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SMPTE Motion Imaging Journal ( Volume: 120, Issue: 1, 2011)
[ACTIVE]

Archiving Color Images to Single Strip Black-and-White 35mm Film—The Visionary Archive Process

Metadata

Publisher
SMPTE
Doc Type
Journal Article
Article Type
orig-research
Abstract
For decades, color motion pictures have been archived for long-term preservation storage by separating the three primary color components that when combined make a full-color image, yellow, cyan, and magenta, known as YCM separations, and recorded each color channel onto a black-and-white strip of film, also known as a “3-strip.” Black-and-white film stock is known to have a longer shelf life with less degradation than color film stock. This archival process is the same whether the movie was shot on film, or with modern digital cinema cameras. In the case of stereoscopic 3D movies that contain left-eye and right-eye content, a total of six strips (three for each eye) would have to be made for archival purposes. Ultimately, a future generation would be able to take these strips, recombine them (called registration), and view a full-color movie.
Publication Date
2011-01-01
DOI
10.5594/j18004
Link
https://doi.org/10.5594/j18004
Author(s)
Sean McKee, Victor Panov
Source Data (JSON)

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Sean McKee and Victor Panov; Archiving Color Images to Single Strip Black-and-White 35mm Film—The Visionary Archive Process, SMPTE Motion Imaging Journal ( Volume: 120, Issue: 1, 2011); SMPTE, 2011. Available at https://doi.org/10.5594/j18004
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Sean McKee and Victor Panov; Archiving Color Images to Single Strip Black-and-White 35mm Film—The Visionary Archive Process, SMPTE Motion Imaging Journal ( Volume: 120, Issue: 1, 2011); SMPTE, 2011. Available at https://doi.org/10.5594/j18004

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Sean McKee and Victor Panov; Archiving Color Images to Single Strip Black-and-White 35mm Film—The Visionary Archive Process, SMPTE Motion Imaging Journal ( Volume: 120, Issue: 1, 2011); SMPTE, 2011. Available at https://doi.org/10.5594/j18004
Snippet:
<span class="citation">Sean McKee and Victor Panov; <cite>Archiving Color Images to Single Strip Black-and-White 35mm Film—The Visionary Archive Process</cite>, SMPTE Motion Imaging Journal ( Volume: 120, Issue: 1, 2011); SMPTE, 2011. Available at <a href="https://doi.org/10.5594/j18004" target="_blank" rel="noopener">https://doi.org/10.5594/j18004</a></span>

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Sean McKee and Victor Panov; Archiving Color Images to Single Strip Black-and-White 35mm Film—The Visionary Archive Process, SMPTE Motion Imaging Journal ( Volume: 120, Issue: 1, 2011); SMPTE, 2011
doi: 10.5594/j18004
url: https://doi.org/10.5594/j18004
Snippet:
<li>
Sean McKee and Victor Panov; <cite id="bib-10-5594-j18004">Archiving Color Images to Single Strip Black-and-White 35mm Film—The Visionary Archive Process</cite>, SMPTE Motion Imaging Journal ( Volume: 120, Issue: 1, 2011); SMPTE, 2011
<span class="doi">10.5594/j18004</span>
</li>