The Role of Transform Matrices in Digital Cinema
Metadata
- Publisher
- SMPTE — White Plains, NY, USA
- Doc Type
- Journal Article
- Content Type
- Original Research
- Abbreviated Title
- SMPTE Mot. Imag. J
- Volume
- 114, No. 10-11, pp. 402–414
- Abstract
- This paper focuses on the role of transform matrices in digital cinema. It is one in a series of five documents that were voluntarily written by the author for the benefit of some members of the SMPTE Digital Cinema committee who did not have an extensive knowledge in color science. The intent of this paper is to take some of the mystery out of CIE transform matrices and their coefficients. What are they, and why are they used? The paper will detail some important physical characteristics of color and follow with a description of human perception. The subject material will then be explored from this perspective.
- Publication Date
- 2005-10-01
- DOI
10.5594/J16196- ISSN
- Print:
1545-0279| Electronic:2160-2492 - Link
- https://doi.org/10.5594/J16196
- Author(s)
- John Silva
bio
John Silva is known as the “father of airborne news gathering.” In 1958, as chief engineer of television station KTLA in Los Angeles, he conceived, designed, and developed the world's first airborne news helicopter which was named the “KTLA Telecopter.” In 1970 he received an Emmy for “outstanding achievement in newsgathering.” In 1974 he received a second Emmy for “concept, design, and expertise of the KTLA Telecopter. Silva also designed and developed the world's first frame-by-frame videotape editor called the TVola in 1961. In 1977 he received the “NAB Engineer of the Year” award. Silva is an active participant and contributor on all four SMPTE Digital Cinema Standards Committees. - Copyright
- © 2005 Society of Motion Picture and Television Engineers, Inc.
Bibliographic Reference(s)
- ISBN.9781558607927 — Charles Poynton, “Digital Video and HDTV”, Morgan Kaufmann Publishers, 2003 EXTERNAL
- ASTM , http://www.astm.org . EXTERNAL
- Berns Roy S. , Principals of Color Technology , Third Edition , Wiley Inter-Science : New York , 2000 . EXTERNAL
- CIE , http://www.cie.org . EXTERNAL
- Roberts A. , “Television Colorimetry: A Tutorial for System Designers,” BBC RD 1995/9 ISSN 1361–2379, 1995 . EXTERNAL
- Wyszecki Gunther Stiles W.S. , Color Science , Second Edition , Wiley Inter-Science : New York , 2000 . EXTERNAL
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John Silva; The Role of Transform Matrices in Digital Cinema, SMPTE Motion Imaging Journal ( Volume: 114, Issue: 10-11, 2005); SMPTE, 2005. Available at https://doi.org/10.5594/J16196
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John Silva; The Role of Transform Matrices in Digital Cinema, SMPTE Motion Imaging Journal ( Volume: 114, Issue: 10-11, 2005); SMPTE, 2005. Available at https://doi.org/10.5594/J16196
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John Silva; The Role of Transform Matrices in Digital Cinema, SMPTE Motion Imaging Journal ( Volume: 114, Issue: 10-11, 2005); SMPTE, 2005. Available at https://doi.org/10.5594/J16196
Snippet:
<span class="citation">John Silva; <cite>The Role of Transform Matrices in Digital Cinema</cite>, SMPTE Motion Imaging Journal ( Volume: 114, Issue: 10-11, 2005); SMPTE, 2005. Available at <a href="https://doi.org/10.5594/J16196" target="_blank" rel="noopener">https://doi.org/10.5594/J16196</a></span>
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John Silva; The Role of Transform Matrices in Digital Cinema, SMPTE Motion Imaging Journal ( Volume: 114, Issue: 10-11, 2005); SMPTE, 2005
doi: 10.5594/J16196
url: https://doi.org/10.5594/J16196
doi: 10.5594/J16196
url: https://doi.org/10.5594/J16196
Snippet:
<li> John Silva; <cite id="bib-10-5594-j16196">The Role of Transform Matrices in Digital Cinema</cite>, SMPTE Motion Imaging Journal ( Volume: 114, Issue: 10-11, 2005); SMPTE, 2005 <span class="doi">10.5594/J16196</span> </li>
Referenced By
- Color Processing for Digital Cinema 5: Calculation of the Matrices Needed for Processing Digital Cinema Images [Active]
- Color Processing for Digital Cinema 3: Minimum Linear Bit Depth, Encoding of near Blacks, Gamut Mapping, and Colorimetry for the Tolerances in the Standards [Active]
- SMPTE EG 432-1:2010 [Active, Stabilized]