The Status of Cinematography Today

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Publisher: SMPTE
Doc Type: Journal Article
Article Type: orig-research
Abstract: As anyone involved with feature film and/or TV production knows, cinematography has recently been experiencing acceleration in the routine use of digital motion picture cameras as viable alternatives to shooting with film. The beginning of this transitional process started with George Lucas in April 2000.
Publication Date: 2011-01-01
DOI: 10.5594/j18081
Link: https://doi.org/10.5594/j18081
Author(s): Curtis Clark, David Stump

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Curtis Clark and David Stump; The Status of Cinematography Today, SMPTE Motion Imaging Journal ( Volume: 120, Issue: 6, 2011); SMPTE, 2011. Available at https://doi.org/10.5594/j18081

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Curtis Clark and David Stump; The Status of Cinematography Today, SMPTE Motion Imaging Journal ( Volume: 120, Issue: 6, 2011); SMPTE, 2011. Available at https://doi.org/10.5594/j18081

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Curtis Clark and David Stump; The Status of Cinematography Today, SMPTE Motion Imaging Journal ( Volume: 120, Issue: 6, 2011); SMPTE, 2011. Available at https://doi.org/10.5594/j18081

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<span class="citation">Curtis Clark and David Stump; <cite>The Status of Cinematography Today</cite>, SMPTE Motion Imaging Journal ( Volume: 120, Issue: 6, 2011); SMPTE, 2011. Available at <a href="https://doi.org/10.5594/j18081" target="_blank" rel="noopener">https://doi.org/10.5594/j18081</a></span>

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Curtis Clark and David Stump; The Status of Cinematography Today, SMPTE Motion Imaging Journal ( Volume: 120, Issue: 6, 2011); SMPTE, 2011
doi: 10.5594/j18081
url: https://doi.org/10.5594/j18081

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Curtis Clark and David Stump; <cite id="bib-10-5594-j18081">The Status of Cinematography Today</cite>, SMPTE Motion Imaging Journal ( Volume: 120, Issue: 6, 2011); SMPTE, 2011
<span class="doi">10.5594/j18081</span>
</li>