Stream and File Formats—Where are We Now?
Metadata
- Publisher
- SMPTE — White Plains, NY, USA
- Doc Type
- Journal Article
- Content Type
- Original Research
- Abbreviated Title
- SMPTE J
- Volume
- 111, No. 6-7, pp. 319–322
- Abstract
- Moving broadcast material in the compressed domain as data files with file transfer protocols can maintain image quality, reduce operating costs, and enhance operational capabilities. File formats have evolved over several years: some have been standardized, others are being held as proprietary technology, and new formats are being introduced. Digital Moving Picture Exchange, the first to be standardized by SMPTE, is used for uncompressed material transfers by telecine and synthetic image rendering systems. The next, General Exchange Format, is intended for news, sports, and on-air operations. The AAF Association has released an audio/video editing tools set designed for post-production and rich-editing applications. The Pro-MPEG Forum is working with SMPTE to develop a new file format, the Material Exchange Format, which will support a broad range of applications. Broadcasters must examine their requirements and choose a file or streaming format that has the features that meet their needs.
- Publication Date
- 2002-07-01
- DOI
10.5594/J15329- ISSN
- Print:
0036-1682 - Link
- https://doi.org/10.5594/J15329
- Author(s)
- Bob EdgeGrass Valley Group, Beaverton, OR 97006
bio
Bob Edge is a principal engineer for Thomson Broadcast Solutions/Grass Valley. He is currently responsible for enhancements on the Emmy award-winning Profile line. During his career, he has worked as an engineer, architect, project leader, and program manager on several products. Recently, Edge led the effort to standardize the General Exchange Format (GXF), now known as SMPTE 360M. He is active in television standards work, including participation in SMPTE, a few European Broadcasters Union projects, and the Pro-MPEG Forum. Previously he participated in the EBU/SMPTE Joint Task Force. Edge has a bachelor's degree in computer science from Oregon State University and is the author of several technical papers. - Copyright
- © 2002 Society of Motion Picture and Television Engineers, Inc.
Bibliographic Reference(s)
- Recent Advances in the Transfer and Manipulation of Film Images in the Data and HDTV Domains [Active]
- Images and Formats [Active]
- SMPTE ST 360 [Active, Stabilized]
- SMPTE 268M-1994— File Format for Digital Moving-Picture Exchange (DPX) , SMPTE J. , 102 : 760 , Aug. 1993 . EXTERNAL
- SMPTE 360M-2001— General Exchange Format (GXF) , SMPTE J. , 111 : 315 – 326 , May 2001 . EXTERNAL
- Gilmer Brad , “Enabling Better Media Workflows—An overview of the Advanced Authoring Format,” www.AAFassociation.com . EXTERNAL
- Wilkinson James H. , “An Overview of the Material Exchange Format (MXF) Specification,” Proc. 143rd SMPTE Tech. Conf., New York, NY, Nov. 2001 . EXTERNAL
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Bob Edge; Stream and File Formats—Where are We Now?, SMPTE Journal ( Volume: 111, Issue: 6-7, 2002); SMPTE, 2002. Available at https://doi.org/10.5594/J15329
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Bob Edge; Stream and File Formats—Where are We Now?, SMPTE Journal ( Volume: 111, Issue: 6-7, 2002); SMPTE, 2002. Available at https://doi.org/10.5594/J15329
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Bob Edge; Stream and File Formats—Where are We Now?, SMPTE Journal ( Volume: 111, Issue: 6-7, 2002); SMPTE, 2002. Available at https://doi.org/10.5594/J15329
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<span class="citation">Bob Edge; <cite>Stream and File Formats—Where are We Now?</cite>, SMPTE Journal ( Volume: 111, Issue: 6-7, 2002); SMPTE, 2002. Available at <a href="https://doi.org/10.5594/J15329" target="_blank" rel="noopener">https://doi.org/10.5594/J15329</a></span>
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Bob Edge; Stream and File Formats—Where are We Now?, SMPTE Journal ( Volume: 111, Issue: 6-7, 2002); SMPTE, 2002
doi: 10.5594/J15329
url: https://doi.org/10.5594/J15329
doi: 10.5594/J15329
url: https://doi.org/10.5594/J15329
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<li> Bob Edge; <cite id="bib-10-5594-j15329">Stream and File Formats—Where are We Now?</cite>, SMPTE Journal ( Volume: 111, Issue: 6-7, 2002); SMPTE, 2002 <span class="doi">10.5594/J15329</span> </li>