The Unfolding Merger of Television and Movie Technology

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Publisher: SMPTE — White Plains, NY
Doc Type: Conference Paper
Content Type: Original Research
Volume: 2012, No. 10, pp. 1–27
Abstract: Live show video rendering to Rec709 typically has used a simple in-camera rendering. Movies until about the year 2000 were predominantly made on film, and printed to film. Movies have been predominantly 24fps, whereas live video has used higher motion rates. The telecine, and also the digital film scanner, began to decouple the wide range film capture from the image produced for movie release or television release. High-end digital cameras now capture a wide dynamic range, logically corresponding to the extended range captured on camera film negative. A new system ingredient is the ACES system with a 16-bit half-float representation, a Reference Rendering Transform, followed by a device-specific Output Device Transform. This structure provides a unifying mechanism, bringing video and film technology closer together in underlying technology, and also in image appearance.
Publication Date: 2012-10-01
DOI: 10.5594/M001463
Link: https://doi.org/10.5594/M001463
Author(s): Gary DemosImage Essence LLC, Perris, CA
Keyword(s): DCinema, HDTV, ACES, HDR
Copyright: © 2012 Society of Motion Picture and Television Engineers, Inc.

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<span class="citation">Gary Demos; <cite>The Unfolding Merger of Television and Movie Technology</cite>, SMPTE Meetings and Conferences ( October 2012); SMPTE, 2012. Available at <a href="https://doi.org/10.5594/M001463" target="_blank" rel="noopener">https://doi.org/10.5594/M001463</a></span>

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Gary Demos; The Unfolding Merger of Television and Movie Technology, SMPTE Meetings and Conferences ( October 2012); SMPTE, 2012
doi: 10.5594/M001463
url: https://doi.org/10.5594/M001463

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Gary Demos; <cite id="bib-10-5594-m001463">The Unfolding Merger of Television and Movie Technology</cite>, SMPTE Meetings and Conferences ( October 2012); SMPTE, 2012
<span class="doi">10.5594/M001463</span>
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