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Journal of the SMPTE ( Volume: 73, Issue: 2, February 1964)
Synthesis and Manipulation of Natural Sounds in Electronic Music for Films
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- 1. Le Caine Hugh , “A tape recorder for use in electronic music studios, etc.” Jour. of Music Theory , pp. 83 – 97 , Spring 1963 . Yale University , New Haven, Conn.EXTERNAL
- 2. Helmholtz Hermann , On the Sensations of Tone , p. 125 , 1954 , published by Dover Publications, Inc. , New York .EXTERNAL
- 3. Douglas Allan , Electronic Instruments , p. 31 , 1957 , published by Philosophical Library, Inc. , 15 East 40 St., New York 16.EXTERNAL
- 4. Koenig Rudolph , Quelques Experiences d'acoustique , Paris, 1882 . (Cited on page 528 of reference 2.).EXTERNAL
- 5. Larson Lewis N. , “Measurement of timbre,” J. Acoust. Soc. Am. , 8 : 207 , Jan. 1937 .EXTERNAL
- 6. Jones A. T. , “Beats and nodal meridians of a loaded bell,” J. Acoust. Soc. Am. , 21 : 315 , July 1949 .EXTERNAL
- 7. Licklider J. C. R. , “Effect of changes in phase pattern upon the sound of a 16-harmonic tone,” J. Acoust. Soc. Am. , 29 : 780 , 1957 .EXTERNAL
- 8. Schaeffer Myron , “The creation of melodic contours from non-melodic raw material without loss of text or timbre,” Jour. of Audio Eng. Soc. , Jan. 1963 .EXTERNAL