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SMPTE Journal ( Volume: 106, Issue: 10, October 1997)
[ACTIVE]

Monitoring Sound in the One-Person Environment

Metadata

Publisher
SMPTE — White Plains, NY, USA
Doc Type
Journal Article
Content Type
Original Research
Abbreviated Title
SMPTE J
Volume
106, No. 10, pp. 673–681
Abstract
With the growth of personal computers as display devices for media has come the need to monitor sound accompanying images on these systems. Many of the same parameters that constitute the capabilities of large-scale systems also need to be addressed in small-scale ones in order to produce similar experiences of the program material. These include frequency range and response over the range, dynamic range, and stereo imaging capabilities. In addition, some new problems also arise, such as those brought about by being too close to the loudspeakers, and the difficult acoustical environment faced by the loudspeakers. Several methods are described that make the desktop environment useful in making professional judgments of sound usually reserved for calibrated monitoring systems in motion picture dubbing stages. Having such a system extends the utility of digital audio and video workstations. Performance data are presented here.
Publication Date
1997-10-01
DOI
10.5594/J04505
ISSN
Print: 0036-1682
Link
https://doi.org/10.5594/J04505
Author(s)
Tomlinson HolmanTMH Corp., Los Angeles. CA 90089.
Copyright
© 1997 Society of Motion Picture and Television Engineers, Inc.

Bibliographic Reference(s)

  • 1. Parts of the television industry also employ standardized response and levels as described for film, although the standards are somewhat different, but the use of such standards in television production is not so wide-spread as it is in the film industry. EXTERNAL
  • 2. Toole F. , “Loudspeakers and Rooms for Stereophonic Sound Reproduction,” The Proceedings of the AES 8th International Conference. The Sound of Audio, Audio Engineering Society , pp. 71 – 91 . EXTERNAL
  • 3. Bech S. , “Perception of Reproduced Sound: Audibility of Individual Reflections in a Complete Sound Field,” Audio Engineering Society preprint 3849, Amsterdam AES Convention , 1994 . EXTERNAL
  • 4. Walker R. , “Early Reflections in Studio Control Rooms: The Results from the First Controlled Image Design Installations,” Audio Engineering Society preprint 3853, Amsterdam AES Convention , 1994 . EXTERNAL
  • 5. A new, more transparent (for sound) screen has recently become available that solves this problem, albeit at high cost. The element that makes the screen more acoustically transparent is to use more, finer, perforations than typical, which permits greater high-frequency transmission. EXTERNAL
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Tomlinson Holman; Monitoring Sound in the One-Person Environment, SMPTE Journal ( Volume: 106, Issue: 10, October 1997); SMPTE, 1997. Available at https://doi.org/10.5594/J04505
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Tomlinson Holman; Monitoring Sound in the One-Person Environment, SMPTE Journal ( Volume: 106, Issue: 10, October 1997); SMPTE, 1997. Available at https://doi.org/10.5594/J04505

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Tomlinson Holman; Monitoring Sound in the One-Person Environment, SMPTE Journal ( Volume: 106, Issue: 10, October 1997); SMPTE, 1997. Available at https://doi.org/10.5594/J04505
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<span class="citation">Tomlinson Holman; <cite>Monitoring Sound in the One-Person Environment</cite>, SMPTE Journal ( Volume: 106, Issue: 10, October 1997); SMPTE, 1997. Available at <a href="https://doi.org/10.5594/J04505" target="_blank" rel="noopener">https://doi.org/10.5594/J04505</a></span>

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Tomlinson Holman; Monitoring Sound in the One-Person Environment, SMPTE Journal ( Volume: 106, Issue: 10, October 1997); SMPTE, 1997
doi: 10.5594/J04505
url: https://doi.org/10.5594/J04505
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<li>
Tomlinson Holman; <cite id="bib-10-5594-j04505">Monitoring Sound in the One-Person Environment</cite>, SMPTE Journal ( Volume: 106, Issue: 10, October 1997); SMPTE, 1997
<span class="doi">10.5594/J04505</span>
</li>