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    "abstract": "One of the most important effects of the introduction of digital processing in video systems was probably to challenge the “composite” representation of colour pictures (to which there was no practical alternative) and to establish “components” as a valuable tool to improve the performance of most systems dealing with baseband signals when components were not already made mandatory by some kind of picture processing not achievable on composite signals.",
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    "authors": [
      {
        "affiliation": "TDF/CCETT, Rennes, France",
        "bio": "Dominique Nasse was born in France in 1946 and after graduating (Ecole Centrale, Ecole Nationale Supérieure des Télécommunications) joined the Research Department of the ORTF (French television). In 1975 he moved to CCETT and since that time has been active in digital television equipment design and picture processing. He is now head of a Research Group covering digital and high definition television, and is responsible for technical coordination of the digital studio project. A member of the SMPTE, he has been involved with various CCIR, EBU and SMPTE committees for the past 10 years with particular emphasis on digital television standards.",
        "name": "D. Nasse"
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      {
        "affiliation": "Thomson Video Equipment, Gennevilliers, France",
        "bio": "Jean-Luc Grimaldi was born in France in 1955. After graduating from the Ecole Supérieure d'Electricité, he joined Thomson-CSF in Rennes where he was mainly involved with the design and development of serial digital video transmission units. He joined Thomson Video Equipment in 1983 and participated in the development of the digital studio switcher accessories. His main interest is on special effects processors, and digital recording and storage.",
        "name": "J. L. Grimaldi"
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      {
        "affiliation": "TDF, Paris, France",
        "bio": "Alain Cayet was born in France in 1946 and graduated from the Ecole Polytechnique and Ecole Nationale Supérieure des Télécommunications. After four years with the ORTF (French Television), he was detached to the French Ministry of Industry where he was in charge of a section dealing with the audiovisual business. Back to TDF in 1979, he was appointed Associate Director of Development in 1983, in charge of research and industrial matters. He coordinates the digital studio management group.",
        "name": "A. Cayet"
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      "year": "1985",
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        "note": "Parsed from NLM article XML (_source/SMPTE/HIGHWIRE/Source Bak/smptem/10.5594_M00796.xml)",
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      "note": "Derived from DOI 10.5594/M00796",
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    "docTitle": "The All-Digital Studio is Here",
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      "note": "Parsed from NLM article XML (_source/SMPTE/HIGHWIRE/Source Bak/smptem/10.5594_M00796.xml)",
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      "updated": "2026-05-22T21:44:19.125Z",
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    "number": "28",
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      "confidence": "high",
      "note": "Parsed from NLM article XML (_source/SMPTE/HIGHWIRE/Source Bak/smptem/10.5594_M00796.xml)",
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      "updated": "2026-05-22T21:44:19.125Z",
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    "pages": "44–59",
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      "confidence": "high",
      "note": "Parsed from NLM article XML (_source/SMPTE/HIGHWIRE/Source Bak/smptem/10.5594_M00796.xml)",
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    "publicationDate": "1985-02-01",
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      "confidence": "high",
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      "updated": "2026-05-22T21:44:19.125Z",
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      "confidence": "high",
      "note": "Normalised to registry \"SMPTE\" convention from NLM publisher-name (The Society of Motion Picture and Television Engineers)",
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        "note": "Parsed from NLM article XML (_source/SMPTE/HIGHWIRE/Source Bak/smptem/10.5594_M00796.xml)",
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      "note": "Parsed from NLM article XML (_source/SMPTE/HIGHWIRE/Source Bak/smptem/10.5594_M00796.xml)",
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    "resolvedHref": "https://journal.smpte.org/conferences/Components%20of%20the%20Future:%2019th%20Annual%20SMPTE%20Television%20Conference/6/",
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        "confidence": "medium",
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    "volume": "1985",
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