The Camera versus the Microphone in Training Film Cproduction
Metadata
- Publisher
- SMPTE
- Doc Type
- Journal Article
- Article Type
- research-article
- Abstract
- The training film is primarily a motion picture, not a sound track illustrated with pictures. A training film succeeds in its mission to the extent that it can maintain eye-attention, and consequently interest. The major responsibility for arousing and sustaining interest is the job of the camera, not the microphone, as is too infrequently demonstrated. The substitution of track modulations for pictures results in a deadly kind of training film, effective only as a sleep-producer or sedative. Subverting the track and placing the burden of maintaining interest on the camera, where it rightfully belongs, will result in training films that are stimulants. New techniques and new equipment may be needed to fully exploit the camera. Whatever motion picture engineers can do to increase the flexibility and mobility of the camera, especially in non-studio use, will help.
- Publication Date
- 1944-11-01
- DOI
10.5594/J12887- Link
- https://doi.org/10.5594/J12887
- Author(s)
- Herbert R. Jensen
Source Data (JSON)
Full registry record with provenance metadata. Open directly: /api/doc/10.5594-J12887.json
Reference this Doc
Plain text (ISO 690 compliant)
Preview:
Herbert R. Jensen; The Camera versus the Microphone in Training Film Cproduction, Journal of the Society of Motion Picture Engineers ( Volume: 43, Issue: 5, November 1944); SMPTE, 1944. Available at https://doi.org/10.5594/J12887
Snippet:
Herbert R. Jensen; The Camera versus the Microphone in Training Film Cproduction, Journal of the Society of Motion Picture Engineers ( Volume: 43, Issue: 5, November 1944); SMPTE, 1944. Available at https://doi.org/10.5594/J12887
HTML (ISO 690 compliant)
Preview:
Herbert R. Jensen; The Camera versus the Microphone in Training Film Cproduction, Journal of the Society of Motion Picture Engineers ( Volume: 43, Issue: 5, November 1944); SMPTE, 1944. Available at https://doi.org/10.5594/J12887
Snippet:
<span class="citation">Herbert R. Jensen; <cite>The Camera versus the Microphone in Training Film Cproduction</cite>, Journal of the Society of Motion Picture Engineers ( Volume: 43, Issue: 5, November 1944); SMPTE, 1944. Available at <a href="https://doi.org/10.5594/J12887" target="_blank" rel="noopener">https://doi.org/10.5594/J12887</a></span>
SMPTE's HTML Pub
Preview:
Herbert R. Jensen; The Camera versus the Microphone in Training Film Cproduction, Journal of the Society of Motion Picture Engineers ( Volume: 43, Issue: 5, November 1944); SMPTE, 1944
doi: 10.5594/J12887
url: https://doi.org/10.5594/J12887
doi: 10.5594/J12887
url: https://doi.org/10.5594/J12887
Snippet:
<li> Herbert R. Jensen; <cite id="bib-10-5594-j12887">The Camera versus the Microphone in Training Film Cproduction</cite>, Journal of the Society of Motion Picture Engineers ( Volume: 43, Issue: 5, November 1944); SMPTE, 1944 <span class="doi">10.5594/J12887</span> </li>