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SMPTE Motion Imaging Journal ( Volume: 120, Issue: 6, 2011)
[ACTIVE]

Digital Cinema Applications (21DC)

Metadata

Publisher
SMPTE — White Plains, NY, USA
Doc Type
Journal Article
Content Type
Original Research
Abbreviated Title
SMPTE Mot. Imag. J
Volume
120, No. 6, pp. 31–32
Abstract
The charter of 21DC is to develop the standards for Digital Cinema as it applies to the application of mastered essence to theatrical digital distribution and exhibition, including compression, encryption, wrapping, marking, packaging, media, logging, playout, projection, reproduction, and related topics.
Publication Date
2011-09-01
DOI
10.5594/j18073
ISSN
Print: 1545-0279
Link
https://doi.org/10.5594/j18073
Author(s)
Dave Schnuelle
bio
Dave Schnuelle represents Dolby Laboratories as senior director, image technology, and is responsible for guidance in Dolby's efforts in the television, cinema, and consumer imaging areas. He began his career as an engineer on television outside broadcasts while attending Purdue University. Schnuelle later held positions as chief engineer at various post-production facilities such as Editel and Modern VideoFilm in Los Angeles. Schnuelle worked with Lucasfilm's THX Division, beginning in 1991, where he was responsible for founding the THX Digital Mastering Program for quality-assurance of home video masters and duplicated software. As director of technology for THX, he directed research efforts into new technology for cinemas. During that period, he directly supervised the international digital cinema exhibition of the new Star Wars movies—Episode 1 1999 and Episode 2 2002. Schnuelle holds four patents on imaging and audio technology and has been deeply involved with film and television standards activities for 30 years. Schnuelle is a SMPTE Fellow and a member of the Academy of Motion Picture Arts and Sciences.
John Hurst
bio
John Hurst is co-founder and chief technology officer at CineCert, LLC, an internationally recognized developer of digital cinema technology, where he is currently engaged in the development of the D-Cinema Comprehensive Test Plan for Digital Cinema Initiatives (DCI). Hurst has been an active participant in the SMPTE Digital Cinema technology committee and has served as editor of several of the standards published by that committee. He has more than 25 years of experience in sound recording and post-production, including the design and construction of well-known recording studios and post-production sound facilities in the Los Angeles area. He has technical responsibilities for many location recordings and live-to-air broadcasts. Hurst is a member of the Audio Engineering Society and is an active radio amateur and community volunteer.
Copyright
© 2011 Society of Motion Picture and Television Engineers, Inc.
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Dave Schnuelle and John Hurst; Digital Cinema Applications (21DC), SMPTE Motion Imaging Journal ( Volume: 120, Issue: 6, 2011); SMPTE, 2011. Available at https://doi.org/10.5594/j18073
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Dave Schnuelle and John Hurst; Digital Cinema Applications (21DC), SMPTE Motion Imaging Journal ( Volume: 120, Issue: 6, 2011); SMPTE, 2011. Available at https://doi.org/10.5594/j18073

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Dave Schnuelle and John Hurst; Digital Cinema Applications (21DC), SMPTE Motion Imaging Journal ( Volume: 120, Issue: 6, 2011); SMPTE, 2011. Available at https://doi.org/10.5594/j18073
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<span class="citation">Dave Schnuelle and John Hurst; <cite>Digital Cinema Applications (21DC)</cite>, SMPTE Motion Imaging Journal ( Volume: 120, Issue: 6, 2011); SMPTE, 2011. Available at <a href="https://doi.org/10.5594/j18073" target="_blank" rel="noopener">https://doi.org/10.5594/j18073</a></span>

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Dave Schnuelle and John Hurst; Digital Cinema Applications (21DC), SMPTE Motion Imaging Journal ( Volume: 120, Issue: 6, 2011); SMPTE, 2011
doi: 10.5594/j18073
url: https://doi.org/10.5594/j18073
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Dave Schnuelle and John Hurst; <cite id="bib-10-5594-j18073">Digital Cinema Applications (21DC)</cite>, SMPTE Motion Imaging Journal ( Volume: 120, Issue: 6, 2011); SMPTE, 2011
<span class="doi">10.5594/j18073</span>
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