{ "$schema": "/api/schemas/documents.schema.json", "apiVersion": "1.0.0", "generatedAt": "2026-07-09T21:16:49.031Z", "sourcePath": "src/main/data/docs", "docId": "10.5594-M001202", "document": { "abstract": "As film scanning and recording between film and the digital world become faster, better and less expensive, we are now approaching the reality of an electronic intermediate. An entire feature film production can be digitised, gaining access to all the grading tools traditionally only available on telecine for a TV finish. Peter reports on Dfilm's progress in this direction.", "abstract$meta": { "confidence": "high", "note": "Parsed from NLM article XML (_source/SMPTE/HIGHWIRE/Source Bak/smptem/10.5594_M001202.xml)", "source": "parsed", "updated": "2026-05-22T21:44:19.125Z", "version": "smpte-conference-paper-nlm@v1" }, "authors": [ { "affiliation": "Dfilm", "bio": "Peter Doyle, Creative Director/Digital Supervisor- Dfilm Services Peter is an internationally respected digital supervisor and technical developer. In his role as Creative Director for Dfilm Services Peter has been instrumental in facilitating the convergence of digital and photochemical techniques and particularly in the development of proprietary grading systems. Prior to joining Dfilm he worked with Arri Digital Film (Munich), where as Creative Director he was instrumental in the creation of one of the first digital film facilities in Europe. Peter has been responsible for development and testing of digital film systems and software through his association with Eastman Kodak (Rochester) and Philips-BTS, (Germany). In addition, Peter is an active member of the Society of Motion Pictures and Television Engineers and British Kinematograph Sound and Television Society and has recently been awarded a Honoree Doctorship from the Techno Z Hochschule, Salzburg Austria. Peter's feature film credits include: “The Matrix” (Executive Producer, Digital Effects - Dfilm) “Dark City”, (Creative Director, Digital Effects), “Oscar and Lucinda” (Creative Director, Digital Effects), “Eraser” (Senior Digital Effects Compositor), “Schlarfes Bruder”-Brother of Sleep (Creative Director, Digital Effects). Peter has presented papers and been a guest speaker at forums including, Cannes 48th Film Festival 1995, SMPTE 95 Conference (Sydney, Australia), Cannes Commercial Film Festival, Lyons Award 1994, 1995 & 1996. International Broadcasting Convention 1994 (Amsterdam), Cinema 100 Festival (Melbourne, Australia) and “MTV versus Video Art”, Museum of Perception; Salzburg.", "name": "Peter Doyle" } ], "authors$meta": { "confidence": "high", "note": "Object form (schema 2.3.0) migrated from string form via migrateAuthorsToObjectForm.js; bio/affiliation backfilled from _source/SMPTE/HIGHWIRE/ NLM ++", "source": "parsed", "updated": "2026-06-23T00:04:25.562Z", "version": "authors-migrate-object-form@v1" }, "contentType": "orig-research", "contentType$meta": { "confidence": "high", "note": "Canonical-confirmed full paper (summary-abstract set is orig-research in the SMPTE canonical repos); HIGHWIRE-era abstract label was a delivery artifact", "originalValue": "summary-abstract", "source": "resolved", "updated": "2026-07-09T19:12:47.628Z", "version": "contenttype-fixes@v1" }, "copyright": { "holder": "Society of Motion Picture and Television Engineers, Inc.", "holder$meta": { "confidence": "high", "note": "Parsed from NLM article XML (_source/SMPTE/HIGHWIRE/Source Bak/smptem/10.5594_M001202.xml)", "source": "parsed", "updated": "2026-05-22T21:44:19.125Z", "version": "smpte-conference-paper-nlm@v1" }, "year": "1999", "year$meta": { "confidence": "high", "note": "Parsed from NLM article XML (_source/SMPTE/HIGHWIRE/Source Bak/smptem/10.5594_M001202.xml)", "source": "parsed", "updated": "2026-05-22T21:44:19.125Z", "version": "smpte-conference-paper-nlm@v1" } }, "copyright$meta": { "confidence": "high", "note": "Parsed from NLM article XML (_source/SMPTE/HIGHWIRE/Source Bak/smptem/10.5594_M001202.xml)", "source": "parsed", "updated": "2026-05-22T21:44:19.125Z", "version": "smpte-conference-paper-nlm@v1" }, "docId": "10.5594-M001202", "docId$meta": { "confidence": "high", "note": "Derived from DOI 10.5594/M001202", "source": "parsed", "updated": "2026-05-22T21:44:19.125Z", "version": "smpte-conference-paper-nlm@v1" }, "docLabel": "SMPTE Meetings and Conferences ( July 1999)", "docLabel$meta": { "confidence": "medium", "note": "Composed from venue title, volume/issue and date", "source": "inferred", "updated": "2026-05-22T21:44:19.125Z", "version": "smpte-conference-paper-nlm@v1" }, "docTitle": "The 2K Grading Room — Digital Intermediate Film", "docTitle$meta": { "confidence": "high", "note": "Parsed from NLM article XML (_source/SMPTE/HIGHWIRE/Source Bak/smptem/10.5594_M001202.xml)", "source": "parsed", "updated": "2026-05-22T21:44:19.125Z", "version": "smpte-conference-paper-nlm@v1" }, "docType": "Conference Paper", "docType$meta": { "confidence": "high", "note": "NLM
— SMPTE conference paper", "source": "inferred", "updated": "2026-05-22T21:44:19.125Z", "version": "smpte-conference-paper-nlm@v1" }, "doi": "10.5594/M001202", "doi$meta": { "confidence": "high", "note": "Parsed from NLM article XML (_source/SMPTE/HIGHWIRE/Source Bak/smptem/10.5594_M001202.xml)", "source": "parsed", "updated": "2026-05-22T21:44:19.125Z", "version": "smpte-conference-paper-nlm@v1" }, "href": "https://doi.org/10.5594/M001202", "href$meta": { "confidence": "high", "note": "Constructed from DOI 10.5594/M001202", "source": "inferred", "updated": "2026-05-22T21:44:19.125Z", "version": "smpte-conference-paper-nlm@v1" }, "number": "7", "number$meta": { "confidence": "high", "note": "Parsed from NLM article XML (_source/SMPTE/HIGHWIRE/Source Bak/smptem/10.5594_M001202.xml)", "source": "parsed", "updated": "2026-05-22T21:44:19.125Z", "version": "smpte-conference-paper-nlm@v1" }, "pages": "240–240", "pages$meta": { "confidence": "high", "note": "Parsed from NLM article XML (_source/SMPTE/HIGHWIRE/Source Bak/smptem/10.5594_M001202.xml)", "source": "parsed", "updated": "2026-05-22T21:44:19.125Z", "version": "smpte-conference-paper-nlm@v1" }, "publicationDate": "1999-07-01", "publicationDate$meta": { "confidence": "high", "note": "Day absent in NLM source — padded to 01", "source": "parsed", "updated": "2026-05-22T21:44:19.125Z", "version": "smpte-conference-paper-nlm@v1" }, "publisher": "SMPTE", "publisher$meta": { "confidence": "high", "note": "Normalised to registry \"SMPTE\" convention from NLM publisher-name (The Society of Motion Picture and Television Engineers)", "source": "inferred", "updated": "2026-05-22T21:44:19.125Z", "version": "smpte-conference-paper-nlm@v1" }, "publisherLocation": { "city": "White Plains, NY", "city$meta": { "confidence": "high", "note": "Parsed from NLM article XML (_source/SMPTE/HIGHWIRE/Source Bak/smptem/10.5594_M001202.xml)", "source": "parsed", "updated": "2026-05-22T21:44:19.125Z", "version": "smpte-conference-paper-nlm@v1" } }, "publisherLocation$meta": { "confidence": "high", "note": "Parsed from NLM article XML (_source/SMPTE/HIGHWIRE/Source Bak/smptem/10.5594_M001202.xml)", "source": "parsed", "updated": "2026-05-22T21:44:19.125Z", "version": "smpte-conference-paper-nlm@v1" }, "resolvedHref": "https://journal.smpte.org/conferences/9th%20Conference%20and%20Exhibition%20of%20the%20SMPTE%20Australia%20Section/43/", "resolvedHref$meta": { "confidence": "high", "note": "Backfilled from url.validate report #resolvedHref", "originalValue": null, "source": "resolved", "updated": "2026-06-19T20:59:07.438Z" }, "status": { "active": true, "active$meta": { "confidence": "medium", "note": "No explicit status in NLM source — conference papers default active", "source": "inferred", "updated": "2026-05-22T21:44:19.125Z", "version": "smpte-conference-paper-nlm@v1" } }, "volume": "1999", "volume$meta": { "confidence": "high", "note": "Parsed from NLM article XML (_source/SMPTE/HIGHWIRE/Source Bak/smptem/10.5594_M001202.xml)", "source": "parsed", "updated": "2026-05-22T21:44:19.125Z", "version": "smpte-conference-paper-nlm@v1" } } }