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SMPTE Motion Imaging Journal ( Volume: 124, Issue: 4, May 2015)
High Dynamic Range Video Production, Delivery and Rendering
SMPTE • Journal Article • [Active]
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- Perceptual Signal Coding for More Efficient Usage of Bit Codes[Active]
- T. Pouli, A. Artusi, F. Banterle, E. Reinhard, A. O. Akyüz, and H. P. Seidel, “Color Correction for Tone Reproduction,” Proc. 21st IS&T Color Imaging Conference, Albuquerque, New Mexico, 2013.EXTERNAL
- C. Christopoulos, “The JPEG2000 Still Image Coding System: An Overview,” IEEE Trans. Consum. Electron., 46(4):1103-1127, Nov. 2000.EXTERNAL
- Sony, “F65: Super 35 mm 8K CMOS Sensor SR Master Camera,” http://www.pro.sony.eu/pro/lang/en/eu/product/broadcast-products-cam-corders-digital-motion-picture-camera/f65/overview/.EXTERNAL
- B. Bross, W.-J. Han, J.-R. Ohm, G. J. Sullivan, Y.-K. Wang, and T. Wiegand, “High Efficiency Video Coding (HEVC) Text Specification Draft 10 (for FDIS & Consent),” ISO/IEC JTC1/SC29/WG11 JCTVC-L1003, San Jose, CA, Jan. 2013.EXTERNAL
- T. Wiegand, G. Sullivan, G. Bjontegaard, and A. Luthra, “Overview of the H.264/AVC Video Coding Standard,” IEEE Trans. Circ. Syst. Video Tech., 13(7):560-576, July 2003.EXTERNAL
- A. O. Akyüz, R. Fleming, B. Riecke, E. Reinhard, and H. Bülthoff, “Do HDR Displays Support LDR Content? A Psychophysical Evaluation,” ACM Trans. Graph., 26:3, 2007.EXTERNAL
- G. Eilertsen, R. Wanat, R. Mantiuk, and J. Unger, “Evaluation of Tone Mapping Operators for HDR-Video,” Comput. Graph. Forum, 32:7, 2013.EXTERNAL
- Arri Group, “Alexa,” http://www.arri.com/alexa.EXTERNAL
- D. Touze, Y. Olivier, D. Thoreau, and C. Serre, “High Dynamic Range Video Distribution Using Existing Video Codecs,” Proc. PCS 2013, pp. 349-352, San Jose, CA, Dec. 2013. First presented at IBC 2014, Amsterdam, The Netherlands, 11-15 September 2014. This paper is published here by kind permission of the IBC. Copyright © IBC.EXTERNAL
- F. Banterle, A. Artusi, T. Aydin, P. Didyk, E. Eisemann, D. Gutierrez, R. Mantiuk, and K. Myszkowski, “Multidimensional Image Retargeting,” presented at ACM SIGGRAPH Asia 2011 Courses, Dec. 2011.EXTERNAL
- http://www.sim2.com/HDR/hdrdisplay/hdr47e_s_4k.EXTERNAL
- Science and Technology Council, Academy of Motion Picture Arts and Sciences, “The Academy Color Encoding System,” 2013.EXTERNAL
- Dolby Laboratories, “Dolby Professional Reference Monitor PRM-4220,” http://www.dolby.com/us/en/professional/hardware/video-monitors/prm-4220-professional-reference-monitor.html.EXTERNAL
- E. François, S. Lasserre, F. Le Léannec, and Y. Chen, “Use Cases and Requirements for HDR and WCG Video Coding,” ISO/IEC JTC1/SC29/WG11 M31956, San Jose, CA, Oct. 2014.EXTERNAL
- Red.com, “Red One,” http://www.red.com/products/red-one.EXTERNAL
- H. Seetzen, W. Heidrich, W. Stuerzlinger, G. Ward, L. A. Whitehead, M. Trentacoste, and A. Vorozcovs, “High Dynamic Range Display Systems,” ACM Trans. Graph., 23(3):760, 2004.EXTERNAL
- E. Reinhard, W. Heidrich, P. Debevec, S. Pattanaik, G. Ward, and K. Myszkowski, High Dynamic Range Imaging: Acquisition, Display, and Image-Based Lighting, 2nd ed., Morgan-Kaufman: San Francisco, CA, 2010.EXTERNAL