An All-Digital Pipeline: Toy Story 2 from Disk to Screen
Metadata
- Publisher
- SMPTE — White Plains, NY, USA
- Doc Type
- Journal Article
- Content Type
- Original Research
- Abbreviated Title
- SMPTE J
- Volume
- 109, No. 12, pp. 946–948
- Abstract
- Showing computer-generated images on film is always a compromise: the color, consistency, steadiness, and clarity never fully reflect what the film-makers have seen on their reference monitors at the studio. One of digital cinema's great potentials lies in the opportunity to more accurately show a theater-going audience what the filmmakers created. During production of Toy Story 2 at Pixar Animation Studios, some filmless, tapeless tools became available to suggest that this potential was ready to be realized in a practical way. This paper provides an operational overview of how this has been achieved.
- Publication Date
- 2000-12-01
- DOI
10.5594/J08934- ISSN
- Print:
0036-1682 - Link
- https://doi.org/10.5594/J08934
- Author(s)
- Bill KinderPixar Animation Studios, Richmond, CA 94804
bio
Bill Kinder is the senior manager of editorial and post-production at Pixar Animation Studios. Prior to joining Pixar in 1996, he was director of facilities at the birthplace of electronic cinema, American Zoetrope in San Francisco. While there, he oversaw post-production of feature films ( Jack, Mi Familia , and Theremin: An Electronic Odyssey ); brought innovation to Francis Coppola's electronic storyboard department; and managed telecine operations. Kinder is a graduate of Brown University. He also studied film, sound, and photography at the Rhode Island School of Design and the University of East Anglia. - Copyright
- © 2000 Society of Motion Picture and Television Engineers, Inc.
Bibliographic Reference(s)
- Proposed SMPTE Standard for Television—Channel Assignments and Levels on Multichannel Audio Media [Active]
- 1. SMPTE 292M, Television—Bit-Serial Digital Interface for High-Definition Television Systems, SMPTE J. , 107 : 849 , Sept., 1998 . EXTERNAL
- 3. SMPTE 196M, Motion-Picture Film—Indoor Theater and Review Room Projection—Screen Luminance and Viewing Conditions , SMPTE J. , 104 : 244 , Apr., 1995 . EXTERNAL
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Bill Kinder; An All-Digital Pipeline: Toy Story 2 from Disk to Screen, SMPTE Journal ( Volume: 109, Issue: 12, December 2000); SMPTE, 2000. Available at https://doi.org/10.5594/J08934
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Bill Kinder; An All-Digital Pipeline: Toy Story 2 from Disk to Screen, SMPTE Journal ( Volume: 109, Issue: 12, December 2000); SMPTE, 2000. Available at https://doi.org/10.5594/J08934
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Bill Kinder; An All-Digital Pipeline: Toy Story 2 from Disk to Screen, SMPTE Journal ( Volume: 109, Issue: 12, December 2000); SMPTE, 2000. Available at https://doi.org/10.5594/J08934
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<span class="citation">Bill Kinder; <cite>An All-Digital Pipeline: Toy Story 2 from Disk to Screen</cite>, SMPTE Journal ( Volume: 109, Issue: 12, December 2000); SMPTE, 2000. Available at <a href="https://doi.org/10.5594/J08934" target="_blank" rel="noopener">https://doi.org/10.5594/J08934</a></span>
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Bill Kinder; An All-Digital Pipeline: Toy Story 2 from Disk to Screen, SMPTE Journal ( Volume: 109, Issue: 12, December 2000); SMPTE, 2000
doi: 10.5594/J08934
url: https://doi.org/10.5594/J08934
doi: 10.5594/J08934
url: https://doi.org/10.5594/J08934
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<li> Bill Kinder; <cite id="bib-10-5594-j08934">An All-Digital Pipeline: Toy Story 2 from Disk to Screen</cite>, SMPTE Journal ( Volume: 109, Issue: 12, December 2000); SMPTE, 2000 <span class="doi">10.5594/J08934</span> </li>