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SMPTE Meetings and Conferences ( February 1985)
[ACTIVE]

The All-Digital Studio is Here

Metadata

Publisher
SMPTE — White Plains, NY
Doc Type
Conference Paper
Content Type
Original Research
Volume
1985, No. 28, pp. 44–59
Abstract
One of the most important effects of the introduction of digital processing in video systems was probably to challenge the “composite” representation of colour pictures (to which there was no practical alternative) and to establish “components” as a valuable tool to improve the performance of most systems dealing with baseband signals when components were not already made mandatory by some kind of picture processing not achievable on composite signals.
Publication Date
1985-02-01
DOI
10.5594/M00796
Link
https://doi.org/10.5594/M00796
Author(s)
D. NasseTDF/CCETT, Rennes, France
bio
Dominique Nasse was born in France in 1946 and after graduating (Ecole Centrale, Ecole Nationale Supérieure des Télécommunications) joined the Research Department of the ORTF (French television). In 1975 he moved to CCETT and since that time has been active in digital television equipment design and picture processing. He is now head of a Research Group covering digital and high definition television, and is responsible for technical coordination of the digital studio project. A member of the SMPTE, he has been involved with various CCIR, EBU and SMPTE committees for the past 10 years with particular emphasis on digital television standards.
J. L. GrimaldiThomson Video Equipment, Gennevilliers, France
bio
Jean-Luc Grimaldi was born in France in 1955. After graduating from the Ecole Supérieure d'Electricité, he joined Thomson-CSF in Rennes where he was mainly involved with the design and development of serial digital video transmission units. He joined Thomson Video Equipment in 1983 and participated in the development of the digital studio switcher accessories. His main interest is on special effects processors, and digital recording and storage.
A. CayetTDF, Paris, France
bio
Alain Cayet was born in France in 1946 and graduated from the Ecole Polytechnique and Ecole Nationale Supérieure des Télécommunications. After four years with the ORTF (French Television), he was detached to the French Ministry of Industry where he was in charge of a section dealing with the audiovisual business. Back to TDF in 1979, he was appointed Associate Director of Development in 1983, in charge of research and industrial matters. He coordinates the digital studio management group.
Copyright
© 1985 Society of Motion Picture and Television Engineers, Inc.

Bibliographic Reference(s)

  • Digital Video Recording: New Results in Channel Coding and Error Protection [Active]
  • Serial Interface within the Digital Studio [Active]
  • (1) Guinet Y. , Evolution of the EBU's position in respect of the digital coding of television , EBU Review , Technical, 187, June 1981 . EXTERNAL
  • (10) Farjaudon T. Desmars M. Dubois D. , Correction colorimétrique (Digital colorimetric correction) , Revue de Radiodiffusion-Television , 84 , 1 – 6 , Sept.-Oct. 1984 (in French). EXTERNAL
  • (2) CCIR, Vol. XI, Recommendation 601, Geneva, 1982 . EXTERNAL
  • (3) Nasse D. , Conception d'un studio numérique (Designing an experimental digital studio) , 13th Montreux Symposium Records, 1983 (in French). EXTERNAL
  • (4) EBU Statement D36, 1982, EBU Review, Technical, 193, June 1982 . EXTERNAL
  • (5) Boyer R. Grimaldi J.L. Oyaux J. Vallee J. , An experimental digital mixer , 13th Montreux Symposium Records, 1983 . EXTERNAL
  • (6) Vallee J. Artigalas M. Favreau M. , Digital Production Switchers, to be presented at 1985 SMPTE Winter Conference, Feb. 1985 . EXTERNAL
  • (9) Heitmann J. Loos R. Muller J. . Digitale Videoaufzeichnung, Grundlagen, standardisiesung, Entwicklungen (Digital Video Recording: fundamentals, standards, developments), Fernseh und Kinotechnik , 38 th year, 2/1984, 41-47 (part I), 3/1984, 85-94 (part II), 5/1984, 187-194 (part III), 7/1984, 281-286 (part IV) (in German). EXTERNAL
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D. Nasse, J. L. Grimaldi, and A. Cayet; The All-Digital Studio is Here, SMPTE Meetings and Conferences ( February 1985); SMPTE, 1985. Available at https://doi.org/10.5594/M00796
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D. Nasse, J. L. Grimaldi, and A. Cayet; The All-Digital Studio is Here, SMPTE Meetings and Conferences ( February 1985); SMPTE, 1985. Available at https://doi.org/10.5594/M00796

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D. Nasse, J. L. Grimaldi, and A. Cayet; The All-Digital Studio is Here, SMPTE Meetings and Conferences ( February 1985); SMPTE, 1985. Available at https://doi.org/10.5594/M00796
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<span class="citation">D. Nasse, J. L. Grimaldi, and A. Cayet; <cite>The All-Digital Studio is Here</cite>, SMPTE Meetings and Conferences ( February 1985); SMPTE, 1985. Available at <a href="https://doi.org/10.5594/M00796" target="_blank" rel="noopener">https://doi.org/10.5594/M00796</a></span>

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D. Nasse, J. L. Grimaldi, and A. Cayet; The All-Digital Studio is Here, SMPTE Meetings and Conferences ( February 1985); SMPTE, 1985
doi: 10.5594/M00796
url: https://doi.org/10.5594/M00796
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D. Nasse, J. L. Grimaldi, and A. Cayet; <cite id="bib-10-5594-m00796">The All-Digital Studio is Here</cite>, SMPTE Meetings and Conferences ( February 1985); SMPTE, 1985
<span class="doi">10.5594/M00796</span>
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