Introduction to the Audio Issue

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Publisher: SMPTE
Doc Type: Journal Article
Article Type: orig-research
Abstract: The last few years have been an exciting time for Cinema sound. Ten years ago it may have seemed that “everything needed has been invented” (apologies to Charles H. Duell*). Digital sound, then delivered on 35mm prints mastered in the Dolby, DTS, or Sony system, was transitioning to delivery from Digital Cinema servers. How could it possibly get any better than that? Well, the SMPTE Motion Imaging Journal 2012 Audio Issue comes to the rescue!
Publication Date: 2012-01-01
DOI: 10.5594/j18243
Link: https://doi.org/10.5594/j18243
Author(s): Tom Scott

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Tom Scott; Introduction to the Audio Issue, SMPTE Motion Imaging Journal ( Volume: 121, Issue: 8, 2012); SMPTE, 2012. Available at https://doi.org/10.5594/j18243

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Tom Scott; Introduction to the Audio Issue, SMPTE Motion Imaging Journal ( Volume: 121, Issue: 8, 2012); SMPTE, 2012. Available at https://doi.org/10.5594/j18243

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Tom Scott; Introduction to the Audio Issue, SMPTE Motion Imaging Journal ( Volume: 121, Issue: 8, 2012); SMPTE, 2012. Available at https://doi.org/10.5594/j18243

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<span class="citation">Tom Scott; <cite>Introduction to the Audio Issue</cite>, SMPTE Motion Imaging Journal ( Volume: 121, Issue: 8, 2012); SMPTE, 2012. Available at <a href="https://doi.org/10.5594/j18243" target="_blank" rel="noopener">https://doi.org/10.5594/j18243</a></span>

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Tom Scott; Introduction to the Audio Issue, SMPTE Motion Imaging Journal ( Volume: 121, Issue: 8, 2012); SMPTE, 2012
doi: 10.5594/j18243
url: https://doi.org/10.5594/j18243

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Tom Scott; <cite id="bib-10-5594-j18243">Introduction to the Audio Issue</cite>, SMPTE Motion Imaging Journal ( Volume: 121, Issue: 8, 2012); SMPTE, 2012
<span class="doi">10.5594/j18243</span>
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