Synthesis and Manipulation of Natural Sounds in Electronic Music for Films
Metadata
- Publisher
- SMPTE — White Plains, NY, USA
- Doc Type
- Journal Article
- Content Type
- Original Research
- Abbreviated Title
- J SMPTE
- Volume
- 73, No. 2, pp. 128–129
- Abstract
- By analyzing the spectral components of natural sounds such as bells, gongs, voices, etc., and then synthesizing them into constant-tone loop material, they can be used as the basis of electronic musical composition to create various moods without wandering too far away from the sounds to which present audiences have been conditioned.
- Publication Date
- 1964-02-01
- DOI
10.5594/J06120- ISSN
- Print:
0361-4573 - Link
- https://doi.org/10.5594/J06120
- Author(s)
- Myron SchaefferElectronic Music Studio, University of Toronto, Toronto 5, Ont., Canada.
- Copyright
- © 1964 Society of Motion Picture and Television Engineers, Inc.
Bibliographic Reference(s)
- 1. Le Caine Hugh , “A tape recorder for use in electronic music studios, etc.” Jour. of Music Theory , pp. 83 – 97 , Spring 1963 . Yale University , New Haven, Conn. EXTERNAL
- 2. Helmholtz Hermann , On the Sensations of Tone , p. 125 , 1954 , published by Dover Publications, Inc. , New York . EXTERNAL
- 3. Douglas Allan , Electronic Instruments , p. 31 , 1957 , published by Philosophical Library, Inc. , 15 East 40 St., New York 16. EXTERNAL
- 4. Koenig Rudolph , Quelques Experiences d'acoustique , Paris, 1882 . (Cited on page 528 of reference 2.). EXTERNAL
- 5. Larson Lewis N. , “Measurement of timbre,” J. Acoust. Soc. Am. , 8 : 207 , Jan. 1937 . EXTERNAL
- 6. Jones A. T. , “Beats and nodal meridians of a loaded bell,” J. Acoust. Soc. Am. , 21 : 315 , July 1949 . EXTERNAL
- 7. Licklider J. C. R. , “Effect of changes in phase pattern upon the sound of a 16-harmonic tone,” J. Acoust. Soc. Am. , 29 : 780 , 1957 . EXTERNAL
- 8. Schaeffer Myron , “The creation of melodic contours from non-melodic raw material without loss of text or timbre,” Jour. of Audio Eng. Soc. , Jan. 1963 . EXTERNAL
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Myron Schaeffer; Synthesis and Manipulation of Natural Sounds in Electronic Music for Films, Journal of the SMPTE ( Volume: 73, Issue: 2, February 1964); SMPTE, 1964. Available at https://doi.org/10.5594/J06120
Snippet:
Myron Schaeffer; Synthesis and Manipulation of Natural Sounds in Electronic Music for Films, Journal of the SMPTE ( Volume: 73, Issue: 2, February 1964); SMPTE, 1964. Available at https://doi.org/10.5594/J06120
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Myron Schaeffer; Synthesis and Manipulation of Natural Sounds in Electronic Music for Films, Journal of the SMPTE ( Volume: 73, Issue: 2, February 1964); SMPTE, 1964. Available at https://doi.org/10.5594/J06120
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<span class="citation">Myron Schaeffer; <cite>Synthesis and Manipulation of Natural Sounds in Electronic Music for Films</cite>, Journal of the SMPTE ( Volume: 73, Issue: 2, February 1964); SMPTE, 1964. Available at <a href="https://doi.org/10.5594/J06120" target="_blank" rel="noopener">https://doi.org/10.5594/J06120</a></span>
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Myron Schaeffer; Synthesis and Manipulation of Natural Sounds in Electronic Music for Films, Journal of the SMPTE ( Volume: 73, Issue: 2, February 1964); SMPTE, 1964
doi: 10.5594/J06120
url: https://doi.org/10.5594/J06120
doi: 10.5594/J06120
url: https://doi.org/10.5594/J06120
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<li> Myron Schaeffer; <cite id="bib-10-5594-j06120">Synthesis and Manipulation of Natural Sounds in Electronic Music for Films</cite>, Journal of the SMPTE ( Volume: 73, Issue: 2, February 1964); SMPTE, 1964 <span class="doi">10.5594/J06120</span> </li>