Light-Field Acquisition System That Facilitates Camera and Depth-of-Field Compositing in Post-Production
Metadata
- Publisher
- SMPTE — White Plains, NY, USA
- Doc Type
- Journal Article
- Content Type
- Original Research
- Abbreviated Title
- SMPTE Mot. Imag J.
- Volume
- 124, No. 1, pp. 16–21
- Abstract
- Traditional film and broadcast cameras capture the scene from a single viewpoint, while important creative parameters such as the camera position and orientation, the depth of field, and the three-dimensional (3D) parallax when using a 3D camera rig are burned into the footage during acquisition. To realize artistic effects such as the matrix or the vertigo effect with traditional cameras is a complex task that requires skilled personnel. Within the matrix effect, the scene appears frozen while a camera movement is simulated by placing dozens of cameras in a mainly horizontal arrangement. The vertigo effect requires physical movement of the camera, which is usually mounted on a dolly, and translates forward and backward to and from the scene while the zoom and possibly the focus are changed accordingly. Usually, the scene needs to be shot multiple times until the best combination of zoom corrections and dolly movement is found.Against this background, a system is presented that allows capture of the light field of a sequence and thus offers full creative leeway of changing camera paths and orientation, as well as setting the focal plane in post-production. In contrast to previous approaches, the handling of the involved acquisition system is compact and thus suitable for on-set operation. This paper describes the associated content production and presents first results that underlie the suitability of the approach.
- Publication Date
- 2015-01-01
- DOI
10.5594/j18496- ISSN
- Print:
1545-0279| Electronic:2160-2492 - Link
- https://doi.org/10.5594/j18496
- Author(s)
- Frederik ZillyMichael SchoberlMatthias ZieglerJoachim KeinertSiegfried Foessel
- Copyright
- © 2015 Society of Motion Picture and Television Engineers, Inc.
Bibliographic Reference(s)
- 1. Wilburn B. Joshi N. Vaish V. Talvala E.-V. Antunez E. Barth A. Adams A. Horowitz M. Levoy M. “High Performance Imaging Using Large Camera Arrays,” ACM SIGGRAPH Papers, 2005 . EXTERNAL
- 2. Ng R. Levoy M. Brédif M. Duval G. Horowitz M. Hanrahan P. “Light Field Photography with a Hand-held Plenoptic Camera,” Stanford Tech Report CTRS 2005-02, 2005 . EXTERNAL
- 3. Zilly F. Müller M. Kauff P. “The Stereoscopic Analyzer—An Image-Based Assistance Tool for Stereo Shooting and 3D Production,” Proc. ICIP 2010 , Hong Kong , Sept. 2010 . EXTERNAL
- 4. Zilly F. Riechert C. Müller M. Kauff P. “Multi-Camera Rectification Using Linearized Trifocal Tensor,” presented at the International Conference on Pattern Recognition, Tsukuba, Nov. 2012 . EXTERNAL
- 5. Riechert C. Zilly F. Müller M. Kauff P. “Real-Time Disparity Estimation Using Line-Wise Hybrid Recursive Matching and Cross-Bilateral Median Up-Sampling,” presented at the International Conference on Pattern Recognition, Tsukuba, Nov. 2012 . EXTERNAL
- 6. Kauff P. Atzpadin N. Fehn C. Müller M. Schreer O. Smolic A. Tanger R. “Depth Map Creation and Image-Based Rendering of Advanced 3DTV Services Providing Interoperability and Scalability,” Signal. Process. Image Comm. , 22 ( 2 ): 217 – 234 , Feb. 2007 . EXTERNAL
- 7. Mendiburu B. 3D Movie Making—Stereoscopic Digital Cinema from Script to Screen , Elsevier : Burlington, MA , 2008 . EXTERNAL
- 8. Zilly F. Kluger J. Kauff P. “Production Rules of 3D Stereo Acquisition,” Proc. IEEE , 99 ( 4 ): 590 – 606 , Apr. 2011 . EXTERNAL
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Frederik Zilly, Michael Schoberl, Matthias Ziegler, Joachim Keinert, and Siegfried Foessel; Light-Field Acquisition System That Facilitates Camera and Depth-of-Field Compositing in Post-Production, SMPTE Motion Imaging Journal ( Volume: 124, Issue: 1, January 2015); SMPTE, 2015. Available at https://doi.org/10.5594/j18496
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Frederik Zilly, Michael Schoberl, Matthias Ziegler, Joachim Keinert, and Siegfried Foessel; Light-Field Acquisition System That Facilitates Camera and Depth-of-Field Compositing in Post-Production, SMPTE Motion Imaging Journal ( Volume: 124, Issue: 1, January 2015); SMPTE, 2015. Available at https://doi.org/10.5594/j18496
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Frederik Zilly, Michael Schoberl, Matthias Ziegler, Joachim Keinert, and Siegfried Foessel; Light-Field Acquisition System That Facilitates Camera and Depth-of-Field Compositing in Post-Production, SMPTE Motion Imaging Journal ( Volume: 124, Issue: 1, January 2015); SMPTE, 2015. Available at https://doi.org/10.5594/j18496
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<span class="citation">Frederik Zilly, Michael Schoberl, Matthias Ziegler, Joachim Keinert, and Siegfried Foessel; <cite>Light-Field Acquisition System That Facilitates Camera and Depth-of-Field Compositing in Post-Production</cite>, SMPTE Motion Imaging Journal ( Volume: 124, Issue: 1, January 2015); SMPTE, 2015. Available at <a href="https://doi.org/10.5594/j18496" target="_blank" rel="noopener">https://doi.org/10.5594/j18496</a></span>
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Frederik Zilly, Michael Schoberl, Matthias Ziegler, Joachim Keinert, and Siegfried Foessel; Light-Field Acquisition System That Facilitates Camera and Depth-of-Field Compositing in Post-Production, SMPTE Motion Imaging Journal ( Volume: 124, Issue: 1, January 2015); SMPTE, 2015
doi: 10.5594/j18496
url: https://doi.org/10.5594/j18496
doi: 10.5594/j18496
url: https://doi.org/10.5594/j18496
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<li> Frederik Zilly, Michael Schoberl, Matthias Ziegler, Joachim Keinert, and Siegfried Foessel; <cite id="bib-10-5594-j18496">Light-Field Acquisition System That Facilitates Camera and Depth-of-Field Compositing in Post-Production</cite>, SMPTE Motion Imaging Journal ( Volume: 124, Issue: 1, January 2015); SMPTE, 2015 <span class="doi">10.5594/j18496</span> </li>