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SMPTE Motion Imaging Journal ( Volume: 124, Issue: 4, May 2015)
[ACTIVE]

High Dynamic Range Video Production, Delivery and Rendering

Metadata

Publisher
SMPTE
Doc Type
Journal Article
Article Type
orig-research
Abstract
Over the past decade, much research experience has been gained in the realm of high dynamic range (HDR) imaging. Because of the significantly improved visual experience that HDR imaging offers, the industry has recently taken a strong interest in this set of technologies. This is evident in the active consideration of HDR by standardization bodies, such as the DVD Forum and European Broadcasting Union, in the context of ultrahigh-definition television and the emergence of demonstrations at tradeshows. To enable a more engaging and immersive viewing experience in the home or in the cinema, a range of technologies, workflows, and processes should be adapted, and HDR imaging would need to evolve to become HDR video. Each of a good number of solutions solves part of the problem. However, because a significant number of problems remain, there has been no integrated pipeline that includes everything from capture to post-production, archival and storage, compression, transmission, and display. This paper reviews the requirements for building HDR video pipelines and discusses how and where HDR components can and should be inserted. This leads to a range of scenarios, each with its own expected quality levels, associated costs, and required effort to implement. In particular, an ideal end-to-end HDR video chain is considered, as well as several variants that involve either legacy content or conventional decoding and rendering devices.
Publication Date
2015-05-01
DOI
10.5594/j18552
Link
https://doi.org/10.5594/j18552
Author(s)
Erik Reinhard, Edouard Francois, Ronan Boitard, Christel Chamaret, Catherine Serre, Tania Pouli
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Erik Reinhard, Edouard Francois, Ronan Boitard, Christel Chamaret, Catherine Serre, and Tania Pouli; High Dynamic Range Video Production, Delivery and Rendering, SMPTE Motion Imaging Journal ( Volume: 124, Issue: 4, May 2015); SMPTE, 2015. Available at https://doi.org/10.5594/j18552
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Erik Reinhard, Edouard Francois, Ronan Boitard, Christel Chamaret, Catherine Serre, and Tania Pouli; High Dynamic Range Video Production, Delivery and Rendering, SMPTE Motion Imaging Journal ( Volume: 124, Issue: 4, May 2015); SMPTE, 2015. Available at https://doi.org/10.5594/j18552

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Erik Reinhard, Edouard Francois, Ronan Boitard, Christel Chamaret, Catherine Serre, and Tania Pouli; High Dynamic Range Video Production, Delivery and Rendering, SMPTE Motion Imaging Journal ( Volume: 124, Issue: 4, May 2015); SMPTE, 2015. Available at https://doi.org/10.5594/j18552
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<span class="citation">Erik Reinhard, Edouard Francois, Ronan Boitard, Christel Chamaret, Catherine Serre, and Tania Pouli; <cite>High Dynamic Range Video Production, Delivery and Rendering</cite>, SMPTE Motion Imaging Journal ( Volume: 124, Issue: 4, May 2015); SMPTE, 2015. Available at <a href="https://doi.org/10.5594/j18552" target="_blank" rel="noopener">https://doi.org/10.5594/j18552</a></span>

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Erik Reinhard, Edouard Francois, Ronan Boitard, Christel Chamaret, Catherine Serre, and Tania Pouli; High Dynamic Range Video Production, Delivery and Rendering, SMPTE Motion Imaging Journal ( Volume: 124, Issue: 4, May 2015); SMPTE, 2015
doi: 10.5594/j18552
url: https://doi.org/10.5594/j18552
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<li>
Erik Reinhard, Edouard Francois, Ronan Boitard, Christel Chamaret, Catherine Serre, and Tania Pouli; <cite id="bib-10-5594-j18552">High Dynamic Range Video Production, Delivery and Rendering</cite>, SMPTE Motion Imaging Journal ( Volume: 124, Issue: 4, May 2015); SMPTE, 2015
<span class="doi">10.5594/j18552</span>
</li>