Color Management Principles for LED Panels in On-Set Virtual Production
Metadata
- Publisher
- SMPTE
- Doc Type
- Journal Article
- Content Type
- Original Research
- Abbreviated Title
- SMPTE Motion Imaging Jour.
- Volume
- 134, No. 2, pp. 43–52
- Abstract
- The goal of color management is simple: a displayed image should look the same wherever it is viewed: on-set, on production monitors, in visual effects (VFX) on an artist's desktop monitor, in the Digital Intermediate (DI) suite on a reference monitor, on a cinema's screen, and so on. If the image is displayed correctly and consistently, color management maintains the filmmaker's creative intent. If a filmmaker approves an image color from a display that is not calibrated to a known standard, there is a potential that the colors seen on that display cannot be communicated correctly to image consumers downstream. Correcting these image color errors may be challenging, time-consuming, and expensive. These errors may accumulate, with the image colors deviating further from those originally established as the image proceeds through the uncalibrated workflow. Color management is not a novel concept in creative industries. Numerous tools and best practices have been developed for decades, with modern technologies requiring new techniques and workflows to maintain creative intent. Virtual Production (VP) techniques are some of the latest additions to a filmmaker's toolbox, surfacing new questions and needing new recommendations to maximize effectiveness. This paper from SMPTE Rapid Industry Solutions (RIS) provides introductory material to support future efforts that focus on specific color workflow applications using LED panels for On-Set Virtual Production (OSVP), such as performing color calibration for in-camera visual effects (ICVFX) and image-based lighting. This paper covers color engineering principles that are well-known in traditional color work-flows but expands upon their new roles within OSVP color workflows and their challenges.
- Publication Date
- 2025-04-01
- DOI
10.5594/JMI.2025/XEJK1138- ISSN
- Print:
1545-0279| Electronic:2160-2492 - Link
- https://doi.org/10.5594/JMI.2025/XEJK1138
- Author(s)
- David LongRod BogartSpencer StephensCatherine MeiningerJoseph GoldstoneTim KangKathryn BrillhartJim Geduldick
- Keyword(s)
- Color Management, Color Workflows, Virtual Production, Color Pipelines, LED Panels
- Copyright
- © 2025 SMPTE
Bibliographic Reference(s)
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- IEC 61966-2-1:1999 [Active, Amended]
- ISO.22028-1.2016 — International Organization for Standardization (ISO), ISO 22028–1:2016(en), “Photography and graphic technology-Extended colour encodings for digital image storage, manipulation, and interchange-Part 1: Architecture and requirements,” Mar. 2016. EXTERNAL
- International Telecommunication Union-Radiocommunication (ITU-R), Recom-mendation BT.709–6, “Parameter values for the HDTV standards for production and international programme exchange,” Jun. 2015. EXTERNAL
- International Telecommunication Union-Radiocommunication (ITU-R), Rec-ommendation BT.2020–2, “Parameter values for ultra-high definition television systems for production and international programme exchange,” Oct. 2015. EXTERNAL
- M. Leonhardt, H. Brendel, “Critical spectra in the color reproduction process of digital motion picture cameras,” Proc. Color and Imag. Conf., 23: 167–170, Nov. 2015. EXTERNAL
- D. Long, M. D. Fairchild, “Modeling Observer Variability and Metamerism Failure in Electronic Color Displays,” J. Imag. Sci. and Technol., 58(3): 30406–1–30406-9, Nov. 2014. EXTERNAL
- D. K. Prasad, L. Wenhe, “Metrics and statistics of frequency of occurrence of metamerism in consumer cameras for natural scenes,” J. Opt. Soc. Am. A, 32(7): 1390–1402, Jun. 2015. EXTERNAL
- X. Guo, K.W. Houser, “A review of colour rendering indices and their application to commercial light sources,” Lighting Research & Technology, 36(3): 183–197, Sep. 2004. EXTERNAL
- M.R. Pointer, “The Gamut of Real Surface Colors,” Color Res. Appl., 5(3): 145–155, 1980. EXTERNAL
- S. Daley, X. Feng, “Bit-depth extension: Overcoming LCD-driver limitations by using models of the equivalent input noise of the visual system,” J. Soc.Inf. Display, 13: 51–66, Jun. 2012. EXTERNAL
- International Telecommunication Union-Radiocommunication (ITU-R), Recom-mendation BT.1886, “Reference electro-optical transfer function for flat panel displays used in HDTV studio production,” Mar. 2011. EXTERNAL
- R. Luther, “Aus dem Gebiet der Farbreizmetrik (On color stimulus metrics)” Z Tech. Phys. 8: 540–558, 1927. EXTERNAL
- D. L. MacAdam, “Quality of Color Reproduction,” Proc. IRE, 39(5): 468–485, May 1951. EXTERNAL
- SMPTE ST 2065-1:2021 [Active]
- SMPTE ST 2084:2014 [Active, Stabilized]
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David Long, Rod Bogart, Spencer Stephens, Catherine Meininger, Joseph Goldstone, Tim Kang, Kathryn Brillhart, and Jim Geduldick; Color Management Principles for LED Panels in On-Set Virtual Production, MIJ 2025, Volume 134, Number 2 (pp. 43 to 52); SMPTE, 2025. Available at https://doi.org/10.5594/JMI.2025/XEJK1138
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David Long, Rod Bogart, Spencer Stephens, Catherine Meininger, Joseph Goldstone, Tim Kang, Kathryn Brillhart, and Jim Geduldick; Color Management Principles for LED Panels in On-Set Virtual Production, MIJ 2025, Volume 134, Number 2 (pp. 43 to 52); SMPTE, 2025. Available at https://doi.org/10.5594/JMI.2025/XEJK1138
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David Long, Rod Bogart, Spencer Stephens, Catherine Meininger, Joseph Goldstone, Tim Kang, Kathryn Brillhart, and Jim Geduldick; Color Management Principles for LED Panels in On-Set Virtual Production, MIJ 2025, Volume 134, Number 2 (pp. 43 to 52); SMPTE, 2025. Available at https://doi.org/10.5594/JMI.2025/XEJK1138
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<span class="citation">David Long, Rod Bogart, Spencer Stephens, Catherine Meininger, Joseph Goldstone, Tim Kang, Kathryn Brillhart, and Jim Geduldick; <cite>Color Management Principles for LED Panels in On-Set Virtual Production</cite>, MIJ 2025, Volume 134, Number 2 (pp. 43 to 52); SMPTE, 2025. Available at <a href="https://doi.org/10.5594/JMI.2025/XEJK1138" target="_blank" rel="noopener">https://doi.org/10.5594/JMI.2025/XEJK1138</a></span>
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David Long, Rod Bogart, Spencer Stephens, Catherine Meininger, Joseph Goldstone, Tim Kang, Kathryn Brillhart, and Jim Geduldick; Color Management Principles for LED Panels in On-Set Virtual Production, MIJ 2025, Volume 134, Number 2 (pp. 43 to 52); SMPTE, 2025
doi: 10.5594/JMI.2025/XEJK1138
url: https://doi.org/10.5594/JMI.2025/XEJK1138
doi: 10.5594/JMI.2025/XEJK1138
url: https://doi.org/10.5594/JMI.2025/XEJK1138
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<li> David Long, Rod Bogart, Spencer Stephens, Catherine Meininger, Joseph Goldstone, Tim Kang, Kathryn Brillhart, and Jim Geduldick; <cite id="bib-10-5594-jmi-2025-xejk1138">Color Management Principles for LED Panels in On-Set Virtual Production</cite>, MIJ 2025, Volume 134, Number 2 (pp. 43 to 52); SMPTE, 2025 <span class="doi">10.5594/JMI.2025/XEJK1138</span> </li>