Scene-light conversions: the key to enabling live HDR production
Metadata
- Publisher
- SMPTE — White Plains, NY, USA
- Doc Type
- Conference Paper
- Content Type
- Original Research
- Volume
- 2018, No. 10, pp. 1–14
- Abstract
- Live HDR television production has been slow to gain acceptance because it has often been found to compromise the quality of a standard dynamic range (SDR) BT.709 signal derived from the HDR. Whilst parallel SDR/HDR production workflows are possible, they greatly increase the expense and complexity of a production. This paper describes how “scene-light” format conversions, as opposed to the more usual “display-light” conversions, allow SDR and HDR cameras to be intermixed in an HDR production, and an SDR BT.709 output to be derived from an Hybrid Log-Gamma (HLG) HDR production workflow without compromising the quality of the SDR BT.709 signal. — The paper illustrates how these technologies have been deployed in four major international events over the summer of 2018; thereby proving their suitability for live HDR production and paving the way for simpler live HDR production workflows in the future.
- Publication Date
- 2018-10-22
- DOI
10.5594/M001822- ISBN
- Print:
978-1-61482-960-7 - Link
- https://doi.org/10.5594/M001822
- Author(s)
- Andrew CottonBritish Broadcasting Corporation, United Kingdom of Great Britain and Northern IrelandSimon ThompsonBritish Broadcasting Corporation, United Kingdom of Great Britain and Northern Ireland
- Keyword(s)
- HDR, ITU-R BT.2100, HLG, ITU-R BT.709, Scene-referred, ICTCP
- Copyright
- © 2018 Society of Motion Picture and Television Engineers, Inc.
Bibliographic Reference(s)
- Hitting the Mark—A New Color Difference Metric for HDR and WCG Imagery [Active]
- S. Thompson, “Conversion of Conventional Video for Display on High Dynamic Range Televisions”, presented at the SMPTE 2016 Annual Technical Conference & Exhibition, Hollywood, CA, Oct. 2016. EXTERNAL
- F. De Jong, D. Driesnack, et. al. ‘Berlin Leichtathletik-EM: Lessons from a Live, HDR, HFR, UHD and Object-based Audio sports event’, Proc. SMPTE Annual Technical Conference 2018, Los Angeles, Oct. 2018 EXTERNAL
- X-rite ColorChecker Colorimetric Data (PDF), http://xritephoto.com/documents/literature/en/ColorData-1p_EN.pdf EXTERNAL
- A. Roberts, “Circles of Confusion - the essential television technology reference”, European Broadcasting Union: Geneva, 2009 ISBN 978-2-8399-0574-9 EXTERNAL
- Tim Borer, “Display of High Dynamic Range Images Under Varying Viewing Conditions”, Proc. SPIE 10396, Applications of Digital Image Processing XL, 103960H, Sept 2017. EXTERNAL
- EBU Recommendation R103 version 2.0, “Video Signal Tolerance in Digital Television Systems”, June 2016. EXTERNAL
- Sony “What’s SR-Live for HDR”, https://assets.pro.sony.eu/Web/ngp/pdf/what-is-sr-live-for-hdr.pdf, November 2016 EXTERNAL
- ITU-R BT.709.6 [Active]
- R-REC-BT.1886-0 — Recommendation ITU-R BT.1886-0 (03/2011), Reference Electro-Optical Transfer Function for Flat Panel Displays Used in HDTV Studio Production, 2011 EXTERNAL
- R-REC-BT.2020-1 — Recommendation ITU-R BT.2020-1, Parameter values for ultra-high definition television systems for production and international programme exchange EXTERNAL
- R-REC-BT.2087-0 — International Telecommunication Union – Radiocommunication (ITU-R), Recommendation BT.2087-0, “Colour conversion from Recommendation ITU-R BT.709 to Recommendation ITU-R BT.2020”, 10/2015. EXTERNAL
- ITU-R BT.2100-2 [Active]
- ITU-R BT.2390-10 [Active]
- R-REC-BT.2408-1 — International Telecommunications Union - Radiocommunication (ITU-R), Recommendation BT.2408-1, “Operational Practices in HDR Television Production,” Apr. 2018. EXTERNAL
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Andrew Cotton and Simon Thompson; Scene-light conversions: the key to enabling live HDR production, SMPTE Meetings and Conferences ( October 2018); SMPTE, 2018, ISBN: 978-1-61482-960-7. Available at https://doi.org/10.5594/M001822
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Andrew Cotton and Simon Thompson; Scene-light conversions: the key to enabling live HDR production, SMPTE Meetings and Conferences ( October 2018); SMPTE, 2018, ISBN: 978-1-61482-960-7. Available at https://doi.org/10.5594/M001822
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Andrew Cotton and Simon Thompson; Scene-light conversions: the key to enabling live HDR production, SMPTE Meetings and Conferences ( October 2018); SMPTE, 2018, ISBN: 978-1-61482-960-7. Available at https://doi.org/10.5594/M001822
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<span class="citation">Andrew Cotton and Simon Thompson; <cite>Scene-light conversions: the key to enabling live HDR production</cite>, SMPTE Meetings and Conferences ( October 2018); SMPTE, 2018, ISBN: 978-1-61482-960-7. Available at <a href="https://doi.org/10.5594/M001822" target="_blank" rel="noopener">https://doi.org/10.5594/M001822</a></span>
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Andrew Cotton and Simon Thompson; Scene-light conversions: the key to enabling live HDR production, SMPTE Meetings and Conferences ( October 2018); SMPTE, 2018, ISBN: 978-1-61482-960-7
doi: 10.5594/M001822
url: https://doi.org/10.5594/M001822
doi: 10.5594/M001822
url: https://doi.org/10.5594/M001822
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<li> Andrew Cotton and Simon Thompson; <cite id="bib-10-5594-m001822">Scene-light conversions: the key to enabling live HDR production</cite>, SMPTE Meetings and Conferences ( October 2018); SMPTE, 2018, ISBN: 978-1-61482-960-7 <span class="doi">10.5594/M001822</span> </li>