The Three E's of Digital Cinematography

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Publisher: SMPTE — White Plains, NY
Doc Type: Conference Paper
Content Type: Original Research
Volume: 1997, No. 6, pp. 1–8
Abstract: The term ‘Digital Cinematography’ has very much become the maxim over the past few years for the ‘future’ of the moving image. Hyped, loved and reviled as it is, no one has yet found a satisfactory definition of the phrase. At OpTex, we feel that it depends as much on technique as it does, on either the recording medium or the equipment itself. Our involvement in developing add-on equipment has been very much driven by a philosophy that we like to term, ‘The Three E's of Digital Cinematography’, Engineering, Ergonomics and Enthusiasm.
Publication Date: 1997-11-01
DOI: 10.5594/M00234
Link: https://doi.org/10.5594/M00234
Author(s): Brian RoseOpTex London, UK
Copyright: © 1997 Society of Motion Picture and Television Engineers, Inc.

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<span class="citation">Brian Rose; <cite>The Three E&#x27;s of Digital Cinematography</cite>, SMPTE Meetings and Conferences ( November 1997); SMPTE, 1997. Available at <a href="https://doi.org/10.5594/M00234" target="_blank" rel="noopener">https://doi.org/10.5594/M00234</a></span>

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Brian Rose; The Three E's of Digital Cinematography, SMPTE Meetings and Conferences ( November 1997); SMPTE, 1997
doi: 10.5594/M00234
url: https://doi.org/10.5594/M00234

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Brian Rose; <cite id="bib-10-5594-m00234">The Three E&#x27;s of Digital Cinematography</cite>, SMPTE Meetings and Conferences ( November 1997); SMPTE, 1997
<span class="doi">10.5594/M00234</span>
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