No entries.

• 1 Simons Edward L. ; Trans. Ill. Eng. Soc . vol. 6 , p. 295 , January 1911 . Motion Picture Studio Lighting with Mercury Arcs and Enclosed Arc Lamps. (Flame arcs were first used in motion picture studios in June 1912 at the Edison studio. W. R. M.)EXTERNAL
• 10 Luckiesh M. Trans. Ill. Eng. Soc. vol. 10 , p. 149 , 1915 . Blue Blub Tungsten Lamp in Photography.EXTERNAL
• 11 Zeit Voege , f. Beleuchtungswesen , vol. 21 , p. 33 , March 1915 . Actinicity of Various Light Sources.EXTERNAL
• 12 Smith L. G. Harkness Elec. Wld. vol. 65 , p. 1,040 , April 24, 1915 . Flame Arc Lighting and Mercury Arc Lighting in Motion Picture Studios with Lamp Diagrams.EXTERNAL
• 13 William A.D. Evans. The Illuminating Engineer ( London ), vol. 7 , p. 284 , June 1915 . A very complete article on mercury arc lighting for motion picture studios.EXTERNAL
• 14 Williamson J. E. Trans. Ill. Eng. Soc. ( London ), vol. 7 , p. 403 , July 20, 1915 . Quartz Mercury Ares in Submarine Photography.EXTERNAL
• 15 Scientific American , vol. 113 , p. 83 , July 1915 , p. 317 , October 1915 , p. 393 , Nov. 6, 1915 . “Black Maria” Rotated to Face the Sun. Portable Lighting Plants. Mercury arcs are used at 100 watts per square foot of floor space.EXTERNAL
• 16 Jones L. A. Hodgson M. B. and Huse Kenneth Trans. Ill. Eng. Soc. , vol. 10 , p. 963 , 1915 .EXTERNAL
• 17 Mees C. E. Kenneth Trans. Ill. Eng. Soc. , vol. 10 , p. 947 , 1915 . The Electrician ( London ) vol. 76 , p. 167 , Nov. 5, 1915 . Artificial Illuminants for Use in Practical Photography.EXTERNAL
• 18 Mott W. R. and Clark V. A. Lighting Journal , vol. 3 , p. 224 , November 1915. Lighting Journal, vol. 4 , p. 15 , January 1915. The White Flame Arc Lamp in the Photographic Studio.EXTERNAL
• 19 Dench Ernest A. American Photography , vol. 9 , p. 572 , October 1915 . Colors in Staging Interiors of Motion Picture Studios.EXTERNAL
• 2 Mott W. R. The American Photo-Engraver , vol. 4 , p. 233 , July 1912. Efficiency of the White Flame Arc Lamp for Photoengraving.EXTERNAL
• 20 Baynes G. McL. Motion Picture World , p. 2 , 334 , Dec. 25, 1915 . Lighting Difficulties in England.EXTERNAL
• 21 Dench Ernest A. Book on Making of the Movies , Pub. 1915 . Lighting with ares is discussed, pages 12 , 38 and 90.EXTERNAL
• 22 DeMille Cecil B. Motography , vol. 15 , p. 249 , Jan. 29, 1916 . “Lighting to Photoplay is Like Music to Drama.”EXTERNAL
• 23 Brewster W. E. Gen. Elec. Rev. , vol. 19 , p. 186 , March 1916 . Blue Bulb Tungsten Lamps in Photography.EXTERNAL
• 24 Mott W. R. Jour. Cleveland Eng. Soc. , p. 281 , March 1917 . The Characteristics and Uses of the Flaming Arc.EXTERNAL
• 25 Clark V. A. Elect. Rev. and West. Elect. , vol. 68 , p. 1,024 , June 3, 1916 . White Flame Arc for Portrait Photography.EXTERNAL
• 26 Mott W. R. Trans. Amer. Electrochem. Soc. , vol. 28 , p. 371 , September 1916. Use of the Flame Arc in Paint and Dye Testing.EXTERNAL
• 27 Grass Benjamin Electrical Age , vol. 49 , p. 25 , September 1916. Lighting of Motion Picture Studios. Mercury arcs and flame arcs are discussed. Use is made of 60 kilowatts overhead and 40 kilowatts for side lighting.EXTERNAL
• 28 Mott W. R. Trans. Am. Electrochem. Soc. , vol. 31 , p. 365 , April 1917 . Trans. Am. Electrochem. Soc., September 1918. The colors and light production of different elements in arc are discussed in relation to arc images.EXTERNAL
• 29 Mayer Max Trans. Soc. Motion Pict. Eng. , p. 18 , April 1918 . Artificial Light in the Motion Picture Studio. This is a very practical discussion of the use of white flame arcs and studio arrangements.EXTERNAL
• 3 Reeves H. H. Gen. Elect. Rev. vol. 17 , p. 413 , April 1914. Theater Stage Lighting.EXTERNAL
• 30 Allison John W. Trans. Soc. Motion Pict. Eng. , September 1918 . All interior lighting is recommended with discard of the hot-house effect of the glass-studio and control of light for standardization.EXTERNAL
• 31 Shiller Karl Motion Picture Magazine , vol. 17 , p. 66 , March 1919 . Flame arc lamps for after dark photography, outdoors and indoors, for moonlight effects, for fireside effects and for war scenes. Night scenes are lighted by concentrating the arc light on central figures and leaving the surroundings in darkness in order to give the natural and romantic effect desired.EXTERNAL
• 32 Macgowan Kenneth New Republic , vol. 12 , p. 188 , Sept. 15, 1917 . Formerly the motion picture studios gave the effect of flat, almost footlight scenes but the new effect—an American made device—introduce natural lighting from windows, doorways and lamps. This enables sharp staring shadows to be produced in scenes of terror or soft luminous shadows to stimulate the pleasing evening lighting. Again the new lighting can be so arranged to concentrate on the acting and avoid the effect of camera consciousness which is introduced by the old camera for concentrating the attention on the actors. He says that art in the motion pictures arises chiefly from sequence of pictorial impressions but more especially from lighting atmosphere.EXTERNAL
• 4 Clark V. A. Elec. Wld. vol. 64 , p. 956 , Nov. 14, 1914 . Flame Arc Lamps for Photographic Purposes.EXTERNAL
• 5 Luckiesh M. Elec. Wld. vol. 64 , p. 954 , Nov. 14, 1914 . Blue Bulb Tungsten Lamps for Photography.EXTERNAL
• 6 Unsigned. Elect. Rev. and West. Elect. vol. 64 , p. 461 , March 7, 1914 . Electricity in Motion Picture Plants.EXTERNAL
• 7 Unsigned. Electrical World , vol. 65 , p. 322 , Jan. 30, 1915 . Twelve Twin-Arc Flame Lamps Were Used for Motion Pictures of New York Subway.EXTERNAL
• 8 Unsigned. Photoplay Magazine , p. 88 , 1915 . Lighting of Motion Picture Studios.EXTERNAL
• 9 Unsigned. The Central Station , vol. 14 , p. 345 , May 1915 . Elect. Wld . vol. 65 , p. 684 , vol. 66 , p. 136 , 1915 . Articles on Blue Bulb Gas Filled Incandescent Lamps in Motion Picture Studios.EXTERNAL