Update on Color Representation for Television and Cinema

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Publisher: SMPTE — White Plains, NY, USA
Doc Type: Journal Article
Content Type: Original Research
Abbreviated Title: SMPTE Mot. Imag. J
Volume: 121, No. 6, pp. 83–89
Abstract: As technology improvements have been steadily implemented in both the Television and Cinema industries, one of the most neglected topics has been color. Still hampered by CRT-era color specifications and relatively simplistic color mapping methods, these industries are overdue for a change. Change is coming, in the form of new color spaces like ultra-high definition television (UHDTV) and Academy Color Encoding System (ACES). These new systems bring greater capabilities than the current spaces of Rec.709 and P3, but they also bring new challenges. Larger color spaces create trade-offs in precision and efficiency, and they bring added complexity as color encoding spaces are no longer rigidly tied to display color gamuts. Techniques for gamut mapping from one space to another become critical to the success of these new formats, and a greater understanding of human color perception is required to maximize the potential of these exciting new developments. This article will review the history and current status of color system developments.
Publication Date: 2012-09-01
DOI: 10.5594/j18219
ISSN: Print: 1545-0279
Link: https://doi.org/10.5594/j18219
Author(s): Scott Miller
Scott Daly
Craig Todd
Copyright: © 2012 Society of Motion Picture and Television Engineers, Inc.

Bibliographic Reference(s)

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Scott Miller, Scott Daly, and Craig Todd; Update on Color Representation for Television and Cinema, SMPTE Motion Imaging Journal ( Volume: 121, Issue: 6, 2012); SMPTE, 2012. Available at https://doi.org/10.5594/j18219

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Scott Miller, Scott Daly, and Craig Todd; Update on Color Representation for Television and Cinema, SMPTE Motion Imaging Journal ( Volume: 121, Issue: 6, 2012); SMPTE, 2012. Available at https://doi.org/10.5594/j18219

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Scott Miller, Scott Daly, and Craig Todd; Update on Color Representation for Television and Cinema, SMPTE Motion Imaging Journal ( Volume: 121, Issue: 6, 2012); SMPTE, 2012
doi: 10.5594/j18219
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Scott Miller, Scott Daly, and Craig Todd; <cite id="bib-10-5594-j18219">Update on Color Representation for Television and Cinema</cite>, SMPTE Motion Imaging Journal ( Volume: 121, Issue: 6, 2012); SMPTE, 2012
<span class="doi">10.5594/j18219</span>
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