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MTS 2024, Article 28 (pp. 1 to 11)
[ACTIVE]

Integrating Single, Large Sensor Cameras into Traditional Broadcast Workflows - Opportunities and Challenges

Metadata

Publisher
SMPTE — Hollywood, CA
Doc Type
Conference Paper
Content Type
Original Research
Volume
00, pp. 1–11
Abstract
In recent years, an increasing number of studio and independent productions have begun using cinematic style, Single Large Sensor (SLS) cameras in production, especially for special events and high-end live shows. The most compelling reason why productions want to use SLS cameras in production is that the larger sensor provides a narrower Depth of Field (DoF) for the same framing than a 3-chip camera, which helps focus the viewer's attention. To better accommodate that demand, it is essential to understand SLS operational boundaries in traditional broadcast environments. DoF, image quality and subjective viewing tests help assess those boundaries in typical conditions, with physical as well as digital backgrounds. While their use is opening new creative avenues, SLS cameras pose significant challenges in traditional productions: In certain scenarios, it's impossible to keep proper focus on the action, for example. Providing deep focus with SLS cameras requires significantly more light, gain or less magnification than 3-chip cameras, which can be an issue. Another unexpected issue is the Moire effect generated when two different patterns are interfering with one another. This was observed when the Bayer pattern of the SLS camera interfered with the RGB pattern of a micro-LED digital decor or set screens. This paper delves into these issues and provides operational parameters and guidance on how to deal with the technical challenges arising from the use of SLS cameras in broadcast, so that creatives can enjoy the benefits of a cinematic look without experiencing too many technical setbacks.
Publication Date
2024-10-21
DOI
10.5594/MOO/3038
ISBN
[object Object]
Link
https://doi.org/10.5594/MOO/3038
Author(s)
Pierre Hugues Routhier
Keyword(s)
Cinematography, SLS, Depth of Field, Large Sensors, Moiré, LED Screens
Copyright
© 2024 SMPTE
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Pierre Hugues Routhier; Integrating Single, Large Sensor Cameras into Traditional Broadcast Workflows - Opportunities and Challenges, MTS 2024, Article 28 (pp. 1 to 11); SMPTE, 2024, ISBN: [object Object]. Available at https://doi.org/10.5594/MOO/3038
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Pierre Hugues Routhier; Integrating Single, Large Sensor Cameras into Traditional Broadcast Workflows - Opportunities and Challenges, MTS 2024, Article 28 (pp. 1 to 11); SMPTE, 2024, ISBN: [object Object]. Available at https://doi.org/10.5594/MOO/3038

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Pierre Hugues Routhier; Integrating Single, Large Sensor Cameras into Traditional Broadcast Workflows - Opportunities and Challenges, MTS 2024, Article 28 (pp. 1 to 11); SMPTE, 2024, ISBN: [object Object]. Available at https://doi.org/10.5594/MOO/3038
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<span class="citation">Pierre Hugues Routhier; <cite>Integrating Single, Large Sensor Cameras into Traditional Broadcast Workflows - Opportunities and Challenges</cite>, MTS 2024, Article 28 (pp. 1 to 11); SMPTE, 2024, ISBN: [object Object]. Available at <a href="https://doi.org/10.5594/MOO/3038" target="_blank" rel="noopener">https://doi.org/10.5594/MOO/3038</a></span>

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Pierre Hugues Routhier; Integrating Single, Large Sensor Cameras into Traditional Broadcast Workflows - Opportunities and Challenges, MTS 2024, Article 28 (pp. 1 to 11); SMPTE, 2024, ISBN: [object Object]
doi: 10.5594/MOO/3038
url: https://doi.org/10.5594/MOO/3038
Snippet:
<li>
Pierre Hugues Routhier; <cite id="bib-10-5594-moo-3038">Integrating Single, Large Sensor Cameras into Traditional Broadcast Workflows - Opportunities and Challenges</cite>, MTS 2024, Article 28 (pp. 1 to 11); SMPTE, 2024, ISBN: [object Object]
<span class="doi">10.5594/MOO/3038</span>
</li>