Current document root:
SMPTE Journal ( Volume: 64, Issue: 3, March 1955)
Early History of Amateur Motion-Picture Film
SMPTE • Journal Article • [Active]
Click a document below to open its own reference tree.
Level 1 — direct dependents (docs that cite this doc)
- Processing Methods for Use with Two New Black-and-White Reversal Films[Active]
- A Tutorial Paper: Motion-Picture Film — Its Size and Dimensional Characteristics[Active]
- Some Aspects of 8mm Sound Color Print Quality[Active]
- Willard Beach Cook — Pioneer Distributor of Narrow-Gage Safety Films and Equipment[Active]
- Some Notes on the Early Reversal Processing of 16mm Film[Active]
- Memories of the Early History of 9.5mm Film[Active]
Level 1 — direct references (docs this doc cites)
- 16 mm. Sound Film Dimensions[Active]
- A Continuous Optical Reduction Sound Printer[Active]
- Improved Safety Motion Picture Film Support[Active]
- John George Capstaff[Active]
- History of Professional Black-and-White Motion-Picture Film[Active]
- 1. Mees C. E. K. , “A new substandard film for amateur cinematography,” Trans. SMPE , No. 16, 252 258 , 1923 ; also “Motion picture photography for the amateur,” J. Franklin Inst. 196: 227–245, Aug. 1923.EXTERNAL
- 11. Reckmeyer V. H. Baldwin H. S. , “Reversal process,” The Complete Photographer , Nat. Educational Alliance , Chicago , 1943 , pp. 3145 – 3149 .EXTERNAL
- 12. U.S. Patent 1,460,703 (July 3, 1923 ); also Brit. J. Phot., 70: 409, July 6, 1923; and Brit. Pat. 167,357.EXTERNAL
- 13. Victor A. F. , “The motion picture, a practical feature of the home,” Trans. SMPE , No. 16, 264 – 265 , 1923 .EXTERNAL
- 14. U.S. Patent 1,908,610 (May 9, 1933); also C. Tuttle, “Devices for the photoelectric control of exposure in photographic printing,” J. Franklin Inst., 224: 615–631, Nov. 1937.EXTERNAL
- 15. Clerc L. P. , Paris Notes, Brit. J. Phot. , 70 : 49 , Jan. 26, 1923 ; also L. Lobel, “Le projecteur de salon ‘Pathé-Baby’,” Sci. Tech. et Ind. Phot., 3A, No. 4, 38–40, Apr. 1923; and “Le Pathé-Baby,” ibid., 3A, No. 12, 126–128, Dec. 1923.EXTERNAL
- 16. “Le Film Vierge Pathé” — Etablissements Pathé Cinéma , Paris , 1926 , Chapter VII, Le Film Inversible Pathé, p. 83 .EXTERNAL
- 17. Emmermann C. Brandt K. , “Agfa-Umkehrfilm,” Filmtechnik , 4 : 463 – 466 , Nov. 24, 1928 ; also “Agfa Film Available,” Movie Makers, 4: 408, June 1929.EXTERNAL
- 2. Crawford M. , “The first thirty years,” Movie Makers , 5 : 755 – 757 , 783 – 785 , Dec. 1930 ; see also W. Stull, “Forty-eight years of home movies,” Am. Cinemat., 21: 58–60, 73–74, Feb. 1943; G. Cushman and C. Randall, “Biography of an idea,” Home Movies, 11: 406–408, 430, Oct. 1944; Vorlãufer und Wege zu den modernen Schmalfilmformaten,” Film Kino-Technik, 8: 263–265, Sept. 1954.EXTERNAL
- 21. Holslag R. C. , “Enter the eight,” Movie Makers , 7 : 335 , 356 , Aug. 1932 ; also H. B. Tuttle, “Beginning with the eight,” ibid., 8: 190, 207–208, May 1933.EXTERNAL
- 22. Capstaff J. G. Seymour M. W. , “The Kodacolor Process for amateur color cinematography,” Trans. SMPE, No. 36, 940–947, 1928; also C. E. K. Mees, “Amateur cinematography and the Kodacolor Process,” J. Franklin Inst. , 207 : 1 – 17 , Jan. 1929 .EXTERNAL
- 23. Heymer G. , “Das Agfacolor-Farbenver-fahren fur 16mm Film,” Phot. Industrie , 30 : 1199 – 1202 , Nov. 30, 1932 .EXTERNAL
- 24. Brit. J. Phot. , 81 : 449 , July 27, 1934 .EXTERNAL
- 25. Brit. Pat. 15,055 ( 1912 ); also Brit. J. Phot., 60: 595, Aug. 1, 1913.EXTERNAL
- 26. Mees C. E. K. , “Presenting Kodachrome,” Movie Makers , 10 : 197 , 220 – 221 , May 1935 ; L. Mannes and L. Godowsky, Jr., “Kodachrome Process for amateur cinematography in natural colors,” Jour. SMPE, 25: 65 68, July 1935; also E. R. Davies, “The Kodachrome Process of 16mm Colour Kinematography,” Phot. J., 76: 248–253, April 1936.EXTERNAL
- 27. Mees C. E. K. , “Direct processes for making prints in color,” J. Franklin Inst. , 233 : 41 – 50 , 1942 ; also C. E. K. Mees, “Modern colour photography,” Endeavour, 7: 131–140, Oct. 1948.EXTERNAL
- 28. Hatschek P. , “Der neue deutsche Agfa-Farbenfilm,” Die Kinotechnik , 21 : 345 – 346 , Nov. 5, 1936 ; also Brit. J. Phot., 83: 709, Nov. 6, 1936 and W. Schneider and G. Wilmanns, “Agfa-color-Neu,” Veröffent. Wiss. Zentral-Lab. Agfa, 5: 29–36, 1937.EXTERNAL
- 3. Cook W. B. , “Description to accompany demonstration of Pathescope,” Trans. SMPE, No. 16, 266, 1923; see also “The Pathescope Home Cinematograph,” Brit. J. Phot. , 60 : 216 217 , Mar. 14, 1913 .EXTERNAL
- 4. Victor A. F. , “The portable projector, its present status and needs,” Trans. SMPE , No. 6, 29 – 32 , 1918 .EXTERNAL
- 5. Cook W. B. , “Advantages of the use of the new standard narrow width, slow burning film for portable projectors,” Trans. SMPE , No. 7, 86 – 90 , 1923 ; also Report of the Standards Committee, Trans. SMPE, No. 10, 6, 1920.EXTERNAL
- 6. McKay H. C. , “Kinematography for the amateur,” Photo Era , 51 : 296 , 1923 ; also Motion Picture Photography for the Amateur, by H. C. McKay, Falk Publishing Co. , New York , 1924, Chapter 11, p. 21 .EXTERNAL
- 7. The Evening Times (Rochester, N.Y.), June 15, 1909 , p. 6 .EXTERNAL
- 9. Namias R. , “Uebermangansaures Kali zur Abschwãchung zu harter Negative und die Herstellung direkter Positive in der Camera,” Phot. Mitteilungen , 36 : 366 – 367 , 1899 ; also Brit. J. Phot., 47: 679, Oct. 26, 1900.EXTERNAL