API Build-data JSON Resources
Theme

Choose how MSRBot.io looks on this device.

Preference is stored in this browser only.

SMPTE Journal ( Volume: 110, Issue: 9, September 2001)
[ACTIVE]

Multichannel Sound in Television—Technical and Aesthetic Approach

Metadata

Publisher
SMPTE — White Plains, NY, USA
Doc Type
Journal Article
Content Type
Original Research
Abbreviated Title
SMPTE J
Volume
110, No. 9, pp. 608–614
Abstract
A new system of Digital TV broadcasting by satellite was launched in Japan in December 2000. With this system, 5.1 and 3–2 multichannel sound programs can be broadcast. Many 3–1 multichannel sound programs have already been broadcast with HDTV, and various experimental recordings of 3–2 multichannel sound have been conducted at NHK. Multichannel sound opens a new dimension of sound production in television. It also confers substantial advantages in sound reproduction such as spatial impression and sound source localization in a horizontal plane. But it is also true that multichannel sound production is much more complicated than ordinary two-channel stereo recording.
Publication Date
2001-09-01
DOI
10.5594/J17330
ISSN
Print: 0036-1682
Link
https://doi.org/10.5594/J17330
Author(s)
Kimio HamasakiNHK Science and Technical Research Laboratories, Tokyo 157, Japan.
bio
Kimio Hamasaki graduated and gained his Master of Arts and Engineering from Kyushu Institute of Design in 1982. The same year he joined NHK, the Japanese Broadcasting Corp. He has been engaged in sound production, especially as a balance engineer of classical music for many years. He has also been engaged in development of sound production for HDTV and R&D of digital sound facilities. His principal recording works are: • Music Fantasy “Carmen” 1989, for which he received the Prixitalia “Perugia” Award and was a finalist for International Emmy Awards. • Music Poem “Family Tree” by Toru Takemitsu, 1995. Many HDTV productions including the following works: • Bayerisher Staatsoper “Der Ring des Nibelungen” • Wiener Staatsoper “Die Fleder-maus” and “Die Zauberflote” • Hamburger Staatsoper “Tannhauser” • NHK Symphony Orchestra Opera production “Die Zauberflote” • Wiener Philharmonic Orchestra • Berlin Philharmonic Orchestra • London Philharmonic Orchestra • NHK Symphony Orchestra He is now an associate director of Three Dimensional Audio-visual Systems Research Division, Science & Technical Research Laboratories, NHK, and has been researching multichannel sound production and other sound issues. He is a member of AES, the Acoustical Society of Japan, and the Institute of Image Information and Television Engineers.
Copyright
© 2001 Society of Motion Picture and Television Engineers, Inc.

Bibliographic Reference(s)

  • 1. Hamasaki Kimio : How to Handle Soand with Large Screen . 17th International Television Symposium. Montreux. Switzerland, 1991 , preprint, pp. 649 671 . EXTERNAL
  • 2. ITU-R BS. 775–1: Multichannel Stereophonic Soand System With and Without Accompanying Picture (Geneva, 1992–1994 ). EXTERNAL
  • 3. Günther Thile Multichannel Natural Recording based on Psychoacoustic Principles . AES preprint 5156, 2000. EXTERNAL
  • 4. Hiyama Koichiro Okuho H. Komiyama S. : A Study on Suitable Position of Loudspeakers in Multi-Channel Soand Field Reproduction. The 2000 Spring Meeting of the ASJ . Tokyo, preprint 3-P-4 ( 2000 ). EXTERNAL
  • 5. Komiyama Setsu Okubo H. Hiyama K. Asayama H. : Interactive Multichannel Soand Reproduction Linked with VRML Graphics . AES 109th Convention, preprint 5245. 2000 , 10.22. EXTERNAL
  • 6. Hamasaki Kimio : Multichannel Audio Production of NHK . Paper presented at the First International Multichannel Soand Forum. Paris, Nov. 1998 . EXTERNAL
Source Data (JSON)

Full registry record with provenance metadata. Open directly: /api/doc/10.5594-J17330.json

Reference Tree

Explore all references and references to this document, as a navigable tree.

Open Reference Tree
Reference this Doc

Plain text (ISO 690 compliant)

Preview:
Kimio Hamasaki; Multichannel Sound in Television—Technical and Aesthetic Approach, SMPTE Journal ( Volume: 110, Issue: 9, September 2001); SMPTE, 2001. Available at https://doi.org/10.5594/J17330
Snippet:
Kimio Hamasaki; Multichannel Sound in Television—Technical and Aesthetic Approach, SMPTE Journal ( Volume: 110, Issue: 9, September 2001); SMPTE, 2001. Available at https://doi.org/10.5594/J17330

HTML (ISO 690 compliant)

Preview:
Kimio Hamasaki; Multichannel Sound in Television—Technical and Aesthetic Approach, SMPTE Journal ( Volume: 110, Issue: 9, September 2001); SMPTE, 2001. Available at https://doi.org/10.5594/J17330
Snippet:
<span class="citation">Kimio Hamasaki; <cite>Multichannel Sound in Television—Technical and Aesthetic Approach</cite>, SMPTE Journal ( Volume: 110, Issue: 9, September 2001); SMPTE, 2001. Available at <a href="https://doi.org/10.5594/J17330" target="_blank" rel="noopener">https://doi.org/10.5594/J17330</a></span>

SMPTE Icon SMPTE's HTML Pub

Preview:
Kimio Hamasaki; Multichannel Sound in Television—Technical and Aesthetic Approach, SMPTE Journal ( Volume: 110, Issue: 9, September 2001); SMPTE, 2001
doi: 10.5594/J17330
url: https://doi.org/10.5594/J17330
Snippet:
<li>
Kimio Hamasaki; <cite id="bib-10-5594-j17330">Multichannel Sound in Television—Technical and Aesthetic Approach</cite>, SMPTE Journal ( Volume: 110, Issue: 9, September 2001); SMPTE, 2001
<span class="doi">10.5594/J17330</span>
</li>