Modeling of Achievable Contrast and Its Impact on HDR Projection in Commercial Cinema Environments

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Publisher: SMPTE — White Plains, NY, USA
Doc Type: Journal Article
Content Type: Original Research
Abbreviated Title: SMPTE Mot. Imag. J
Volume: 125, No. 4, pp. 1–7
Abstract: There is a growing interest in high dynamic range imaging for cinema projection applications. It has been reported that the observable cinema contrast ratio is determined not only by the native projector contrast but even more by various parameters such as the projection lens, port window, screen, theater setting, and audiences. We have derived a mathematical model to characterize the influence of these parameters and to assess their relative importance as a function of the projected image content. Furthermore, a fast measurement method was developed to determine the various parameters across different theaters, providing a good match with our model.
Publication Date: 2016-05-01
DOI: 10.5594/JMI.2016.2548338
ISSN: Print: 1545-0279 | Electronic: 2160-2492
Link: https://doi.org/10.5594/JMI.2016.2548338
Author(s): Claude Tydtgat, ,
Dirk Maes, ,
Goran Stojmenovik, ,
Augustin Grillet, ,
Keyword(s): HDR, Projection, Contrast, Measurement
Copyright: © 2016 IEEE

Bibliographic Reference(s)

A Cinema Luminance Range by the People, for the People: Viewer Preferences on Luminance Limits for a Large Screen Environment [Active]
T. Kunkel and E. Reinhard, “A reassessment of the simultaneous dynamic range of the human visual system,” Proc. 7th Symp. Appl. Perception Graph. Vis., pp. 17–24, 2010. EXTERNAL
M. Schuck, S. Gilman, and G. Sharp, “3D image quality in the PLF environment,” presented at the Display Summit, Jun. 2015. EXTERNAL
P. Ludé, “High dynamic range cinema, how black is black,” presented at the NAB Technology Summit Cinema, Apr. 2015. EXTERNAL

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Claude Tydtgat, Dirk Maes, Goran Stojmenovik, and Augustin Grillet; Modeling of Achievable Contrast and Its Impact on HDR Projection in Commercial Cinema Environments, SMPTE Motion Imaging Journal ( Volume: 125, Issue: 4, 2016); SMPTE, 2016. Available at https://doi.org/10.5594/JMI.2016.2548338

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Claude Tydtgat, Dirk Maes, Goran Stojmenovik, and Augustin Grillet; Modeling of Achievable Contrast and Its Impact on HDR Projection in Commercial Cinema Environments, SMPTE Motion Imaging Journal ( Volume: 125, Issue: 4, 2016); SMPTE, 2016. Available at https://doi.org/10.5594/JMI.2016.2548338

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<span class="citation">Claude Tydtgat, Dirk Maes, Goran Stojmenovik, and Augustin Grillet; <cite>Modeling of Achievable Contrast and Its Impact on HDR Projection in Commercial Cinema Environments</cite>, SMPTE Motion Imaging Journal ( Volume: 125, Issue: 4, 2016); SMPTE, 2016. Available at <a href="https://doi.org/10.5594/JMI.2016.2548338" target="_blank" rel="noopener">https://doi.org/10.5594/JMI.2016.2548338</a></span>

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Claude Tydtgat, Dirk Maes, Goran Stojmenovik, and Augustin Grillet; Modeling of Achievable Contrast and Its Impact on HDR Projection in Commercial Cinema Environments, SMPTE Motion Imaging Journal ( Volume: 125, Issue: 4, 2016); SMPTE, 2016
doi: 10.5594/JMI.2016.2548338
url: https://doi.org/10.5594/JMI.2016.2548338

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Claude Tydtgat, Dirk Maes, Goran Stojmenovik, and Augustin Grillet; <cite id="bib-10-5594-jmi-2016-2548338">Modeling of Achievable Contrast and Its Impact on HDR Projection in Commercial Cinema Environments</cite>, SMPTE Motion Imaging Journal ( Volume: 125, Issue: 4, 2016); SMPTE, 2016
<span class="doi">10.5594/JMI.2016.2548338</span>
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