The 2K Grading Room — Digital Intermediate Film
Metadata
- Publisher
- SMPTE — White Plains, NY
- Doc Type
- Conference Paper
- Content Type
- Original Research
- Volume
- 1999, No. 7, pp. 240–240
- Abstract
- As film scanning and recording between film and the digital world become faster, better and less expensive, we are now approaching the reality of an electronic intermediate. An entire feature film production can be digitised, gaining access to all the grading tools traditionally only available on telecine for a TV finish. Peter reports on Dfilm's progress in this direction.
- Publication Date
- 1999-07-01
- DOI
10.5594/M001202- Link
- https://doi.org/10.5594/M001202
- Author(s)
- Peter DoyleDfilm
bio
Peter Doyle, Creative Director/Digital Supervisor- Dfilm Services Peter is an internationally respected digital supervisor and technical developer. In his role as Creative Director for Dfilm Services Peter has been instrumental in facilitating the convergence of digital and photochemical techniques and particularly in the development of proprietary grading systems. Prior to joining Dfilm he worked with Arri Digital Film (Munich), where as Creative Director he was instrumental in the creation of one of the first digital film facilities in Europe. Peter has been responsible for development and testing of digital film systems and software through his association with Eastman Kodak (Rochester) and Philips-BTS, (Germany). In addition, Peter is an active member of the Society of Motion Pictures and Television Engineers and British Kinematograph Sound and Television Society and has recently been awarded a Honoree Doctorship from the Techno Z Hochschule, Salzburg Austria. Peter's feature film credits include: “The Matrix” (Executive Producer, Digital Effects - Dfilm) “Dark City”, (Creative Director, Digital Effects), “Oscar and Lucinda” (Creative Director, Digital Effects), “Eraser” (Senior Digital Effects Compositor), “Schlarfes Bruder”-Brother of Sleep (Creative Director, Digital Effects). Peter has presented papers and been a guest speaker at forums including, Cannes 48th Film Festival 1995, SMPTE 95 Conference (Sydney, Australia), Cannes Commercial Film Festival, Lyons Award 1994, 1995 & 1996. International Broadcasting Convention 1994 (Amsterdam), Cinema 100 Festival (Melbourne, Australia) and “MTV versus Video Art”, Museum of Perception; Salzburg. - Copyright
- © 1999 Society of Motion Picture and Television Engineers, Inc.
Source Data (JSON)
Full registry record with provenance metadata. Open directly: /api/doc/10.5594-M001202.json
Reference this Doc
Plain text (ISO 690 compliant)
Preview:
Peter Doyle; The 2K Grading Room — Digital Intermediate Film, SMPTE Meetings and Conferences ( July 1999); SMPTE, 1999. Available at https://doi.org/10.5594/M001202
Snippet:
Peter Doyle; The 2K Grading Room — Digital Intermediate Film, SMPTE Meetings and Conferences ( July 1999); SMPTE, 1999. Available at https://doi.org/10.5594/M001202
HTML (ISO 690 compliant)
Preview:
Peter Doyle; The 2K Grading Room — Digital Intermediate Film, SMPTE Meetings and Conferences ( July 1999); SMPTE, 1999. Available at https://doi.org/10.5594/M001202
Snippet:
<span class="citation">Peter Doyle; <cite>The 2K Grading Room — Digital Intermediate Film</cite>, SMPTE Meetings and Conferences ( July 1999); SMPTE, 1999. Available at <a href="https://doi.org/10.5594/M001202" target="_blank" rel="noopener">https://doi.org/10.5594/M001202</a></span>
SMPTE's HTML Pub
Preview:
Peter Doyle; The 2K Grading Room — Digital Intermediate Film, SMPTE Meetings and Conferences ( July 1999); SMPTE, 1999
doi: 10.5594/M001202
url: https://doi.org/10.5594/M001202
doi: 10.5594/M001202
url: https://doi.org/10.5594/M001202
Snippet:
<li> Peter Doyle; <cite id="bib-10-5594-m001202">The 2K Grading Room — Digital Intermediate Film</cite>, SMPTE Meetings and Conferences ( July 1999); SMPTE, 1999 <span class="doi">10.5594/M001202</span> </li>