Digital Dailies in the 21st Century

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Publisher: SMPTE — White Plains, NY, USA
Doc Type: Journal Article
Content Type: Original Research
Abbreviated Title: SMPTE Mot. Imag. J
Volume: 118, No. 3, pp. 43–49
Abstract: With the advent of digital and file-based cameras, the definition of what defines dailies is quite broad and the expectations for what dailies should provide a production varies even more based on the budget, on who is viewing what, and on who is doing what with this material. Dailies provide one value for the director of photography and hair and make-up team and another value for the director and producers. This paper provides an overview of these different definitions of dailies and details their associated workflows. Focus will start with on-set dailies, dailies on DVD, and dailies distributed to remote locations. Productions covered range from film production to using HD file-based cameras such as Panasonic P2 and RED.
Publication Date: 2009-04-01
DOI: 10.5594/J14959
ISSN: Print: 1545-0279 | Electronic: 2160-2492
Link: https://doi.org/10.5594/J14959
Author(s): Brian Gaffney
bio
Brian Gaffney is Vice President/General Manager of Technicolor's On Location Services, focused on assisting production and enabling the post back end with unique workflows associated with digital acquisition. Gaffney founded Creative Bridge in 2005 and joined Technicolor in 2006. Before that he was president of Turbo Squid, an online 3-D asset management company. Before Turbo Squid, he worked as vice president of sales for MTI Film, a film restoration services company and manufacturer of the industry standard DRS product line. Gaffney's roots are in VFX and he has worked in Commercial Post as an executive producer and was the director of sales for the Americas for Autodesk, manufacturer of Discreet Inferno and Smoke and worked with the marketing team to draft the proposal submission that led to a Sci-Tech Academy Award for the product Inferno. With Technicolor Creative Bridge, Gaffney has worked on more than 25 feature films using DP Lights on set color correction system.
Copyright: © 2009 Society of Motion Picture and Television Engineers, Inc.

Bibliographic Reference(s)

1. Gaffney Brian , “Technicolor 3-D Dailies.” (Note: this is an in-house document that has not been published). EXTERNAL

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Brian Gaffney; Digital Dailies in the 21st Century, SMPTE Motion Imaging Journal ( Volume: 118, Issue: 3, April 2009); SMPTE, 2009. Available at https://doi.org/10.5594/J14959

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Brian Gaffney; Digital Dailies in the 21st Century, SMPTE Motion Imaging Journal ( Volume: 118, Issue: 3, April 2009); SMPTE, 2009. Available at https://doi.org/10.5594/J14959

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Brian Gaffney; Digital Dailies in the 21st Century, SMPTE Motion Imaging Journal ( Volume: 118, Issue: 3, April 2009); SMPTE, 2009. Available at https://doi.org/10.5594/J14959

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<span class="citation">Brian Gaffney; <cite>Digital Dailies in the 21st Century</cite>, SMPTE Motion Imaging Journal ( Volume: 118, Issue: 3, April 2009); SMPTE, 2009. Available at <a href="https://doi.org/10.5594/J14959" target="_blank" rel="noopener">https://doi.org/10.5594/J14959</a></span>

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Brian Gaffney; Digital Dailies in the 21st Century, SMPTE Motion Imaging Journal ( Volume: 118, Issue: 3, April 2009); SMPTE, 2009
doi: 10.5594/J14959
url: https://doi.org/10.5594/J14959

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Brian Gaffney; <cite id="bib-10-5594-j14959">Digital Dailies in the 21st Century</cite>, SMPTE Motion Imaging Journal ( Volume: 118, Issue: 3, April 2009); SMPTE, 2009
<span class="doi">10.5594/J14959</span>
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