of Cinema Audio[Active]
  • ETSI TS 101 154 V1.9.1[Superseded]
  • ETSI.TS-103-190ETSI TS 103 190 V1.1.1, “Digital Audio Compression (AC-4) Standard.” First presented at IBC 2014, Amsterdam, The Netherlands, 11-15 September 2014. This paper is published here by kind permission of the IBC. Copyright © IBC. ThE AUThORS Sripal Mehta is principal architect, broadcast at Dolby Laboratories. His focus is the innovation, development and deployment of next-generation audio. Mehta has spent 15 years at Dolby working in the areas of professional audio, digital cinema security, and playback, and most recently, object-based immersive and personalized audio for the cinema and home. As a member of SMPTE, he has authored two digital cinema standards and has chaired the digital cinema security subcommittee. Mehta holds bachelor’s and master’s degrees in electrical and computer engineering from Carnegie Mellon University.EXTERNAL
  • SMPTE ST 2020-1:2008[Superseded]
  • SMPTE ST 337:2008[Superseded]
  • Dolby Laboratories, “Dolby E and PCM Solutions for Broadcast,” http://www.dolby.com/us/en/professional/technology/broadcast/dolby-e.htmlEXTERNAL
  • “Object-Based Audio Applied to Football Broadcasts—The 5 Live Football Experiment,” BBC R&D White Paper WHP272, 2013.EXTERNAL