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SMPTE Motion Imaging Journal ( Volume: 120, Issue: 4, May 2011)
[ACTIVE]

Novel Stereoscopic Content Production Tools

Metadata

Publisher
SMPTE — White Plains, NY, USA
Doc Type
Journal Article
Content Type
Original Research
Abbreviated Title
SMPTE Mot. Imag. J
Volume
120, No. 4, pp. 29–35
Abstract
Stereoscopic 3D is on the cusp of becoming a mass consumer product. But despite the recent rise of stereoscopic movies and technological advances in the industry, many challenges regarding 3D content creation and display remain unsolved. A fundamental issue is control and modification of the stereoscopic depth of live-action content after it has been recorded, since changing depth effectively amounts to changing the baseline and vergence of the capture rig. With existing post-production tools, the modification of these parameters involves cumbersome and expensive segmentation, dense depth reconstruction, and inpainting. This paper provides an overview of existing technologies for stereoscopic content editing, identify current challenges, and presents a number of recent research results that provide novel solutions to problems such as disparity correction and depth authoring, display adaptation, and 2D- to 3D conversion.
Publication Date
2011-05-01
DOI
10.5594/j18041XY
ISSN
Print: 1545-0279
Link
https://doi.org/10.5594/j18041XY
Author(s)
Alexander Hornung
bio
Alexander Hornung is a research scientist at Disney Research Zurich, heading the group for imaging and video processing. He is also an adjunct lecturer at ETH Zurich and supervises undergraduate as well as M.S. and Ph.D. students. Before joining Disney he was a Postdoc student in the Computer Graphics Laboratory of Prof. Markus Gross at ETH Zurich. Hornung received a Diplom (2003) and Ph.D. (2008) in computer science at the Computer Graphics Group of Prof. Leif Kobbelt at RWTH Aachen. His research interests are computer graphics and vision. In particular, he is interested in the fields of video and light field processing, stereoscopy, image-based rendering and 3D reconstruction, and 2D animation and games
Aljoscha Smolic
bio
Aljoscha Smolic received a Dr.-Ing. degree from Aachen University of Technology (RWTH) in 2001. He joined Disney Research Zurich in 2009, where he leads the “Advanced Video Technology” group. Before that, he was a scientific project manager at Fraunhofer HHI in Berlin. He conducted research in video processing, video coding, computer vision and computer graphics and published more than 100 referred papers in these fields. Since 2003 Smolic had teaching appointments at TU Berlin, ETH Zurich, Universitat Politécnica de Catalunya, Universidad Politécnica de Madrid, and Universitat de les Illes Balears. He is area editor for Signal Processing: Image Communication and served as guest editor for the Proceedings of the IEEE, IEEE Transactions on CSVT, IEEE Signal Processing magazine and others. He chaired the MPEG ad hoc group on 3DAV pioneering standards for 3D video and served as one of the editors of the Multi-view Video Coding (MVC) standard.
Markus Gross
bio
Markus Gross is a professor of computer science at ETH Zurich, head of the Computer Graphics Laboratory, and the director of Disney Research Zurich. For more than 20 years Gross has been pursuing basic and applied research in computer graphics, image generation and display, geometric modeling, and computer animation. His research interests include point-based graphics, physically-based modeling, immersive displays, and video processing. He has published more than 200 scientific papers and holds various patents on core graphics and visualization technologies. Gross was chair of the papers committee of ACM SIGGRAPH 2005 and is a fellow of the Eurographics Association. He serves on the boards of numerous international research institutions, societies, and governmental organizations. He is a co-founder of Cyfex AG, Novodex AG, LiberoVision AG, and Dybuster AG.
Copyright
© 2011 Society of Motion Picture and Television Engineers, Inc.

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Alexander Hornung, Aljoscha Smolic, and Markus Gross; Novel Stereoscopic Content Production Tools, SMPTE Motion Imaging Journal ( Volume: 120, Issue: 4, May 2011); SMPTE, 2011. Available at https://doi.org/10.5594/j18041XY
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Alexander Hornung, Aljoscha Smolic, and Markus Gross; Novel Stereoscopic Content Production Tools, SMPTE Motion Imaging Journal ( Volume: 120, Issue: 4, May 2011); SMPTE, 2011. Available at https://doi.org/10.5594/j18041XY

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Alexander Hornung, Aljoscha Smolic, and Markus Gross; Novel Stereoscopic Content Production Tools, SMPTE Motion Imaging Journal ( Volume: 120, Issue: 4, May 2011); SMPTE, 2011. Available at https://doi.org/10.5594/j18041XY
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<span class="citation">Alexander Hornung, Aljoscha Smolic, and Markus Gross; <cite>Novel Stereoscopic Content Production Tools</cite>, SMPTE Motion Imaging Journal ( Volume: 120, Issue: 4, May 2011); SMPTE, 2011. Available at <a href="https://doi.org/10.5594/j18041XY" target="_blank" rel="noopener">https://doi.org/10.5594/j18041XY</a></span>

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Alexander Hornung, Aljoscha Smolic, and Markus Gross; Novel Stereoscopic Content Production Tools, SMPTE Motion Imaging Journal ( Volume: 120, Issue: 4, May 2011); SMPTE, 2011
doi: 10.5594/j18041XY
url: https://doi.org/10.5594/j18041XY
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Alexander Hornung, Aljoscha Smolic, and Markus Gross; <cite id="bib-10-5594-j18041xy">Novel Stereoscopic Content Production Tools</cite>, SMPTE Motion Imaging Journal ( Volume: 120, Issue: 4, May 2011); SMPTE, 2011
<span class="doi">10.5594/j18041XY</span>
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