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SMPTE Meetings and Conferences ( July 1999)
[ACTIVE]

The 2K Grading Room — Digital Intermediate Film

Metadata

Publisher
SMPTE — White Plains, NY
Doc Type
Conference Paper
Content Type
Original Research
Volume
1999, No. 7, pp. 240–240
Abstract
As film scanning and recording between film and the digital world become faster, better and less expensive, we are now approaching the reality of an electronic intermediate. An entire feature film production can be digitised, gaining access to all the grading tools traditionally only available on telecine for a TV finish. Peter reports on Dfilm's progress in this direction.
Publication Date
1999-07-01
DOI
10.5594/M001202
Link
https://doi.org/10.5594/M001202
Author(s)
Peter DoyleDfilm
bio
Peter Doyle, Creative Director/Digital Supervisor- Dfilm Services Peter is an internationally respected digital supervisor and technical developer. In his role as Creative Director for Dfilm Services Peter has been instrumental in facilitating the convergence of digital and photochemical techniques and particularly in the development of proprietary grading systems. Prior to joining Dfilm he worked with Arri Digital Film (Munich), where as Creative Director he was instrumental in the creation of one of the first digital film facilities in Europe. Peter has been responsible for development and testing of digital film systems and software through his association with Eastman Kodak (Rochester) and Philips-BTS, (Germany). In addition, Peter is an active member of the Society of Motion Pictures and Television Engineers and British Kinematograph Sound and Television Society and has recently been awarded a Honoree Doctorship from the Techno Z Hochschule, Salzburg Austria. Peter's feature film credits include: “The Matrix” (Executive Producer, Digital Effects - Dfilm) “Dark City”, (Creative Director, Digital Effects), “Oscar and Lucinda” (Creative Director, Digital Effects), “Eraser” (Senior Digital Effects Compositor), “Schlarfes Bruder”-Brother of Sleep (Creative Director, Digital Effects). Peter has presented papers and been a guest speaker at forums including, Cannes 48th Film Festival 1995, SMPTE 95 Conference (Sydney, Australia), Cannes Commercial Film Festival, Lyons Award 1994, 1995 & 1996. International Broadcasting Convention 1994 (Amsterdam), Cinema 100 Festival (Melbourne, Australia) and “MTV versus Video Art”, Museum of Perception; Salzburg.
Copyright
© 1999 Society of Motion Picture and Television Engineers, Inc.
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Peter Doyle; The 2K Grading Room — Digital Intermediate Film, SMPTE Meetings and Conferences ( July 1999); SMPTE, 1999. Available at https://doi.org/10.5594/M001202
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Peter Doyle; The 2K Grading Room — Digital Intermediate Film, SMPTE Meetings and Conferences ( July 1999); SMPTE, 1999. Available at https://doi.org/10.5594/M001202

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Peter Doyle; The 2K Grading Room — Digital Intermediate Film, SMPTE Meetings and Conferences ( July 1999); SMPTE, 1999. Available at https://doi.org/10.5594/M001202
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<span class="citation">Peter Doyle; <cite>The 2K Grading Room — Digital Intermediate Film</cite>, SMPTE Meetings and Conferences ( July 1999); SMPTE, 1999. Available at <a href="https://doi.org/10.5594/M001202" target="_blank" rel="noopener">https://doi.org/10.5594/M001202</a></span>

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Preview:
Peter Doyle; The 2K Grading Room — Digital Intermediate Film, SMPTE Meetings and Conferences ( July 1999); SMPTE, 1999
doi: 10.5594/M001202
url: https://doi.org/10.5594/M001202
Snippet:
<li>
Peter Doyle; <cite id="bib-10-5594-m001202">The 2K Grading Room — Digital Intermediate Film</cite>, SMPTE Meetings and Conferences ( July 1999); SMPTE, 1999
<span class="doi">10.5594/M001202</span>
</li>