Digital Audio Post Production for ATV

Metadata

Publisher: SMPTE — White Plains, NY
Doc Type: Conference Paper
Content Type: Original Research
Volume: 1997, No. 6, pp. 1–11
Abstract: As digital television broadcast comes into being, changes are due in post production. Among the most prominent of these are: increasing use of digital audio recording and distribution, multichannel audio, production information contained within headers so that end user sets can make level more equal among other things, 100 dB dynamic range potential, and the removal of the 75 μs pre-emphasis used in analog broadcast. The impact of each of these factors will be felt in post production with a greater need for multichannel capability, and with new monitoring needs.
Publication Date: 1997-11-01
DOI: 10.5594/M00241
Link: https://doi.org/10.5594/M00241
Author(s): Tomlinson HolmanUniversity of Southern California School of Cinema-Television and School of Engineering Integrated Systems Media Center TMH Corporation Los Angeles
Copyright: © 1997 Society of Motion Picture and Television Engineers, Inc.

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<span class="citation">Tomlinson Holman; <cite>Digital Audio Post Production for ATV</cite>, SMPTE Meetings and Conferences ( November 1997); SMPTE, 1997. Available at <a href="https://doi.org/10.5594/M00241" target="_blank" rel="noopener">https://doi.org/10.5594/M00241</a></span>

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Tomlinson Holman; Digital Audio Post Production for ATV, SMPTE Meetings and Conferences ( November 1997); SMPTE, 1997
doi: 10.5594/M00241
url: https://doi.org/10.5594/M00241

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Tomlinson Holman; <cite id="bib-10-5594-m00241">Digital Audio Post Production for ATV</cite>, SMPTE Meetings and Conferences ( November 1997); SMPTE, 1997
<span class="doi">10.5594/M00241</span>
</li>