Post Production Synergy of Video and Film with Archival Quality

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Publisher: SMPTE — White Plains, NY
Doc Type: Conference Paper
Content Type: Original Research
Volume: 1996, No. 15, pp. 1–14
Abstract: The legacy of humankind is represented by how well we have documented our past achievements and how well they have been preserved. The creative efforts of computer generated cinematography is at risk of deterioration if archival techniques are not applied. A unique technological development has now made it possible to record high resolution cinema imagery directly on archival black and white silver halide film in the post production process as separations for a red, green and blue composite. The application of a high speed electron beam recorder as developed by Image Graphics will create on high resolution silver halide film a permanent archival master interpositive. Motion picture magic will occur when each frame of the 72 black and whites are recorded for one (1) second of imagery. In addition, the versatility of format is almost boundless and the same high resolution can be applied to all motion picture formats including 70mm. The larger venues in particular can take advantage of this technique for a truly spectacular presentation.
Publication Date: 1996-10-01
DOI: 10.5594/M00099
Link: https://doi.org/10.5594/M00099
Author(s): Michael OstrelichSr. Staff Image Graphics, Inc.
Lewis MerrittElectronic Engineering Manager Image Graphics, Inc.
Copyright: © 1996 Society of Motion Picture and Television Engineers, Inc.

Bibliographic Reference(s)

1. Phyllies Wreagh : “The Computing and Storage Requirements of 4k × 3k Resolutions Being Used in the Film Industry Today.” Presented at the 135th SMPTE Technical conference Oct 29–Nov. 2, 1993 Los Angeles Convention Center Los Angeles, Calif . EXTERNAL
2. Braham Robert : “The Digital Backlot” IEEE Spectrum , July 1995 . EXTERNAL
3. Sterngold James : “Digital Studios: Its the Economy, Stupid,” The New York Times Business Day , December 25, 1995 . EXTERNAL
4. Schiffner Bill : “MGI Helps Bring Toy Story to Life,” Photographic Processing , March 1996 . EXTERNAL
5. ANSI/SMPTE 59–1991, “Motion Picture Film (35mm) Camera Aperture Images and Usage” . EXTERNAL
6. ANSI/SMPTE 215–1995, “Motion Picture Film (65mm) Camera Aperture Image” . EXTERNAL

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Michael Ostrelich and Lewis Merritt; Post Production Synergy of Video and Film with Archival Quality, SMPTE Meetings and Conferences ( October 1996); SMPTE, 1996. Available at https://doi.org/10.5594/M00099

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Michael Ostrelich and Lewis Merritt; Post Production Synergy of Video and Film with Archival Quality, SMPTE Meetings and Conferences ( October 1996); SMPTE, 1996. Available at https://doi.org/10.5594/M00099

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<span class="citation">Michael Ostrelich and Lewis Merritt; <cite>Post Production Synergy of Video and Film with Archival Quality</cite>, SMPTE Meetings and Conferences ( October 1996); SMPTE, 1996. Available at <a href="https://doi.org/10.5594/M00099" target="_blank" rel="noopener">https://doi.org/10.5594/M00099</a></span>

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Michael Ostrelich and Lewis Merritt; Post Production Synergy of Video and Film with Archival Quality, SMPTE Meetings and Conferences ( October 1996); SMPTE, 1996
doi: 10.5594/M00099
url: https://doi.org/10.5594/M00099

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<li>
Michael Ostrelich and Lewis Merritt; <cite id="bib-10-5594-m00099">Post Production Synergy of Video and Film with Archival Quality</cite>, SMPTE Meetings and Conferences ( October 1996); SMPTE, 1996
<span class="doi">10.5594/M00099</span>
</li>