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SMPTE Journal ( Volume: 106, Issue: 5, May 1997)
[ACTIVE]

Optical Restoration of Faded 35mm Color Negative

Metadata

Publisher
SMPTE — White Plains, NY, USA
Doc Type
Journal Article
Content Type
Original Research
Abbreviated Title
SMPTE J
Volume
106, No. 5, pp. 281–284
Abstract
Since 1950, color negative film has become the standard on which millions of motion picture and television shows have been photographed. Since the early 1970s, it has become apparent that the color negative film stock on which these images were recorded was not entirely stable and was fading with time. Digital technology is beginning to offer solutions for saving these records but will continue to be unavailable for most of them due to cost. Optical (photochemical) restoration offers a cost-effective alternative to preserving many film records that might be lost by the time digital technology is affordable.
Publication Date
1997-05-01
DOI
10.5594/J15765
ISSN
Print: 0036-1682
Link
https://doi.org/10.5594/J15765
Author(s)
Peter KuranVCE, Inc., Sylmar, CA 91342
bio
Peter Kuran heads Visual Concept Engineering (VCE), an optical effects house he started at the age of 20. He began his career at George Lucas's Industrial Light & Magic, where he worked on such films as Star Wars, Star Trek II and V, Robocop 1, 2, and 3, Addams Family, Addams Family Values, GhostBusters 2 , and Beetlejuice . Following Star Wars , he worked on ABC's “Battlestar Galactica” and the feature films The Dark and Piranha , among several others, before returning to ILM to begin effects on The Empire Strikes Back . He then returned to Los Angeles to develop his company full time, working on such films as The Howling, Airplane, and Dragon Slayer. VCE was responsible for the visual effects for Oliver Stone's Nixon and Ed Zwick's Courage Under Fire , and is currently working on TriStar Pictures' Starship Troopers. Kuran has recently completed his own 92-minute documentary film, Trinity and Beyond , which uses previously classified government footage on the creation and testing of the atomic and hydrogen bombs over a 20-year period. Kuran used the RCI system to recreate and preserve original color negatives of the government film.
Copyright
© 1997 Society of Motion Picture and Television Engineers, Inc.
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Peter Kuran; Optical Restoration of Faded 35mm Color Negative, SMPTE Journal ( Volume: 106, Issue: 5, May 1997); SMPTE, 1997. Available at https://doi.org/10.5594/J15765
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Peter Kuran; Optical Restoration of Faded 35mm Color Negative, SMPTE Journal ( Volume: 106, Issue: 5, May 1997); SMPTE, 1997. Available at https://doi.org/10.5594/J15765

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Peter Kuran; Optical Restoration of Faded 35mm Color Negative, SMPTE Journal ( Volume: 106, Issue: 5, May 1997); SMPTE, 1997. Available at https://doi.org/10.5594/J15765
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<span class="citation">Peter Kuran; <cite>Optical Restoration of Faded 35mm Color Negative</cite>, SMPTE Journal ( Volume: 106, Issue: 5, May 1997); SMPTE, 1997. Available at <a href="https://doi.org/10.5594/J15765" target="_blank" rel="noopener">https://doi.org/10.5594/J15765</a></span>

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Preview:
Peter Kuran; Optical Restoration of Faded 35mm Color Negative, SMPTE Journal ( Volume: 106, Issue: 5, May 1997); SMPTE, 1997
doi: 10.5594/J15765
url: https://doi.org/10.5594/J15765
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<li>
Peter Kuran; <cite id="bib-10-5594-j15765">Optical Restoration of Faded 35mm Color Negative</cite>, SMPTE Journal ( Volume: 106, Issue: 5, May 1997); SMPTE, 1997
<span class="doi">10.5594/J15765</span>
</li>