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SMPTE Meetings and Conferences ( February 1982)
[ACTIVE]

Digital Television Tape Recording: Forming a Format

Metadata

Publisher
SMPTE — White Plains, NY
Doc Type
Conference Paper
Content Type
Original Research
Volume
1982, No. 21, pp. 31–41
Abstract
Now that we have a strong probability of achieving a single worldwide television studio standard for the sampling of the luminance and chrominance components within each line of the television signal it is time to try to achieve a worldwide format for recording such signals on magnetic tape. Obviously there must be two versions of this format, one for 525 lines, and the other for 625, but these two different versions should have such similarity that one machine could easily be switched to operate on either of the two standards.
Publication Date
1982-02-01
DOI
10.5594/M00620
Link
https://doi.org/10.5594/M00620
Author(s)
J. L. E. BaldwinIndependent Broadcasting Authority United Kingdom
bio
John Baldwin was born in Croydon, England in 1928 and has an external Bachelor of Science Degree from the University of London. His career in television started when he joined Rank Cintel in 1950. His work included the development of slide scanners, telecine, color projectors, and videotape recorders. When operations were transferred from Lower Sydenham to Welwyn Garden City in 1963, he joined Peto Scott (a part of Philips Gloelampenfabrieken) as Chief Engineer. He joined the ITA (as the 1BA was then known) as Head of the Video and Colour Section in 1967, being promoted to Staff Engineer (Development) at the beginning of 1978. He became interested in digital processing of the video signal; initially this technique was applied to standards conversion and, in this field of application, culminated in DICE (Digital Intercontinental Conversion Equipment). For this work, in 1973, he received the Geoffrey Parr and the Pye Colour Television Awards of the Royal Television Society. His leadership in this work was also recognized internationally when he received the David Sarnoff Gold Medal of the SMPTE in 1975 and the Achievement Gold Medal at the Montreux International Television Symposium in 1977.
Copyright
© 1982 Society of Motion Picture and Television Engineers, Inc.
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J. L. E. Baldwin; Digital Television Tape Recording: Forming a Format, SMPTE Meetings and Conferences ( February 1982); SMPTE, 1982. Available at https://doi.org/10.5594/M00620
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J. L. E. Baldwin; Digital Television Tape Recording: Forming a Format, SMPTE Meetings and Conferences ( February 1982); SMPTE, 1982. Available at https://doi.org/10.5594/M00620

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J. L. E. Baldwin; Digital Television Tape Recording: Forming a Format, SMPTE Meetings and Conferences ( February 1982); SMPTE, 1982. Available at https://doi.org/10.5594/M00620
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<span class="citation">J. L. E. Baldwin; <cite>Digital Television Tape Recording: Forming a Format</cite>, SMPTE Meetings and Conferences ( February 1982); SMPTE, 1982. Available at <a href="https://doi.org/10.5594/M00620" target="_blank" rel="noopener">https://doi.org/10.5594/M00620</a></span>

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J. L. E. Baldwin; Digital Television Tape Recording: Forming a Format, SMPTE Meetings and Conferences ( February 1982); SMPTE, 1982
doi: 10.5594/M00620
url: https://doi.org/10.5594/M00620
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<li>
J. L. E. Baldwin; <cite id="bib-10-5594-m00620">Digital Television Tape Recording: Forming a Format</cite>, SMPTE Meetings and Conferences ( February 1982); SMPTE, 1982
<span class="doi">10.5594/M00620</span>
</li>