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Current document root: SMPTE Journal ( Volume: 85, Issue: 7, July 1976)

Color in the Motion-Picture Industry

SMPTE • Journal Article • [Active]

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  • An Intermediate Positive-Internegative System for Color Motion Picture Photography[Active]
  • Improved Color Films for Color Motion-Picture Production[Active]
  • Color Negative and Color Positive Film for Motion Picture Use[Active]
  • An Experimental 35-Mm Multilayer Stripping Negative Film[Active]
  • The Technicolor Process of Three-Color Cinematography[Active]
  • A Motion Picture Made in 1916 by a Two-Color Subtractive Process[Active]
  • A New Color Negative Film for Better Picture Quality[Active]
  • Cinecolor Three-Color Process[Active]
  • The Handschiegl and Patheéchrome Color Processes[Active]
  • The Multicolor Process[Active]
  • The Multicolor Laboratory[Active]
  • Committee Activities: Report of the Color Committee[Active]
  • Toning Positive Film by Machine Methods[Active]
  • 16mm Super Anscochrome Films[Active]
  • Ansco Color for Professional Motion Pictures[Active]
  • Society Announcements[Active]
  • Machine Processing of 16-Mm Ansco Color Film[Active]
  • A New Color Intermediate Positive—Intermediate Negative Film System for Color Motion-Picture Photography[Active]
  • A 16mm Color Internegative Film for Use in Color Motion-Picture Photography[Active]
  • Color Kinescope Recording on Embossed Film[Active]
  • Processing Anscochrome Motion-Picture Films for Industrial and Scientific Applications[Active]
  • Separation Process for Additive Color Motion-Picture Photography on Black-and-White Film[Active]
  • The Production of Motion Pictures in Color 1930–1954[Active]
  • Flash Light Source Measurement[Active]
  • The Morgana Color Process[Active]
  • A High-Speed Color Negative Film[Active]
  • Technicolor Adventures in Cinemaland[Active]
  • A New Additive Color System for Motion-Picture Photography[Active]
  • 1. Fulton A. R. , Motion Pictures: The Development of An Art From Silent Films to the Age of Television , University of Oklahoma Press , Norman , 1960 .EXTERNAL
  • 9. (b) Kelley Wm. V. D. , “Imbibition Coloring of Motion Picture Films,” Trans. SMPE , X : No. 28 , 238, Feb. 1927 .EXTERNAL
  • 10. Freidman J. S. , History of Color Photography. The American Photographic Publishing Company , Boston , 1944 .EXTERNAL
  • 11. “An American Demonstration of the Urban-Smith Process of Animated Color Photography,” Scientific American , 25 Dec. 1909 , p. 487 .EXTERNAL
  • 12. Cornwell-Clyne Adrian , Colour Cinematography. Chapman and Hall, Ltd. , London , 1951 .EXTERNAL
  • 13. U.S. Patent 1,313,38.EXTERNAL
  • 14. New York Times. LXVII : 7 , 15 Feb. 1918 .EXTERNAL
  • 15. U.S. Patent 1,262,954.EXTERNAL
  • 17. Powrie J. H. , “Line Screen Film Process for Motion Pictures in Color,” Trans. SMPE , XII : 320 – 334 , April 1928 .EXTERNAL
  • 18. “Color Committee Report,” Jour. SMPE. , 16 : 101 – 102 , Jan. 1931 .EXTERNAL
  • 2. Tinting and Toning of Eastman Positive Motion Picture Film , Eastman Kodak Company , Rochester, N.Y. , 1927 , p. 7 .EXTERNAL
  • 19. Film Daily , 12 April 1931 .EXTERNAL
  • 21. Motion Picture Herald , 11 April 1933 , p. 13 .EXTERNAL
  • 22. U.S. Patent 1,978,789; U.S. Patent 1,958,617: U.S. Patent, 1,953,958.EXTERNAL
  • 23. U.S. Patent 205,023; U.S. Patent 205,024; U.S. Patent 2,315,783.EXTERNAL
  • 24. New York Times , Sect. 9, p. 3 , 12 July 1936 .EXTERNAL
  • 25. “Color Committee Report,” Jour. SMPE , 16 : 116 , July 1931 .EXTERNAL
  • 26. U.S. Patent 2,152,224.EXTERNAL
  • 27. “Colorvision, A New Additive Process for Color Photography,” Los Angeles , Colorvision, Inc. , 1954 .EXTERNAL
  • 3. Jones L. A. , “Tinted Films for Sound Positives,” Trans. SMPE , XIII : No. 37 , 199 – 226 , May 1929 .EXTERNAL
  • 30. Wheeler L. H. , “A New Color Separation Technique for Color Negative Protection,” Jour. SMPTE. .EXTERNAL
  • 31. Friedman J. S. , History of Color Photography , The American Photographic Publishing Co. , Boston , 1944 , pp. 222 – 225 .EXTERNAL
  • 32. Mees C. E. K. , “Amateur Cinematography and The Kodacolor Process,” Jour. Franklin Institute , 1 – 17 , Jan. 1929 .EXTERNAL
  • 33. Capstaff J. G. Seymour M. W. , “The Kodacolor Process for Amateur Color Cinematography,” Trans. SMPE. XII : No. 36 , 940 – 947 , 1928 .EXTERNAL
  • 34. New York Variety , 14 Jan. 1953 .EXTERNAL
  • 37. U.S. Patent 1,752,477; U.S. Patent 1,410,884; U.S. Patent 2,070,222.EXTERNAL
  • 38. Gregory C. L. , Motion Picture Photography. Falk Publishing Co., Inc. , New York , 1927 , pp. 338 – 340 .EXTERNAL
  • 4. Ref. 3, p. 208 .EXTERNAL
  • 40. Kalmus H. T. , “New Technicolor System Announced,” American Cinematographer. The American Society of Cinematographers , Oct. 1950 , p. 354 .EXTERNAL
  • 42. Leigh Allen , “New Technicolor System Tested by Directors of Photography,” American Cinematographer, The American Society of Cinematographers , Dec. 1960 , pp. 414 , 424 .EXTERNAL
  • 44. Cornwell-Clyne Adrian , Colour Cinematography , Chapman and Hall, Ltd. , London , 1951 , pp. 457 – 463 .EXTERNAL
  • 45. Friedman J. S. , History of Color Photography , The American Photographic Publishing Co. , Boston , 1944 , p. 474 .EXTERNAL
  • 46. Elements of Color in Professional Motion Pictures , Society of Motion Picture and Television Engineers , New York , 1957 , pp. 32 – 33 .EXTERNAL
  • 47. U.S. Patent 1,316,791.EXTERNAL
  • 48. U.S. Patent 1,505,787.EXTERNAL
  • 5. Ref. 2, pp 15 – 16 .EXTERNAL
  • 48. Cornwell-Clyne Adrian , Colour Cinematography , Chapman and Hall, Ltd. , London , 1951 , p. 18 .EXTERNAL
  • 49. “Color Committee Report,” Jour. SMPE , 15 : 722 – 723 , Nov. 1930 .EXTERNAL
  • 50. Cornwell-Clyne Adrian , “ Colour Cinematography , Chapman and Hall, Ltd. , London , 1951 , p. 17 .EXTERNAL
  • 51. Ramsaye Terry , A Million and One Nights , Simon and Schuster , New York , 1964 , p. 571 .EXTERNAL
  • 52. Crespinel W. T. , “Illustrating Multicolor,” International Photographer , No. 1, Aug. 1929 , p. 30 .EXTERNAL
  • 56. Peck A. P. , “Movies Take On Color,” Scientific American , April 1930 , p. 285 .EXTERNAL
  • 58. “Magnacolor Film Announced,” American Cinematographer, The American Society of Cinematographers , March 1931 , p. 20 .EXTERNAL
  • 59. Fleet R. , “The Trucolor Process,” American Cinematographer, The American Society of Cinematographers , March 1948 , p. 79 .EXTERNAL
  • 60. “Color Committee Report,” Jour. SMPE , 16 : 723 – 724 , Nov. 1930 .EXTERNAL
  • 61. “Color Committee Report,” Jour. SMPE , 16 : 101 , Jan. 1931 .EXTERNAL
  • 62. Limbacher James L. , “A History Study of The Color Motion Picture,” 1963 (mimeographed).EXTERNAL
  • 64. U.S. Patent 2,396,726.EXTERNAL
  • 65. Schinzel K. , Brit. Jour. Photography , Vol. 52 , 1905 , p. 608 .EXTERNAL
  • 66. Cornwell-Clyne Adrian , Colour Cinematography , Chapman and Hall Ltd. , London , 1951 , p. 419 .EXTERNAL
  • 67. Wyckoff A. , “Gasparcolor Comes to Hollywood,” American Cinematographer, The American Society of Cinematographers , Nov. 1941 , pp. 510 – 511 .EXTERNAL
  • 7. Limbacher James L. , “A History Study of the Color Motion Pictures,” 1963 (mimeographed).EXTERNAL
  • 68. Neblette C. B. , Photography, Its Principles and Practices , D. Von Nostrand Co. , New York, 1947 , p. 813 .EXTERNAL
  • 69. Mees C. E. K. , “Direct Processes for Making Photographic Prints in Color,” Jour. Franklin Institute , Vol. 233 , No. 1 , Jan. 1942 , pp. 45 – 46 .EXTERNAL
  • 72. Forrest J. L. , “A New 16mm Camera Color Film for Professional Use,” Jour. SMPTE , 66 : 94 – 120 , Jan. 1957 .EXTERNAL
  • 73. Foster F. , “Eastman Negative-Positive Color Films for Motion Pictures,” Amer. Cinematog. , 322 – 323 & 348 – 349 , July 1953 .EXTERNAL
  • 76. Gifford A. F. Gerhart F. H. , “Characteristics of Super Anscochrome Film,” Phot. Sci. and Eng. , 12 – 14 , July 1957 .EXTERNAL
  • 77. Sease V. B. , “Du Ponts New Color Film,” American Cinematographer, The American Society of Cinematography , pp. 240 , 257 – 258 , 1949 .EXTERNAL
  • 79. “New Eastman Color Film Tested by Hollywood Studios and Film Labs,” Amer. Cinematog. , 95 – 102 , Mar. 1950 .EXTERNAL
  • 80. Rowan A. , “The Wild North: Introduces MGM's New Ansco Color Process” Amer. Cinematog. , pp. 106 – 107 & 122 – 124 , Mar. 1952 .EXTERNAL
  • 83. Groet N. H. Liberman M. Richey F. , “An Improved Professional 16mm Reversal Camera Film,” Jour. SMPTE, : 8 – 10 , Jan. 1959 .EXTERNAL
  • 9. (a) Hayne D. , (ed.) The Autobiography of Cecil B. DeMille , Prentice-Hall, Inc. , Englewood Cliffs, N.J. 1959 , 465 pp.EXTERNAL
  • 87. “New Color Deal,” Amer. Cinematog. , 206 , 215 – 216 , May 1952 , (Full test reprinted from New York Times, 9 March 1952, article by Bosley Crowthers, drama and cinema critic.).EXTERNAL
  • 90. Duerr H. H. , “The Ansco Color Negative Positive Process,” Jour. SMPTE , 465 – 470 , June 1952 .EXTERNAL
  • 91. Mitchell R. A. , “The New Ansco-Color Film and Process,” Amer. Cinematog. , 166 , 177 – 183 , April 1953 .EXTERNAL
  • 92. Variety , Wednesday, 6 January 1954 , p. 51 .EXTERNAL
  • 93. Hollywood Reporter. Hollywood, 27 June 1962 .EXTERNAL