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Journal of the Society of Motion Picture and Television Engineers ( Volume: 63, Issue: 4, October 1954)
History of Motion-Picture Studio Lighting
SMPTE • Journal Article • [Active]
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Level 1 — direct dependents (docs that cite this doc)
Level 1 — direct references (docs this doc cites)
- Report of the Studio Lighting Committee[Active]
- Color Quality of Light of Incandescent Lamps[Active]
- The Use of Mazda Lamps for Color Photography[Active]
- Progress Committee Report[Active]
- Study of Sealed Beam Lamps for Motion Picture Set Lighting[Active]
- A New Viewpoint on the Lighting of Motion Pictures[Active]
- The Advanced Technic of Technicolor Lighting[Active]
- Lighting for Technicolor Motion Pictures[Active]
- A Motion Picture Arc-Lighting Generator Filter[Active]
- Illumination in Motion Picture Production[Active]
- Cinematography in the Hollywood Studies (1942): Black and White Cinematography[Active]
- Technicolor Cinematography[Active]
- The Fluorescent Lamp and its Application to Motion Picture Studio Lighting[Active]
- Report of the Studio Lighting Committee[Active]
- New Developments in Mercury Lamps for Studio Lighting[Active]
- The Evolution of Arc Broadside Lighting Equipment[Active]
- Spectral Distributions and Color-Temperatures of the Radiant Energy from Carbon Arcs Used in the Motion Picture Industry[Active]
- Independent Frame—An Attempt at Rationalization of Motion Picture Production[Active]
- 1. Mott W. Roy , “White light for motion picture photography,” Trans. SMPE , No. 8 : 7 – 41 , Apr. 1919 .EXTERNAL
- 12. Farnham R. E. , “Recent developments in the use of Mazda lamps for color motion picture photography,” Jour. SMPE , 21 : 487 – 492 , June 1935 .EXTERNAL
- 14. Richardson E. C. , “Recent developments in motion picture lighting,” Jour. SMI'E , 20 : 178 – 183 , Aug. 1937 .EXTERNAL
- 2. Jones Loyd A. , “Incandescent tungsten lamp installation for illuminating color motion picture studio,” Trans. SMPE , No. 22 : 25 – 45 , publ. Sept. 1925 .EXTERNAL
- 26. Mole Peter , “If it isn't on the film,” Intl. Projectionist , 21 : 36 – 38 , 81, July 1946 , Section 2.EXTERNAL
- 27. Handley Charles , “Differently the same,” The Author and Journalist , Nov. 1946 .EXTERNAL
- 29. Alton John , Painting with Light , Macmillan Company , New York , 1949 .EXTERNAL
- 3. Beggs E. W. , “Lighting by tungsten filament incandescent lamps for motion picture photography,” Trans. SMPE , No. 26 : 94 – 106 , publ. Nov. 1920 .EXTERNAL
- 32. Mole Peter , “Will there always be a need for carbon arcs?” Am. Cinemat. , Feb. 1951 .EXTERNAL
- 33. Handley Charles W. Chairman , Progress Committee Report , Jour. SMPTE , 50 : 568 – 583 , May 1951 .EXTERNAL
- 4. Mole Peter , “The tungsten lamp situation in the studio,” Trans. SMPE , No. 31 : 582 – 590 , publ. Sept. 1927 .EXTERNAL
- 5. Buttolph L. J. , “Cooper-Hewitt neon lamps,” Trans. SMPE , No. 34 : 557 , Apr. 1928 .EXTERNAL
- 6. Farnham R. E. , “The effective application of incandescent lamps for motion picture photography,” Trans. SMPE , No. 34 : 464 – 483 , Apr. 1928 .EXTERNAL
- 7. Joy D. B. Downes A. C. , “Characteristics of flame arcs for studio lighting,” Trans. SMPE , No. 34 : 502 – 520 , Apr. 1928 .EXTERNAL
- 8. Mole Peter , “The use of incandescent equipment in motion picture photography,” Trans. SMPE , No. 34 : 521 – 536 , Apr. 1928 .EXTERNAL
- 9. Struss Karl , “Dramatic cinematography,” Trans. SMPE , No. 34 : 317 – 319 , Apr. 1928 .EXTERNAL