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SMPTE Meetings and Conferences ( July 1999)
[ACTIVE]

Applied Metadata Management Systems for Post-Production

Metadata

Publisher
SMPTE — White Plains, NY
Doc Type
Conference Paper
Content Type
Original Research
Volume
1999, No. 7, pp. 312–312
Abstract
Metadata is data describing media-assets, i.e. 3data about data2. Effective metadata management is paramount for the efficient operation of post-production projects. These projects can be media neutral, that is, they can be film video-tape, graphics and animation, all of which have similar metadata descriptors. The integration of media-assets, of different source types, into compositions is much easier to manage when the metadata has been accurately identified, labelled and associated to the source media. Vendors of digital media production and manipulation tools generally provide a degree of asset manageability for their own media-assets. As media-asset production and manipulation can be by many sources, generic management tools are hence necessary to achieve total control of all media assets. With the introduction of the Open Media Management (OMM) and Advanced Authoring Format (AAF) protocols we can use generic tools to access, and manage metadata originated from various sources. Open Database Connectivity (ODBC) and Java Database Connectivity (JDBC) technologies add to the ability of developers to maintain truly open metadata management utilities. Clients/Users on intranets (and the Internet) are now able to perform enquiries, previews and updates of the metadata databases via specific user interface programmes or generic Web-browers. Composition descriptors, such as, EDL's, OMFI, Cut-lists etc, will be able to be exchanged with much greater confidence of accuracy of content.
Publication Date
1999-07-01
DOI
10.5594/M001212
Link
https://doi.org/10.5594/M001212
Author(s)
Garry ClaridgeClarsys Pty Ltd
bio
Garry Claridge has a Bachelor of Applied Science degree from Monash University and a Graduate Diploma in Business Studies from the University of New England. He has worked as a Systems Analyst with the Army's Headquarters Training Command. In this position he was responsible for the analysis and design of information systems and workflow for the planning-information used for the conduct of collective training throughout the Army. He was Project Manager for various Information Technology (IT) projects in the Army. These included the Puckapunyal ranges booking and safety system. This project integrated spatial and temporal databases for the multidimensional management of range area usage. It included a complete workflow design and reorganisation for the ranges facility. Garry has owned and operated a post-production business in Sydney from 1992 to 1995. This business was computer-based and OEnetworked 1 ; it was primarily an Avid Media Composer facility. From 1995 to 1997 he was employed by Avid Technology (Australia) as an Applications Editor. This position required him to provide pre-sales and post-sales support for Avid systems. Much of this work involved generating proposals (with cost-benefit analysis results) and plans for the integration of computer non-linear editing and graphics systems into existing facilities and providing designs for new, or refurnished, facilities. From late 1997 Garry has worked with his consultancy business Clarsys Pty Ltd. Most of this work has been with post-production facilities using computer networks and digital workflows.
Copyright
© 1999 Society of Motion Picture and Television Engineers, Inc.
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<span class="citation">Garry Claridge; <cite>Applied Metadata Management Systems for Post-Production</cite>, SMPTE Meetings and Conferences ( July 1999); SMPTE, 1999. Available at <a href="https://doi.org/10.5594/M001212" target="_blank" rel="noopener">https://doi.org/10.5594/M001212</a></span>

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Garry Claridge; Applied Metadata Management Systems for Post-Production, SMPTE Meetings and Conferences ( July 1999); SMPTE, 1999
doi: 10.5594/M001212
url: https://doi.org/10.5594/M001212
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Garry Claridge; <cite id="bib-10-5594-m001212">Applied Metadata Management Systems for Post-Production</cite>, SMPTE Meetings and Conferences ( July 1999); SMPTE, 1999
<span class="doi">10.5594/M001212</span>
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