Digital Sound Manipulation for Film and Television and its Role in Affecting Emotions

Metadata

Publisher: SMPTE — White Plains, NY
Doc Type: Conference Paper
Content Type: Original Research
Volume: 1994, No. 7, pp. 188–193
Abstract: In order to explore and incorporate the new possibilities afforded by digital sound manipulation (DSM) in films it is necessary to examine what we know of the nature of auditory, and to a lesser extent, visual perception and cognition. However, in this condensed paper such research shall only be alluded to with the emphasis being placed on the possible outcomes of such research. This inquiry into the emotional affective qualities of sound within film is directed in particular toward the nature of environmental soundscapes and their manipulation. This knowledge may hopefully then be applied to extend the range of affective sonic options in films in an attempt to manipulate the audience's emotional states more precisely and with a wider range of emotional affective possibilities than currently afforded by traditional sound design.
Publication Date: 1994-07-01
DOI: 10.5594/M001142
Link: https://doi.org/10.5594/M001142
Author(s): Stephen JoyceLa Trobe University
Copyright: © 1994 Society of Motion Picture and Television Engineers, Inc.

Bibliographic Reference(s)

Anderson J.D. 1993 . “Sound and image Together: Cross-Modal Confirmation.” Wide Angle 15 ( 1 ): 30 – 43 EXTERNAL
Bayle F. “Image-of-sound, or i-sound:Metaphor/metaform.” In McAdams S. Deliége I. 1989 . “Music and the Cognitive Sciences” p 165 – 170 . Contemporary Music Review Vol. 4 London : Harwood Academic Publishers . EXTERNAL
Bregman Albert S. 1990 . Auditory Scene Analysis Massachusetts : MIT Press . EXTERNAL
Gorbman C. 1993 . “Chion's Audio-Vision” Wide Angle 15 ( 1 ): 66 – 77 . EXTERNAL
Lynch M.P. Eilers R.E. Bornstein M.H. 1992 . “Speech, Vision, and Music Perception: Windows on the ontogeny of Mind.” Psychology of Music 20 : 3 – 14 EXTERNAL
Schmuckler Mark A. 1989 . “Expectation in Music: Investigation of Melodic and Harmonic Processes.” Music Perception 17 ( 2 ): 109 – 150 EXTERNAL

Source Data (JSON)

Full registry record with provenance metadata. Open directly: /api/doc/10.5594-M001142.json

Reference Tree

Explore all references and references to this document, as a navigable tree.

Open Reference Tree

Reference this Doc

Plain text (ISO 690 compliant)

Preview:

Stephen Joyce; Digital Sound Manipulation for Film and Television and its Role in Affecting Emotions, SMPTE Meetings and Conferences ( July 1994); SMPTE, 1994. Available at https://doi.org/10.5594/M001142

Snippet:

Stephen Joyce; Digital Sound Manipulation for Film and Television and its Role in Affecting Emotions, SMPTE Meetings and Conferences ( July 1994); SMPTE, 1994. Available at https://doi.org/10.5594/M001142

HTML (ISO 690 compliant)

Preview:

Snippet:

<span class="citation">Stephen Joyce; <cite>Digital Sound Manipulation for Film and Television and its Role in Affecting Emotions</cite>, SMPTE Meetings and Conferences ( July 1994); SMPTE, 1994. Available at <a href="https://doi.org/10.5594/M001142" target="_blank" rel="noopener">https://doi.org/10.5594/M001142</a></span>

SMPTE's HTML Pub

Preview:

Stephen Joyce; Digital Sound Manipulation for Film and Television and its Role in Affecting Emotions, SMPTE Meetings and Conferences ( July 1994); SMPTE, 1994
doi: 10.5594/M001142
url: https://doi.org/10.5594/M001142

Snippet:

<li>
Stephen Joyce; <cite id="bib-10-5594-m001142">Digital Sound Manipulation for Film and Television and its Role in Affecting Emotions</cite>, SMPTE Meetings and Conferences ( July 1994); SMPTE, 1994
<span class="doi">10.5594/M001142</span>
</li>